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In einer Welt der Luftschiffe und des Bürgerkriegs treffen zwei Boten auf ein besonderes Mädchen, das den Lauf der Geschichte verändern wird.In einer Welt der Luftschiffe und des Bürgerkriegs treffen zwei Boten auf ein besonderes Mädchen, das den Lauf der Geschichte verändern wird.In einer Welt der Luftschiffe und des Bürgerkriegs treffen zwei Boten auf ein besonderes Mädchen, das den Lauf der Geschichte verändern wird.
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"Last Exile" was a series I yearned for for a long time, a story focused on characters and subtly engaged within a profound and fantastical world. However out of a need to finish the plot, the character development necessary to bring the story full circle falls short.
I loved this series for really taking the time to show who the characters are and really let them take hold of the story. The tone and pacing of most of the episodes reminded me of the HBO series "The Wire" which also let the story fall together one pebble at a time. The series is brilliant for capturing small moments between characters that hint at their growing bonds and frustrations like a scene in a crowded elevator at a casino, a soldier chanting before a battle and when one character puts on the clothes of another in the desert. The two leads Claus and Lavie's relationship portrays itself as a chameleon jumping from comrades to partners, childhood friends, surrogate siblings and repressed lovers. The central bond though lies with Claus and the shy, mysterious girl Alvis who hold and drive the characters and the story together throughout the series.
"Last Exile" seems quite conventional in terms of plot, but it is only when it supersedes the characters that the series falls flat. For most of the show's running time that does not happen though. It bears a unique sense of drama that I find hard to see in other forms. Nowhere but in anime or Greek tragedy could you a see a person fall in love and heart break in the same moment.
I loved this series for really taking the time to show who the characters are and really let them take hold of the story. The tone and pacing of most of the episodes reminded me of the HBO series "The Wire" which also let the story fall together one pebble at a time. The series is brilliant for capturing small moments between characters that hint at their growing bonds and frustrations like a scene in a crowded elevator at a casino, a soldier chanting before a battle and when one character puts on the clothes of another in the desert. The two leads Claus and Lavie's relationship portrays itself as a chameleon jumping from comrades to partners, childhood friends, surrogate siblings and repressed lovers. The central bond though lies with Claus and the shy, mysterious girl Alvis who hold and drive the characters and the story together throughout the series.
"Last Exile" seems quite conventional in terms of plot, but it is only when it supersedes the characters that the series falls flat. For most of the show's running time that does not happen though. It bears a unique sense of drama that I find hard to see in other forms. Nowhere but in anime or Greek tragedy could you a see a person fall in love and heart break in the same moment.
Last Exile has to be one of the best anime series I have ever seen. It's imaginative and inspiring. It's truly worth seeing! Just when it seemed like anime series seemed to be coming from a cookie cutter type mold; Last Exile came and broke it. You can't help, but become involved in such a well written, well directed, and well animated story. The character development is superb. Each character's stories, their ambition's, their reason's being, for doing what they do, living or dying, are deep. It's happy, gloomy, funny, sad, touching, exciting, vengeful, and romantic. There's something for everyone, who watches this series. This series takes you for an adventure you'll never forget! And when you're done, you'll never look at the sky the same again. You'll wish you were flying in it.
I will skip the talk about how good the animation is. I am not an expert in animation, nor do I let it get in the way if the story is good. Enough said, it is very good. What pushed my buttons is the way the series constructs a world, adds interesting lead characters and then ends the story. Yes, this is not one of those animes that drag the story, no matter how nice, and then end the series with no closure because the ran out of steam before finishing the plot. This is a good all fashioned circular story with build-up and release.
Then there is the world, reminiscent of Frank Herbert's Pandora mixed with a little Dune, both in storyline and socio-ecological meaning. I would say that there are no great surprises in this anime. This is a bad thing, but also a good one. If you build things up too much they quickly become unmanageable. There is hope for a sequel, I guess, but no pressure for it. All the goals set in the beginning are met in the end, either in success or disaster.
It is a nice anime series. It is worth watching, but I've seen better. I guess what really is missing is a way to truly connect with the characters. Even in the most tensioned moments, the levels of emotion don't get too high. I would say the starting theme song (complete with worthless karaoke style translation) is also a bad thing. The rest, though, is just visual and comfortable beauty.
Then there is the world, reminiscent of Frank Herbert's Pandora mixed with a little Dune, both in storyline and socio-ecological meaning. I would say that there are no great surprises in this anime. This is a bad thing, but also a good one. If you build things up too much they quickly become unmanageable. There is hope for a sequel, I guess, but no pressure for it. All the goals set in the beginning are met in the end, either in success or disaster.
It is a nice anime series. It is worth watching, but I've seen better. I guess what really is missing is a way to truly connect with the characters. Even in the most tensioned moments, the levels of emotion don't get too high. I would say the starting theme song (complete with worthless karaoke style translation) is also a bad thing. The rest, though, is just visual and comfortable beauty.
10dekkar5
Last Exile is a masterpiece through and through.
The most attention drawing aspect of this series is its incredible animation. It mixes 2d animation with 3d CGI almost perfectly and delivers an explosive, in-your-face presentation that can only be rivaled by feature anime films like Blood: The Last Vampire.
The story behind Last Exile is interesting and emotional. The characters are lovable and their interactions are genuinely enjoyable and surprisingly human. The setting is steampunk inspired and meticulously detailed.
Overall, one hell of a ride, and easily the best anime I have ever had the pleasure of viewing. This is a must see for not just fans of anime, but fans of excellent storytelling and entertainment in general.
The most attention drawing aspect of this series is its incredible animation. It mixes 2d animation with 3d CGI almost perfectly and delivers an explosive, in-your-face presentation that can only be rivaled by feature anime films like Blood: The Last Vampire.
The story behind Last Exile is interesting and emotional. The characters are lovable and their interactions are genuinely enjoyable and surprisingly human. The setting is steampunk inspired and meticulously detailed.
Overall, one hell of a ride, and easily the best anime I have ever had the pleasure of viewing. This is a must see for not just fans of anime, but fans of excellent storytelling and entertainment in general.
The first thing that strikes you when watching this anime series is that the world of "Last Exile" is much like ours yet very, very different. That, in essence, is the magic and appeal of the story.
Imagine this world structured like a chess game: two diametrically opposite races each with its own territory separated by a gulf, both engaged in mortal combat overseen by a race of neutral arbitrators dictating the rules of the game.
Next throw in two teenage orphans, Claus and Lavie, who own a bi-plane sort of rickety flying contraption called a Vanship, and who run a courier service delivering mail. Here's the catch, the Vanship has no wings but uses a chemical called "Cloudia" for levitation and propulsion. In fact, even the flying battleships manned by both of the two races: the Anatoray (who resemble Victorian age West Europeans) and the Disith (dressed much like post revolution Russians), are propelled by the same mechanism. But while powerful, these lumbering behemoths are no match for the seemingly invincible Guild ships that are light years ahead in technology and whose overt purpose is to ensure that both parties play by the rules or else.
The plot swings into full gear in the second episode when Claus and Lavie, during a Vanship race, pick up a little girl called Alvis from a Vanship crippled by a Guild "star" ship. They are entrusted by the dying Vanship pilot to deliver her safely to her destination and so begins their great adventure and rite of passage. In the process, they are swept up by the politics of this world and the players of this dangerous game of covert interests and hidden agendas.
Almost immediately, the viewer is posed with the following few questions: why are these two races fighting? What is this gulf called the "Grand Stream" that separates the lands of the Anatoray and Disith? Why is the Guild acting as judge and executioner? Why is Alvis so important that the Guild would have her captured dead or alive? These are (almost too) slowly revealed, one cliffhanger episode at a time.
Produced by Japan's Gonzo animation studios (www.gonzo.co.jp), famous for such breakthrough anime series as "Hellsing" and "Blue Submarine No. 6", "Last Exile" brings together the best in anime storytelling, traditional as well as computer generated 3-D animation, unpredictable plot twists, likable characters, imaginative soundtrack (by Dolce Triade), comedy and tragedy, hope and despair all in a symphony of flawless execution.
The attention to detail in this series is characteristically Japanese simply amazing. One such example is that writers (Kouichi Chigira, Atsuhiro Tomioka, Shuichi Kamiyama and Tomohiro Yamashita) have intricately woven in the chess theme into the story: by naming each episode after a different chess move, scenes of intense discussion over chess matches, and a plot twist featuring the promotion of a pawn to a queen.
Like a piece of complex origami that starts out looking like a flower "Last Exile" with each plot unfolding reveals its hidden gems and slowly but surely wraps up into a form so unlike its beginning that the viewer is left to marvel at the inventiveness and dedication of its creators while simply enjoying the ride.
Imagine this world structured like a chess game: two diametrically opposite races each with its own territory separated by a gulf, both engaged in mortal combat overseen by a race of neutral arbitrators dictating the rules of the game.
Next throw in two teenage orphans, Claus and Lavie, who own a bi-plane sort of rickety flying contraption called a Vanship, and who run a courier service delivering mail. Here's the catch, the Vanship has no wings but uses a chemical called "Cloudia" for levitation and propulsion. In fact, even the flying battleships manned by both of the two races: the Anatoray (who resemble Victorian age West Europeans) and the Disith (dressed much like post revolution Russians), are propelled by the same mechanism. But while powerful, these lumbering behemoths are no match for the seemingly invincible Guild ships that are light years ahead in technology and whose overt purpose is to ensure that both parties play by the rules or else.
The plot swings into full gear in the second episode when Claus and Lavie, during a Vanship race, pick up a little girl called Alvis from a Vanship crippled by a Guild "star" ship. They are entrusted by the dying Vanship pilot to deliver her safely to her destination and so begins their great adventure and rite of passage. In the process, they are swept up by the politics of this world and the players of this dangerous game of covert interests and hidden agendas.
Almost immediately, the viewer is posed with the following few questions: why are these two races fighting? What is this gulf called the "Grand Stream" that separates the lands of the Anatoray and Disith? Why is the Guild acting as judge and executioner? Why is Alvis so important that the Guild would have her captured dead or alive? These are (almost too) slowly revealed, one cliffhanger episode at a time.
Produced by Japan's Gonzo animation studios (www.gonzo.co.jp), famous for such breakthrough anime series as "Hellsing" and "Blue Submarine No. 6", "Last Exile" brings together the best in anime storytelling, traditional as well as computer generated 3-D animation, unpredictable plot twists, likable characters, imaginative soundtrack (by Dolce Triade), comedy and tragedy, hope and despair all in a symphony of flawless execution.
The attention to detail in this series is characteristically Japanese simply amazing. One such example is that writers (Kouichi Chigira, Atsuhiro Tomioka, Shuichi Kamiyama and Tomohiro Yamashita) have intricately woven in the chess theme into the story: by naming each episode after a different chess move, scenes of intense discussion over chess matches, and a plot twist featuring the promotion of a pawn to a queen.
Like a piece of complex origami that starts out looking like a flower "Last Exile" with each plot unfolding reveals its hidden gems and slowly but surely wraps up into a form so unlike its beginning that the viewer is left to marvel at the inventiveness and dedication of its creators while simply enjoying the ride.
Wusstest du schon
- WissenswertesIn the theme song, the only main character that isn't featured is Luciola. Although it is thought that Queen Delphine does not appear either, she does towards the end of the series when there is a slight change to the animation during the theme song. This occurs right after the line "...I will be the light." She is visible for a split second.
- Zitate
Alex Row: Fire on the fleet.
Sophia Forrester: Which one?
- Crazy CreditsEach episode is named after a chess move, which represents a situation/strategy seen in that episode.
- VerbindungenFeatured in AMV Hell 3: The Motion Picture (2005)
- SoundtracksCloud Age Symphony
(Opening theme)
Composed and Performed by Shuntaro Okino
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