Poseidon

Although 'Poseidon' was not all that well received, I actually enjoyed it more than the original, highly acclaimed 'The Poseidon Adventure' (of which 'Poseidon' is a remake), which I found too comical and unbelievable despite its good cast.

'Poseidon' is an action adventure survival thriller, with the focus on the survival element. It doesn't spend much time on character introductions and jumps right into the chaos, so we get to know the characters once their quest for survival begins. Excellent visual effects and a fantastic production design help bring this film to life, making it realistic and conceivable. The capsize scene, especially, was incredibly well done.

The film does follow the same pattern as most disaster films of this genre, with stereotypical characters, and it's always easy to spot the dispensable ones. Essentially, this is a slasher movie - just a different kind of slasher. Due to the film's short running time (94 minutes), it is fast-paced and entertaining throughout and doesn't waste a minute of screen time.

The film features a stellar cast, but I don't think I would have cared who the actors were, as the story was interesting enough and well executed. It is a nail-biter with one primary focus: survival. In my humble opinion, the film succeeded in that aspect. I've watched the movie a few times and enjoy it every time. 'Poseidon' is a disaster movie that delivers.

Especially one that sinks Titanic in special effects...

This is a remake of The Poseidon Adventure (1972). Before you jump on the bandwagon and start bashing it on this basis alone, keep it mind that the original film was not exactly a masterpiece. It was a film that sacrificed scientific reality to propel an inane plot, filled with one-dimensional characters and compensated for it with action-overload. Poseidon is exactly the same -- ridiculous plot, intrepid characters and big slice of adventure. What is different in this version is the masterful CGI. This is a perfect time to remake a film like this (much better than in 1972) -- just go overboard with special effects and no one will notice the flawed writing (which is basically a sketchbook mess).

This is the reason Poseidon does not fail in entertaining the audience. I'll admit that I was skeptical when Fergie of the Black Eyed Peas appeared in all her plastic surgery glory and Josh Lucas spouted out some cheeseball line ("Where is the disco?" "Why, you feel like dancing now?"), but I set its cringeworthy dialogue aside early on and focused my energy on not wanting to kill Fergie. The giant tidal wave capsizing the luxury liner Poseidon would take care of that, leaving only a small group of people fighting to reach the top and get out.

Another thing, besides special effects, that is by far better in this version is that the characters are actually interested in surviving and do not stop every few minutes for a petty argument as in The Poseidon Adventure (1972). Make no mistake however, these characters are still dumb to the core, getting by on lucky circumstances, occasional heroic feats and conveniently appearing objects and hatches – you've seen it all before, but damn, this is sensationally quality action.

Overall, Poseidon is bathed in a militantly hectic mood and is as fast-paced as any action film you'll see. It features mind-numbing special effects, overdoses of excitement and just typical Wolfgang Peterson overkill. It definitely won't disappoint you if you're looking for cheap but solid adrenaline kicks. I'd even happily sit through this experience again.

6.5/10

I didn't know what to expect of Poseiden. It wasn't too bad of a movie. I expected, and got, some fine special effects that the original Poseiden Adventure lacked. Come to think of it that guy falling through the skylight in the original is still pretty doggone impressive even if it was the result of old technology. I liked Kurt Russell as the ex mayor.

In his finest performance since "What About Bob?" Richard Dreyfus is convincing as a suicidal guy who seems to prefer inside-the-ship drowning to the traditional jumping off the rail.

Its hard not to compare the old with the new version of this film.

If you are like me and have a short attention span you will appreciate the absence of lengthy, why are we here?, if a tree falls in the forest..what is the meaning of life?,reflective, dialogue that was so much a part of the Posieden Adventure.

This film ranks right up there with The Fugitive for non stop action. But having said that I missed the innocence and quaintness of the Poseiden Adventure. I missed the intensity of Gene Hackman passionately preaching that if they will only believe he will lead them to the sign that reads "Capsize Emergency Exit". I missed Shelly Winters heroic New York City swimming championship sequence. I missed ex cop Ernest Borgnine...and who can ever forget the presence of mind of Captain Leslie Neilson in wishing everyone on the bridge Happy New Year with the wave bearing down on them...also the climbing up the Christmas tree to get to the bottom of things. I even missed Red Buttons vitamin supplements.

All in all Poseiden was good entertainment and I was not disappointed with the movie.

In 'Poseidon' Josh Lucas plays Dylan Johns, a professional gambler. When a freak 'rogue wave' incident causes the Poseidon cruise ship to capsize, Dylan has gamble for his life. Deciding not to listen to the captain (Andre Braugher), Dylan tries leads a group of passengers (Kurt Russell, Richard Dreyfuss, Emmy Rossum, etc.) to safety.

This is a modern remake of the 1972 'The Poseidon Adventure'. I do not remember the original, but I think this one live up to its name. It is like 'Titanic' meets 'The Towering Inferno'. There is a lot of intense action that keeps one on the edge of their seat.

There is not much drama and I do not think it will add too much to the original story. I also noticed that the movie is just over an hour and a half, it is not very long. However, I think audiences will enjoy the intensity of this film.

Poseidon was the Greek god of the sea, and is thus a fitting name for a huge and luxurious ocean liner. She's on a New Year's cruise when the unexpected occurs at the height of the revelry: a rogue wave overtakes and capsizes her. Among those celebrating in the ship's ballroom and who survive the initial impact are Dylan Johns (Josh Lucas), an itinerant gambler, and Robert Ramsey (Kurt Russell), a former fireman and the ex-mayor of New York City.

While the ship's captain (Andre Braugher) tries to calm the hysterical survivors, Dylan is focused on nothing but getting out of the ship he knows is bound to sink. Ramsey, meanwhile, is more worried about his daughter, Jennifer (Emmy Rossum) and her boyfriend, Christian (Mike Vogel) who were ringing in the New Year one floor down from the ballroom in the ship's disco.

Though Ramsey and Dylan met earlier in the evening as adversaries over a high stakes game of poker, they find themselves working together to rescue a young child, Conor (Jimmy Bennett) and calm his mother, Maggie (Jacinda Barrett). Once Maggie discovers that Dylan has a vague plan to escape the doomed ship, she demands to accompany him. Ramsey joins them with his own parallel agenda, as does the broken-hearted Nelson (Richard Dreyfuss), who is all but suicidal until his life is threatened by the ship's mishap.

With guidance from a ship's waiter, the small troupe defies the captain's orders to stay put and wait for rescue, and they begin their journey on the topsy turvy ship to reach the bottom by climbing up. The group faces terrible dangers from many sources ranging from shifting objects to broken electrical and gas lines, but they finally reach the disco to discover a scene of carnage there. The few survivors, however, do include Jennifer and an injured Christian as well as a young Hispanic woman named Elena (Mia Maestro).

With a growing sense of urgency, the group now begins its climb in earnest, but they find their best laid plans thwarted at virtually every turn. It's in the face of their fears and the imminent threat of death, however, that some in the group find their finest moments. And as the great ship endures her death spasms, there are those who will, despite their courage or their need, die with her.

Josh Lucas is always fun to watch simply because he's so good at being a lovable rogue. In Poseidon, he's all that, but he also shows the ability to convey true courage which isn't the lack of fear, but rather the ability to act despite being afraid. He's also got a future as an action star if he wants one — a few of his stunts are impressive to say the least! Kurt Russell is aging very well, showing a mature authority and capability here without pretending the physicality of a younger man.

Emmy Rossum who was so brilliant in The Phantom of the Opera is fine here and so is Mike Vogel; Jacinda Barrett is completely convincing as the near hysterical young mother, though Jimmy Bennett could have been a bit less strident. Richard Dreyfuss, who has so often been cast as a slightly bumbling every man, is in fine form as the fussy Nelson. Mia Maestro is particularly effective. Her fears became my own despite the fact I'm not claustrophobic, and there were moments where I was literally short of breath as I watched her dragged (almost literally) kicking and screaming to the next challenge by her fellows.

The script is, of course, somewhat predictable. Like Titanic, we all know what's going to happen. But reading the book or seeing the 1972 version (entitled The Poseidon Adventure) won't spoil this remake for you: The characters are all new as are their challenges, so you'll find the who-lives-and-who-dies suspense well in place. Though the characters aren't as developed as some of us might like them to be (okay, as I might like them to be), the fact that the movie is relatively short (98 minutes) and the action is non-stop actually make the film better in its genre.

Director Wolfgang Peterson has a moderately uneven past, but with Troy (which I thought was a better effort than some critics did), The Perfect Storm, and Air Force One on his résumé, there's some unquestionable skill and experience he's able to lend to Poseidon; he moves things right along, and his tight edits and the focus on the terror of individuals is just terrific for adding to the overall effect of the movie. It probably goes without saying, but lest you wonder I'll say it anyway: yes, the special effects are awesome, and some of the stunts are pretty amazing, too.

Poseidon is probably not everything the commercials and trailers would have you believe that it is, but it's pretty good none-the-less. If you want action, suspense, special effects, and human drama all rolled up into one neat hour-and-a-half long package, well, Poseidon will do the job for you. And while you may not relive moments of the film in your mind in the days to come, you'll almost certainly enjoy the ride as long as it lasts.

FAMILY SUITABILITY: Poseidon is rated PG-13 for "intense prolonged sequences of disaster and peril." There are also some rather creative ways various people meet their deaths, and though it's typically not graphic, a few of them are pretty awful. As a result, I don't recommend this movie for kids under the age of 13 or 14 or so. But if the rest of you are just looking for a good time, Poseidon could fit your plans to a T.