Die Anwältin Erin Bruner übernimmt die Verteidigung eines Priesters, der bei einer jungen Frau einen tödlichen Exorzismus durchgeführt hat. Im Laufe des von der Kirche kritisch beäugten Verf... Alles lesenDie Anwältin Erin Bruner übernimmt die Verteidigung eines Priesters, der bei einer jungen Frau einen tödlichen Exorzismus durchgeführt hat. Im Laufe des von der Kirche kritisch beäugten Verfahrens muss sie ihren eigenen Glauben in Frage stellen und mit mysteriösen Erscheinungen f... Alles lesenDie Anwältin Erin Bruner übernimmt die Verteidigung eines Priesters, der bei einer jungen Frau einen tödlichen Exorzismus durchgeführt hat. Im Laufe des von der Kirche kritisch beäugten Verfahrens muss sie ihren eigenen Glauben in Frage stellen und mit mysteriösen Erscheinungen fertig werden.
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The Exorcism of Emily Rose is based upon a true story, the events that lead up to the death of Emily Rose. The real person who inspired this movie was Anneliese Michel. Emily Rose was a young college student, who believed she was possessed. Her family and her pastor did everything they could to save her. The story wasn't overly predictable. It was a look back on what exactly happened when Emily Rose got possessed and how it ended. the Priest, Father Moore was help by an agnostic lawyer, Erin Bruner and her trying to not only get ahead in her career but convince a journey that medical science could not determine. Emily Rose had a medical condition but a demonic possession. But the prosecutor, Ethan Thomas was a devout catholic and against the priest, Father Moore. The dynamics between the key characters is interesting and well thought out.
But in many ways, 'Emily Rose' is different from almost every past horror movie in the sense that it doesn't make really obvious attempts to frighten its audience. Instead, director/co-screenwriter Scott Derickson seems content to make us think. There are several questions raised in the film regarding religious beliefs and the public's general perception of them, but these are all handled in an objective and impartial manner. And as for the scare factor, since the filmmakers aren't overly obvious in trying to scare the audience, the film actually is frightening at several points - again, unusual for a horror film. The frightening events regarding Emily Rose's exorcism are all the more frightening as they don't seem horribly staged and predictable. (although the cheesy demonic animation, as shown in the trailer, could have been done far better) It's true that composer Christopher Young seems unable to resist the horror movie cliché of having horribly over-dramatic music which builds to a climax at the most frightening moment, but for the most part the movie is able to surpass the usual horror clichés.
It helps of course that the cast all deliver quality performances, the obvious standout being Jennifer Carpenter as Emily. Her possession scenes are nothing short of incredible, the sheer torment she seems capable of portraying is utterly captivating. Laura Linney also shines in the lead, giving a powerful and affecting performance as the attorney of the convicted priest who performed Emily Rose's exorcism. As said priest, Tom Wilkinson also manages to impress, delivering a quietly effective and very human performance. My only complaint is that the characters of Campbell Scott and Colm Feore were really badly written, coming off as the typical antagonistic figures, and nothing more. Both give satisfying performances, despite their one dimensional characters, especially Feore, who has always been talented at taking terribly written characters, and giving them life and personality nonetheless.
So The Exorcism of Emily Rose may not quite be the very best of its genre, but it certainly proves to be one of the more intelligently made ones. The director seems to have for once taken that extra step, and put aside the endless thrills and shocks in favor of making us think a bit. There are some cheesy effects, such as the demonic visions, but there are some genuinely frightening parts, especially the actual exorcism scene, mainly due to the chilling and captivating performance from Jennifer Carpenter as the title character. The principle cast members, Laura Linney and Tom Wilkinson also give strong performances, bringing many layers to their characters. Quite the quality piece overall, and one worth seeing.
-8/10
I'm a big believer in the supernatural and I've studied it a lot in the past. What is presented here is a very believable, very frightening account of demonic possession. I honestly believe that this really happened. Although the film is lengthy and slow-moving, it's never boring and that's because somebody had the great idea of including harrowing flashbacks of the possessed Emily during the courtroom case. It really works, breaking up the courtroom tension, and adding in genuine frights and chills along the way too.
The movie is topped off with a fantastic cast working at the top of their game. I don't believe Laura Linney has ever been better than she has here, and her portrayal of a woman with integrity is fine. Tom Wilkinson makes us believe he is the disturbed priest with every drop of sweat that comes from him. As for Jennifer Carpenter, well she should be going places with her portrayal of the tormented Emily here, and I hope she doesn't suffer the same kind of career nosedive as Linda Blair did in the '80s.
What I liked about the horror element is that even though there are a few jumps, it does not derail into ridicule. The director doesn't overdo any violence, blood, scary faces and whatever. Derricksen uses a lot of silence which leaves the viewer in a heightened state of suspense desperately wondering what will break the silence. His use of colour is clever and it sets a chilling atmosphere. You can see hints of Dario Argento and Gaspar Noé. For example the red lit corridor in Emily's dorm looks eerily like that underground subway passage in 'Irréversible'. The exorcism scenes are quite chilling (unlike the unintentionally funny ones in 'The Exorcist'). The courtroom sequences raise some interesting questions about scientific reasoning versus the unknown and unexplained. I was impressed that it didn't become one of those God versus Science movies but the Shohreh Agdashloo track left a lot to be desired.
In addition to being a well crafted film, the performances are among the highlights. Tom Wilkinson gives a phenomenal subtle performance. A ravishing Laura Linney is equally electrifying from the yuppie ambitious lawyer to one whose internal conflict makes her doubtful. Jennifer Carpenter delivers an astonishing performance. It couldn't have been an easy part to pull off and would have been easier to mess up but she does a solid job. It definitely makes Linda Blair's bad performance (in the 'Exorcist') look miserable.
I'm not much of a horror movie fan, mostly because they tend to be ridiculous and end up being funny or boring rather than having the intended effect. It will be wrong to lable 'The Exorcism of Emily Rose' is much more than just another horror flick because it does raise questions and tackles some issues without coming to a definitive conclusion (as there are simply no answers to some things that happen).
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- WissenswertesJennifer Carpenter's audition was so convincing and scary that the director decided to cast her right then.
- PatzerThe prosecutor is only partially correct in that humans have two sets of vocal cords (they are properly known as vocal "folds"). He calls them "duel sets," consisting of the "superior vocal cords" and the "primary ones." They are correctly known colloquially as "true vocal folds" and "false vocal folds." The FVF are called "false" because they are made up of membrane, whereas the true folds have a deep layer of muscle tissue and can be controlled. The FVF can be recruited by powerful airflow and/or by disciplined muscular movements by the muscles surrounding them. However, they cannot be "activated" in the sense that a muscle can, and would not produce a different "voice." At most, some harmonic overtones or vibratory interference (such as that heard in Tibetan chanting) might be heard. The prosecutor uses the term "dual voices" as if it means two separate actual voices, as if "voice" was being produced by two distinct sets of vocal folds, which is not possible in humans. The writers confused it with some individuals' ability to produce two different fundamental frequencies by vibrating each of the true vocal folds at different rates, but the act of forming words is not determined at the vocal fold level, but by resonances created by the positions of the articulators in the vocal tract.
- Zitate
Father Moore: Tell me your six names!
Emily Rose: [possessed] We are the ones who dwell within.
Emily Rose: [in Hebrew] I am the one who dwelt within CAIN!
Emily Rose: [in Latin] I am the one who dwelt within NERO!
Emily Rose: [in Greek] I once dwelt within JUDAS!
Emily Rose: [in German] I was with Legion!
Emily Rose: [in Assyrian Neo-Aramaic] I am Belial!
Emily Rose: [in English] And I am Lucifer, the devil in the flesh.
- Crazy CreditsOpening statement: This film is based on a true story.
- Alternative VersionenTheatrical version 119 min. and the unrated version 122 min.
- VerbindungenFeatured in 2006 MTV Movie Awards (2006)
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- Budget
- 19.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 75.072.454 $
- Eröffnungswochenende in den USA und in Kanada
- 30.054.300 $
- 11. Sept. 2005
- Weltweiter Bruttoertrag
- 145.166.804 $
- Laufzeit1 Stunde 59 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1