IMDb-BEWERTUNG
6,3/10
10.309
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuGodzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.Godzilla's fiftieth Anniversary project, in which Godzilla travels around the world to fight his old foes and his allies plus a new, mysterious monster named Monster X.
- Auszeichnungen
- 3 Nominierungen insgesamt
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Neither did the makers of this movie ... that's why they took the US-Godzilla "for a ride here"! But that's not the only creature from the Gojira/Godzilla past that is brought back. I don't if every creature is on display here, that was in a previous movie, but there quite a few of them. So if you know your Gojira movies, you'll have plenty to enjoy from those "cameos" alone!
You might have guessed it already, but this movie doesn't take itself serious, too. It's a great fun ride and it never aims for anything else than this promise. And since it delivers on that promise/premise, it's a pretty good movie (for me at least)! You will even enjoy it, if you're not familiar with the back story of Gojira, just bare in mind, that this is mostly old-school effects (man in costume kind of effects, so to speak). There are occasionally a few CGI, but it's mostly old school. And that's the fun of it! So it just depends on your expectations, on how you'll like the movie ...
You might have guessed it already, but this movie doesn't take itself serious, too. It's a great fun ride and it never aims for anything else than this promise. And since it delivers on that promise/premise, it's a pretty good movie (for me at least)! You will even enjoy it, if you're not familiar with the back story of Gojira, just bare in mind, that this is mostly old-school effects (man in costume kind of effects, so to speak). There are occasionally a few CGI, but it's mostly old school. And that's the fun of it! So it just depends on your expectations, on how you'll like the movie ...
If this is the last Godzilla as said, then I can say the series had a good run and ended on a high note. Perhaps not the highest note possible, this is a very flawed film. However, it is the second best in the Millennium series (next to Megaguiras).
If you read my Godzilla, Mothra, Mechagodzilla review, than you can easily see why i say so. Many of this series have had this annoying habit of having about thirty minutes of plot, then an hour of monster combat. This one gives equal time to storyline and action sequences.
No matter how short, the monster battles are always entertaining, the high point being a fight between Mothra and Gigan. This battle is relatively quick but still very entertaining. Gigan is one of the most powerful foes in the movie, and it was good to see Mothra getting to fight the second most important monster.
Monster X looked like something that would be creepy if it was human size, or maybe a little taller, and crept around in the shadows of a space station. However it didn't matter when he was easily the most powerful monster in the film (or, at least could transform into it).
The human battles were all done very well, accept for an annoying motorcycle chase which had the dumbest use of Matrix style special effects I have ever seen. However, many disappointed fans exaggerate the Matrix influence. It is clearly there in the action scenes, don't get me wrong, but other than the one I mentioned they are well crafted fight scenes.
I rather not talk about the film's flaws, after all, when they are flaws you find in any action film, what are you going to get from going over them. And that in itself is a flaw: This is an action film. Don't expect a monster movie, it is an action film that happens to have a lot of the action being done by monsters.
With an ending that could bring a tear to one's eye. So the Godzilla series (presumably) ends on a good note, much better than Godzilla vs. Destroyah (Terror of Mechagodzilla was not an ending in my opinion). This is a film to be enjoyed, and should have a place in your collection. Its the movie that every now and then you might just want to pop in the DVD player, just because.
***/**** stars
If you read my Godzilla, Mothra, Mechagodzilla review, than you can easily see why i say so. Many of this series have had this annoying habit of having about thirty minutes of plot, then an hour of monster combat. This one gives equal time to storyline and action sequences.
No matter how short, the monster battles are always entertaining, the high point being a fight between Mothra and Gigan. This battle is relatively quick but still very entertaining. Gigan is one of the most powerful foes in the movie, and it was good to see Mothra getting to fight the second most important monster.
Monster X looked like something that would be creepy if it was human size, or maybe a little taller, and crept around in the shadows of a space station. However it didn't matter when he was easily the most powerful monster in the film (or, at least could transform into it).
The human battles were all done very well, accept for an annoying motorcycle chase which had the dumbest use of Matrix style special effects I have ever seen. However, many disappointed fans exaggerate the Matrix influence. It is clearly there in the action scenes, don't get me wrong, but other than the one I mentioned they are well crafted fight scenes.
I rather not talk about the film's flaws, after all, when they are flaws you find in any action film, what are you going to get from going over them. And that in itself is a flaw: This is an action film. Don't expect a monster movie, it is an action film that happens to have a lot of the action being done by monsters.
With an ending that could bring a tear to one's eye. So the Godzilla series (presumably) ends on a good note, much better than Godzilla vs. Destroyah (Terror of Mechagodzilla was not an ending in my opinion). This is a film to be enjoyed, and should have a place in your collection. Its the movie that every now and then you might just want to pop in the DVD player, just because.
***/**** stars
I think there is a tendency with hardcore Kaiju fans to forget that these movies should not be taken so seriously. They are never executed to perfection. There are always plot holes. There is always some sub-par acting. Some of the special effects always look a little weak. Get over it.
I also attended the world premier of Final Wars, and I would say this has to be the most exciting of them all. It takes a very similar sci-fi angle to Godzilla vs. Monster Zero and adds a dash of Matrix stylization while constantly bombarding you with fantastic Kaiju fight scenes.
I am not sure that "Final Wars" will see the same shelf-life as some of the older classic Godzilla flicks due to the fact that it is so action-oriented. This film is definitely not going to get the camp appreciation that so many older films do. However, if you are a Godzilla fan and want to see some absolutely fantastic battles along side an entertaining sci-fi plot, you will really enjoy this film.
I also attended the world premier of Final Wars, and I would say this has to be the most exciting of them all. It takes a very similar sci-fi angle to Godzilla vs. Monster Zero and adds a dash of Matrix stylization while constantly bombarding you with fantastic Kaiju fight scenes.
I am not sure that "Final Wars" will see the same shelf-life as some of the older classic Godzilla flicks due to the fact that it is so action-oriented. This film is definitely not going to get the camp appreciation that so many older films do. However, if you are a Godzilla fan and want to see some absolutely fantastic battles along side an entertaining sci-fi plot, you will really enjoy this film.
I attended the world premiere of GODZILLA: FINAL WARS in Hollywood tonight, and I must say the experience was incredibly exciting. The film itself, however, was indeed a "mixed bag" of greatness and mediocrity, and I left Grauman's Chinese Theater a bit conflicted.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
First, before my review, I have address two points of contention about this film. For starters, the hero (Ozaki), besides having short black hair, black clothes and martial arts skills, no more resembles Keanu Reeves, than a brick resembles a prime-mover. His clothes may have similar pigmentation to the Matrix's Neo but in this film Ozaki is actually wearing white plastic body armour, and his military coat is dark green. Both he and Neo might share martial-arts knowledge. At least Ozaki is from the country that invented a large portion of it! Besides, I thought he looked MUCH more like Noah Wyle. If his coat had been white, perhaps people would say the film was ripping off ER.
The second issue is about the 'Matrix style'. Since even the creators of those films admit that their style harvests greatly from manga, anime, and HK action movies, it would be fair to say that Final War's director, Ryuhei Kitamura is more influenced by his own culture than three blockbuster popcorn flicks. Stopping bullets with telepathy, psychic battles, gravity defying fights, and slow motion have been enjoyed in Japan and mainland Asia for a VERY long time. Unfortunately, many aspects of their fiction have been somewhat hijacked by Hollywood.
The director shows many influences in this film, and it would foolish to deny that the Matrix did not play a part in shaping his approach. However, many film goers are simply unaware of the depth of The Matrix's own influences, and shouldn't attribute too much to them. Anyway, on to the review.
Well, if you are seriously wanting to get anything out of this film, you should probably become a fan of Godzilla and Kaiju genre. Anyone else would probably mistake this film's style, steeped in Kaiju tradition, for faults. It is true that the special effects are mostly 'analogue', and that the monsters are NOT CGI (usually). Yes, they are men in suits wrestling in model cities, but is it a flaw? Heck no! This film is great entertainment, and even a little touching!
The story is simple: a new force threatens the earth and sends monsters to destroy cities and crush humanity. What else? Luckily, the defenders of earth, a collection of mutants themselves, strive to combat the threat and restore peace. Godzilla herself may just be the only weapon left to mankind that could save the human race.
And so stylistically this film is very SF. The human forces wear futuristic body armour and sport hightech weapons. There are flying battleships and alien spacecraft. This may be an angle that some fans don't agree with but atleasy the monsters are all here. I forget how many, but quite a few from the Godzilla bestiary return to wreak havoc, and there are some fantastic clashes between them.
However, Final Wars is as much a human story as it is one of mass destruction at the hands of giants. Yes, that was a little difficult to say. But there is quite a lot of focus placed on the human protagonists this time. They are fighting a new and mysterious new foe. Many of the action sequences, and in fact often the longest ones, involve humans in hand-to-hand.
Even if this raises the hackles of a few Kaiju fans, I can understand: bring on the rubber-suited titans and all that. Yet I think that this dual focus adds an engaging dramatic quotient to the film. The action sequences may also draw a few comparisons to a certain fizzled out sci-fi trilogy, and all I can I say to that, is written above. And the words "get", "over" and "it".
The acting skill of the players varies between that of a seasoned performer to that of a pro-wrestler grapling with his lines. Oh wait, I think he is a pro-wrestler. I feel though, that if viewers are looking at acting skill in a film like this, they missing out on the bigger picture. Rest assured however, that this is definitely not like Devilman, where store-front manikins could have acted better.
Reportably, Final Wars is an anniversary film, and it is, though doubtfully, the last in the Godzilla series. For that reason, regardless if it remains that way, I was very happy to see the film stay true to the heritage it is a part of. It provides a fitting farewell. There is something refreshing, watching rubber-suited actors trample miniature sets - actors pretending to be monsters, waving their claws about. Sure the such things are cheesy and yes the rest is overly stylised, but the film makes no excuses for that, and it shouldn't.
Bring it on!
The second issue is about the 'Matrix style'. Since even the creators of those films admit that their style harvests greatly from manga, anime, and HK action movies, it would be fair to say that Final War's director, Ryuhei Kitamura is more influenced by his own culture than three blockbuster popcorn flicks. Stopping bullets with telepathy, psychic battles, gravity defying fights, and slow motion have been enjoyed in Japan and mainland Asia for a VERY long time. Unfortunately, many aspects of their fiction have been somewhat hijacked by Hollywood.
The director shows many influences in this film, and it would foolish to deny that the Matrix did not play a part in shaping his approach. However, many film goers are simply unaware of the depth of The Matrix's own influences, and shouldn't attribute too much to them. Anyway, on to the review.
Well, if you are seriously wanting to get anything out of this film, you should probably become a fan of Godzilla and Kaiju genre. Anyone else would probably mistake this film's style, steeped in Kaiju tradition, for faults. It is true that the special effects are mostly 'analogue', and that the monsters are NOT CGI (usually). Yes, they are men in suits wrestling in model cities, but is it a flaw? Heck no! This film is great entertainment, and even a little touching!
The story is simple: a new force threatens the earth and sends monsters to destroy cities and crush humanity. What else? Luckily, the defenders of earth, a collection of mutants themselves, strive to combat the threat and restore peace. Godzilla herself may just be the only weapon left to mankind that could save the human race.
And so stylistically this film is very SF. The human forces wear futuristic body armour and sport hightech weapons. There are flying battleships and alien spacecraft. This may be an angle that some fans don't agree with but atleasy the monsters are all here. I forget how many, but quite a few from the Godzilla bestiary return to wreak havoc, and there are some fantastic clashes between them.
However, Final Wars is as much a human story as it is one of mass destruction at the hands of giants. Yes, that was a little difficult to say. But there is quite a lot of focus placed on the human protagonists this time. They are fighting a new and mysterious new foe. Many of the action sequences, and in fact often the longest ones, involve humans in hand-to-hand.
Even if this raises the hackles of a few Kaiju fans, I can understand: bring on the rubber-suited titans and all that. Yet I think that this dual focus adds an engaging dramatic quotient to the film. The action sequences may also draw a few comparisons to a certain fizzled out sci-fi trilogy, and all I can I say to that, is written above. And the words "get", "over" and "it".
The acting skill of the players varies between that of a seasoned performer to that of a pro-wrestler grapling with his lines. Oh wait, I think he is a pro-wrestler. I feel though, that if viewers are looking at acting skill in a film like this, they missing out on the bigger picture. Rest assured however, that this is definitely not like Devilman, where store-front manikins could have acted better.
Reportably, Final Wars is an anniversary film, and it is, though doubtfully, the last in the Godzilla series. For that reason, regardless if it remains that way, I was very happy to see the film stay true to the heritage it is a part of. It provides a fitting farewell. There is something refreshing, watching rubber-suited actors trample miniature sets - actors pretending to be monsters, waving their claws about. Sure the such things are cheesy and yes the rest is overly stylised, but the film makes no excuses for that, and it shouldn't.
Bring it on!
Wusstest du schon
- WissenswertesThis 28th Godzilla film marked the final use of Toho's Big Pool water tank, which was used for the water scenes for all Tôhô special effects-related films since Banzai-Banzai, die Piloten des Teufels (1960), for which it was constructed. The Big Pool was 88 meters wide and 72 meters long. It was given one final performance when it was last used for this film on September 7th and was demolished on October 13th. Toho's decision to destroy the pool was due to "progress of special-effects technology such as CG, and a large-scale reconstruction plan of the studio." This was considered by many to be the end of an era.
- PatzerThe New York cop's mouth and speech are badly mismatched. This is because actor Mick Preston used the F-word repeatedly during filming and was later required to dub over his original dialog with less-offensive language. Viewers can still see him mouthing the F-word in certain shots.
- Zitate
The Controller of Planet X: [after Godzilla defeats 'Zilla'] I knew that tuna-eating monster was useless!
- Crazy CreditsAfter Godzilla and his son wade off into the sea with a final roar, the title monster's name appears on screen one last time. The ending credits themselves play over various scenes from the movie, including some that were deleted or removed from the finished cut. These include Mothra flying back to her home island, Hedorah the smog monster with some brief city destruction, more lead up to Ozaki making his way too Douglas Gordan, a fight between Kazama and Kumasaka in the news room, a new shot of King Caesar running, and several different shots of Godzilla. The credits fade to black with the sound of the original Godzilla roar signaling the end.
- Alternative VersionenThough the film is already filled with references to past Godzilla movies, the German dub adds a new one by referring to the monster Gigan with the code-name "Monster Zero", as a nod to the film Befehl aus dem Dunkel (1965) in which King Ghidorah had that designation.
- VerbindungenFeatured in Cinemassacre's Monster Madness: Godzilla 1998 (2008)
- SoundtracksWe're All to Blame
Performed by Sum 41
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Godzilla: Final Wars
- Drehorte
- Broken Hill, New South Wales, Australien(Arizona scenes)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 19.500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 9.167.302 $
- Laufzeit2 Stunden 5 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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