IMDb-BEWERTUNG
4,5/10
1600
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThree Philadelphia-based gangstas -- Beans, Dame and Loco -- are on a collision course with one another for turf. Alliances are forged and broken and lifelong friendships end in violence as ... Alles lesenThree Philadelphia-based gangstas -- Beans, Dame and Loco -- are on a collision course with one another for turf. Alliances are forged and broken and lifelong friendships end in violence as each crime lord schemes to get the upper hand.Three Philadelphia-based gangstas -- Beans, Dame and Loco -- are on a collision course with one another for turf. Alliances are forged and broken and lifelong friendships end in violence as each crime lord schemes to get the upper hand.
- Auszeichnungen
- 1 wins total
N.O.R.E.
- El Pollo Loco
- (as Victor N.O.R.E. Santiago)
Omillio Sparks
- Baby Boy
- (as 'Omillio Sparks' Kenneth Johnson)
Hanif 'Neef' Muhammed
- Neef
- (as Young Neef of Young Gunz)
Christopher Ries
- Chris
- (as Young Chris of Young Gunz)
Jim Jones
- Jimmy Jones
- (as Jimmy Jones)
Ol' Dirty Bastard
- Dirt McGirt
- (as 'Dirt McGirt' Russell Jones)
Jamal Grinnage
- Fame
- (as 'Fame' Jamal Grinnage MOP)
Billy Danze
- Billy Danz
- (as 'Billy' MOP)
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In a movie, which starts off with a pitiful retcon, plot barely registers as an meaningful ingredient. After the graphic death of Beans (Beanie Sigel) during his own trial, which punctuated the badness of the first part, it turns out that the gangsta was just playing and you know... that never really took place. Hence we follow Beans inadvertent incarceration and his laughable attempts at leading his crime empire from prison. Two other criminal mastermind-wanabees also feature - Dame (Damon Dash) and El Pollo Loco (Noreaga). Full with constant voice-over, where we find out the intricate thought processes, which take up most of our antiheroes comprehensive and intellectual capabilities, leaving them with little or nothing left to actually think through their actions.
During the movie we are introduced to some prison code, when Beans discusses business with his crew. 'Surprise parties' are nothing more than gang-organised armed robberies and honestly by the end of the movie the gut feeling is that you have just partaken been the victim of such a party - robbed of time and energy. It must be however said, that despite everything Damon Dash's movie is significantly better directed, than the first part and the story is much more cohesive, even though plot devices are poorly used. Nonetheless he even attempts a plot twist, which however signalised it may have been, actually provided a backdrop for some passable build-up.
Cinematography and to a very limited extent acting (overly self-serving and contrived) is much improved, which shows some professionalisation of the filmmaking process was achieved.
Within a few days of watching the movie is already blurry, so I'm rather certain that the only signature proof of my ever viewing "State Property 2" will be this review.
During the movie we are introduced to some prison code, when Beans discusses business with his crew. 'Surprise parties' are nothing more than gang-organised armed robberies and honestly by the end of the movie the gut feeling is that you have just partaken been the victim of such a party - robbed of time and energy. It must be however said, that despite everything Damon Dash's movie is significantly better directed, than the first part and the story is much more cohesive, even though plot devices are poorly used. Nonetheless he even attempts a plot twist, which however signalised it may have been, actually provided a backdrop for some passable build-up.
Cinematography and to a very limited extent acting (overly self-serving and contrived) is much improved, which shows some professionalisation of the filmmaking process was achieved.
Within a few days of watching the movie is already blurry, so I'm rather certain that the only signature proof of my ever viewing "State Property 2" will be this review.
This movie moves way to fast to keep up with what's going on. It doesn't help either that sometimes it's impossible to understand what the characters are saying. It almost feels like there should be subtitles down the bottom. Basically, as far as I can tell anyway, the story moves from one character to another and shows their involvement in the overall plot. Then at the end it tries to explain itself, but by then the audience is already so lost as to what's going on that it's pretty pointless anyway. It also seemed as if the writers really believed that massive shootouts in the middle of the city still happened every 5 minutes and that no one took any notice as if it was an everyday occurrence. It really seemed as if they believed those scenes to actually be possible in todays world.
Not one that's going to be remembered as great by any stretch of the imagination. There isn't a type of person in existence who would enjoy this film, and that probably includes you so stay away.
Not one that's going to be remembered as great by any stretch of the imagination. There isn't a type of person in existence who would enjoy this film, and that probably includes you so stay away.
Whats that song near the ending scenes, were Beans is sat down with Dame in there little mini truce, there's one song-possibly soundtrack- in the back It goes on to the ending credits as well, it was also played when Beans, ABM and Dame n his gang were battling with Nore. I have typed in various songs in Limewire, but i still cant find this particular tune anywhere. Someone must no the ending credit song, with all the Chain gang in it, Freeway, Beans, Young Gunz and possibly Sparks and Oshino. I appreciate anyone who nows of any sites which contain track listing for State Porperty 2 or any other films done by Roc-a-fella.
I can't say there weren't a handful of somewhat enjoyable moments in this film, most of them simple, gratuitous comedic moments. But to be brutally honest, you would have to be very easily entertained to enjoy this flick. It's kind of like the producers just took small pieces of what worked in similar films and applied them with cut & paste. The plot line is extremely pedestrian and even less discernible. This worst thing about it though is that it's a blatant exploitation of the urban Black culture. Essentially every character is a drug-dealing, gun- toting, wanna-be mafioso. The characters and their lifestyles are of course part of American society, but is there anything positive or beneficial in exploiting this stereotype? I get that it's not supposed to be "Boyz n' the Hood", but there's simply nothing here of any redeeming quality. This has nothing to do with the color of the actors, simply the fact that the movie is a huge waste of time and completely intellectually devoid. It's a prime example of why most musicians should never think of crossing over into the realm of acting, unless of course they're simply making the movie for their own personal amusement. Otherwise, leave it to the professionals, please. 4/4
I recently watched State Property 2 (2005) on Tubi. The storyline continues from the previous film, with "Beans" in jail for drug trafficking. Upon discovering that his crew is losing ground in Philadelphia's drug trade to gangs from New York and Miami, "Beans" forms a new alliance with Freeway to regain control of the streets upon his release, inevitably leading to a war.
Directed by and starring Damon Dash (Paper Soldiers), and featuring Beanie Sigel (Boiler Room), N. O. R. E. (Paid in Full), Roselyn Sánchez (Rush Hour 2), Mariah Carey (Precious), and Freeway (Hustle).
This is one of those movies that feels like it's put together by someone who doesn't create movies...because it is. Despite a solid narration and soundtrack, the movie suffers from disjointed direction. While the jail scenes feel authentic and engaging, the film loses its footing once Damon Dash's character enters the picture. His portrayal comes across as forced and undermines the film's credibility. Mariah Carey's inclusion also feels out of place. Overall, the movie becomes increasingly difficult to watch as it progresses.
In conclusion, State Property 2 has a few redeeming scenes but ultimately fails to deliver as a cohesive film. I would rate it a 4/10 and suggest skipping it.
Directed by and starring Damon Dash (Paper Soldiers), and featuring Beanie Sigel (Boiler Room), N. O. R. E. (Paid in Full), Roselyn Sánchez (Rush Hour 2), Mariah Carey (Precious), and Freeway (Hustle).
This is one of those movies that feels like it's put together by someone who doesn't create movies...because it is. Despite a solid narration and soundtrack, the movie suffers from disjointed direction. While the jail scenes feel authentic and engaging, the film loses its footing once Damon Dash's character enters the picture. His portrayal comes across as forced and undermines the film's credibility. Mariah Carey's inclusion also feels out of place. Overall, the movie becomes increasingly difficult to watch as it progresses.
In conclusion, State Property 2 has a few redeeming scenes but ultimately fails to deliver as a cohesive film. I would rate it a 4/10 and suggest skipping it.
Wusstest du schon
- WissenswertesThe word "fuck" is used about 270 times
- VerbindungenFollows State Property (2002)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- State Property: Blood on the Streets
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.691.706 $
- Eröffnungswochenende in den USA und in Kanada
- 756.905 $
- 17. Apr. 2005
- Weltweiter Bruttoertrag
- 1.691.706 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was State Property 2 (2005) officially released in Canada in English?
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