Baxter - Der Superaufreißer

The Baxter (2005) written and directed by Michael Showalter, is a very predictable--but enjoyable--movie.

Director Showalter has cast himself as Elliot Wendall Sherman, "The Baxter." "The Baxter" is the man who, although perfectly decent, gets left behind at the wedding altar when the romantic hero appears at the last possible moment.

Elizabeth Banks plays the elegant Caroline Swann, who falls in love--sort of--with Elliot. Michelle Williams is Cecil Mills, a girl-next-door type who has newly arrived in NYC.

The question, of course, is not what will happen--obvious--but how it will happen. The plot is weakened by unlikely premise that someone like Caroline would consider marrying Elliot.

Michelle Williams is delightful as the innocent young thing, and it would be quibbling to demand cinema verite from this film.

Just enjoy it for what it is--not memorable or ambitious, just pleasant and enjoyable.

Is it just me, or was this an homage to The Apartment (Best Picture – 1960)? Baxter, was played by Jack Lemon in the Billy Wilder classic. I got a feel for it here, but it was a tad shy of a full load for my tastes, but the subtly in places and the "everyone is a Baxter" message were warm and sincere.

Recently I have been spoiled by faster and smother paced silly, love stories by the likes of the Friends' cast, Sandler, and Stiller. Even the classics from the 50's through the 70's often found a more stable pace to encourage us to follow along.

The glacially slow development of the main characters' true desires takes something away from this movie for me. But perhaps that was just the point. Sometimes it takes us to be pushed to the edge to face what we want to do with our love. A little better pacing, a better mixing of the silly and the subtle would have made this an exceptional movie. I will wait hopefully for Michael Showalter's (director/writer ) next effort.

I really like "The Baxter." Now, I am a confessed Showalter, Wain, Black, The State, "Wet Hot", Stella fanatic, so I obviously have a history with these guys and their particular brand of humor. This is a great, sweet, hilarious little movie. These State alumnus guys have a very intelligent, interesting, off kilter type of humor that is definitely love it or not get it. Watch "Stella" sometime with a room full of your friends. Half of them will laugh extremely hard, and half of them won't get it. If you are familiar with Show and his humor, you will love this film. Its much more subtle than Stella or Wet Hot American Summer, but there are some huge laughs in it. It is probably the only romantic comedy I've ever seen that I really like. Highly recommended!

I saw this movie during the "Free Drive-In Movies at Rockefeller Center" series in New York City, on 15 June 2005. It doesn't get a wider release until later this summer, but when it does, I would see this movie with my grandparents. Heck, I could see this movie with my great- grandparents. I could go see this with my snobby friends, and my culturally clueless friends, and I think they all would like it. I'm actually looking forward to bringing my parents to see it, because not only do I think they'll really enjoy it, but I feel like it's finally one of those "movies their weird artsy daughter likes" that I can show them and know that they won't be either appalled over or baffled by.

This is in NO way intended to imply that The Baxter is boring or sappy or in any way oversimplified – completely the opposite. The film and the characters are complex, even though they are intentionally written as types. Despite being told through a series of flashbacks, there is no plot that can be ruined by showing the ending at the beginning – the whole point of the story is that you already know how these things always end, and the story is in how the characters get there. Like any good character study, the film makes the most of its preordained plot by reaching those ends through uniquely-developed means.

One of the reasons that so many movies that could be labeled "family appropriate" are so bad is because the fact that they're so decent feels so contrived – like the raunchy and disturbing parts of life are taken out, and what's left becomes the plot of a PG movie. What makes The Baxter different in its broad appeal is not that it aims low, but that it lifts the audience up to its level. It encourages the viewer to explore other facets of the romantic comedy standard without ever leading them into territory so foreign or artificial that they are unable to relate to the characters or the circumstances. Quite simply, this is a decent and proper and earnest movie because it's told from the point of view of decent and proper and earnest people. It's good, and it's damn good, because, among other things, like excellent costume and set designs, great characters, ridiculous attention to detail, and beautiful directorial choices, it doesn't cater or pander to any one sort of person or audience – it's a clever take on a timeless theme, and it's executed in a way that that just about anyone can appreciate. It's sincere, it's honest, it's believable, it's incredibly moving, and it's memorably unique – it also just so happens to be extremely polite, because some movies, like some people, are just polite by nature, and that's what makes them who they are. Highly recommended.

The Baxter This is probably one of the most underrated films I've seen yet, considering that it's style is basically generic romantic comedy (meaning the makers underrated it themselves), it's gotten little to no viewership... I never even heard of it before I picked it up off the wall (it was next in line).

Anyway, you know all those movies about how the man and the woman love each other but can't figure it out, so the woman almost marries the wrong person before the man crashes the wedding and sweeps her away? Well this is the story of the guy left at the altar, and his search for the "right woman" as well when his character is defined as the safe, content "nice guy" that women are supposed to erroneously try to marry when their lively romantic relationships go awry. Basically that's the long way of saying that this guy is an accountant who spends his time reading the dictionary as a private pleasure, and now he realizes that he'd like to actually get the girl too.

What's absolutely wonderful about this film is that Elliot knows that his problem is that he's such a harmless nice guy, but he knows that being a harmless nice guy is a really great thing to be if you don't take into account that that means losing a lot of relationships because women are more interested in romance risk-takers. So he has to battle his own personality with his own personality while his friends give him TERRIBLE advice that sounds good (we've been there, now haven't we?), he surrounds himself with completely superficial people because superficiality is the only way he knows to fit in, and he totally doesn't notice the direct and not-so-subtle advances from the "right girl" who is, also, way too nice to take risks as well.

In short, it's an absolutely delightful sort of aside in the whole romantic comedy industry, but still uses a lot of the tropes and techniques usual to the form to keep it simple and enjoyable for everyone.

--PolarisDiB