Ein einsamer Schuhverkäufer und ein exzentrischer Performance-Künstler kämpfen um eine Verbindung in dieser einzigartigen Sichtweise des zeitgenössischen Lebens.Ein einsamer Schuhverkäufer und ein exzentrischer Performance-Künstler kämpfen um eine Verbindung in dieser einzigartigen Sichtweise des zeitgenössischen Lebens.Ein einsamer Schuhverkäufer und ein exzentrischer Performance-Künstler kämpfen um eine Verbindung in dieser einzigartigen Sichtweise des zeitgenössischen Lebens.
- Auszeichnungen
- 22 Gewinne & 15 Nominierungen insgesamt
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10levingem
I just saw this film in Cannes, and Miranda July just won the Camera D'Or for best first feature. I think the jurors were right on for giving this film an award. It's a simple film that creates identifiable and likable characters that are all loosely connected. I suppose there is one central story line, but the film's strength lies in the individual scenes and interactions between these characters. July successfully depicts the innocence of childhood, the sexual curiosity of teenagers, and the complex emotions of adulthood through personal and original stories and situations. I don't want to give a lot away but simply recommend anyone reading this to at least give it a shot. You'll either love it or hate it, but I think the majority of you will love it.
I was fortunate enough to see this at the IFC screening a couple of nights ago, and it was truly one of the most refreshing and genuinely enjoyable films I have seen in a long time. It reminded me of an artsier, less commercial Garden State with a female protagonist. And unlike Garden State (which is still a great film), it captured those random, lovely, hard-to-put-into-words bits of human emotion without having to try as hard.
Two very pleasant surprises were the young actors who played the shoe salesmen's sons, more specifically, the six-year-old. I won't spoil the movie for any of you who are planning on seeing it, but the scenes involving the kids on the computer is priceless - it's going to have me laughing for a few years, I think.
I was disappointed that Miranda July did not stay for the entire screening because I would have loved to congratulate her on such an amazing movie. I hope she gets the recognition she deserves!
Two very pleasant surprises were the young actors who played the shoe salesmen's sons, more specifically, the six-year-old. I won't spoil the movie for any of you who are planning on seeing it, but the scenes involving the kids on the computer is priceless - it's going to have me laughing for a few years, I think.
I was disappointed that Miranda July did not stay for the entire screening because I would have loved to congratulate her on such an amazing movie. I hope she gets the recognition she deserves!
Me and you... is the type of movie that you can come in at any point and get into the characters and the plot.I saw it at the U.S.A. Film Festival in Dallas.I missed the beginning,and I heard a few people walked out because of a soft porn scene.I absolutely loved the movie, the actors were perfect for the parts,all of them. I noticed that I was actually sitting next to John Hawke, who was very a funny, honest character.(He was laughing too)Expect to laugh,laugh,and giggle,I was very impressed.Miranda J. is brilliant,she is a really talented actress, who plays a quirky struggling artist,very funny.This movie touches on things that we think, and feel everyday,but are scared to tell.The characters do a great job of making you feel and love each and every one of them.
Much lighter and brighter than Todd Solondz chilling yet profoundly human film 'Happiness.' I felt they were similar in that they explored the strange things people do and say and the believable motivation behind them. Christine (reminiscent of Maggie Gyllenhaal) is a detached yet thoughtful artist who longs for romance and love. Richard is a lonely single father struggling to understand where his life is going after a recent separation.
The kids (who are each some of the best parts of this film) are caught up in an adult world figuring out who they are and where they fit in. This is an enjoyable dark comedy that had the crowd laughing at some parts and gasping at others. I left the theater satisfied and smiling.
The kids (who are each some of the best parts of this film) are caught up in an adult world figuring out who they are and where they fit in. This is an enjoyable dark comedy that had the crowd laughing at some parts and gasping at others. I left the theater satisfied and smiling.
i had the supreme pleasure of seeing this film last night as the grand opener of the seattle international film festival. (this was the first time in the 31 year span of the festival that the opener was directed by a woman!) i loved it! contrary to some previous comments, i found the writing and the approach to the subject matter very adult. a less mature screenwriter could have too easily fallen into a dour and pessimistic mood given the subject matter, especially the instances of desires pedophilia and families torn apart. i think it takes a remarkable, mature writer and director to take these themes and turn them into a heart-warming piece of work rather than just another fatalistic, world-hating film.
the performances were stellar across the board. every character was completely fleshed out and truly human. i think that's what struck me the most about this film, the complete humanity of it. the title is apt, it really is a universal story of you and me and everyone we know. the comedy didn't have to be forced, it was funny because we could all identify and sympathize with the awkwardness of life.
i'd love to see more out of miranda july to this caliber. this was a huge feat for a first feature, but i have a lot of hope and faith in her talents for the future.
the performances were stellar across the board. every character was completely fleshed out and truly human. i think that's what struck me the most about this film, the complete humanity of it. the title is apt, it really is a universal story of you and me and everyone we know. the comedy didn't have to be forced, it was funny because we could all identify and sympathize with the awkwardness of life.
i'd love to see more out of miranda july to this caliber. this was a huge feat for a first feature, but i have a lot of hope and faith in her talents for the future.
Wusstest du schon
- WissenswertesThe 1985 Honda Accord Christine drives in the film was July's own car, passed down from her grandmother.
- PatzerWhile Peter and Robby are singing the hymn to Richard, they walk past the same white picket fence three times.
- Crazy CreditsSpecial thanks to The Bertram Family
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Best Films of 2005 (2005)
- SoundtracksWhere Are We Going
Written and Performed by Ryeland Allison
Published by Silver Outlet Music (BMI)
Courtesy of Silver Outlet Music America
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- Me and You and Everyone We Know
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Box Office
- Budget
- 800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.885.134 $
- Eröffnungswochenende in den USA und in Kanada
- 30.801 $
- 19. Juni 2005
- Weltweiter Bruttoertrag
- 8.012.838 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Japanese language plot outline for Ich und du und alle die wir kennen (2005)?
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