Als zwei verheiratete leitende Angestellte, die eine Affäre haben, von einem Gewaltverbrecher erpresst werden, müssen die beiden den Spieß umdrehen, um ihre Familien zu retten.Als zwei verheiratete leitende Angestellte, die eine Affäre haben, von einem Gewaltverbrecher erpresst werden, müssen die beiden den Spieß umdrehen, um ihre Familien zu retten.Als zwei verheiratete leitende Angestellte, die eine Affäre haben, von einem Gewaltverbrecher erpresst werden, müssen die beiden den Spieß umdrehen, um ihre Familien zu retten.
- Regie
- Drehbuch
- Hauptbesetzung
- Susan Davis
- (as Rachel Blake)
Empfohlene Bewertungen
By the end of the movie, I was really unimpressed. Yes the plot didn't really turn out like anyone had suspected, but its more of a "oh right, so what?" feeling I had, rather than a "oh my god. I can't believe it" feeling. By then I was just waiting, sitting there, hoping that something good - something really good - better come along soon, because I've not even gotten excited yet. But it never happened - and I never got excited or scared once throughout the whole movie.
I really wouldn't pay to watch this at the cinema - it would be like when I watched SWAT at the movies a few years ago. It feels like my money would be better spent elsewhere. Probably okay to watch this at home if you didn't have to pay like full price to rent this - if this movie was in the bargain bins somewhere in the video store.
The acting is not academy-award winning but you will be pleased with the performances.
It is an engaging film that brings you into a dark and gritty underworld that actually can feel quite real at times. You feel for the lead character.
One of the strengths of this film is character development.
It also has some twists that may actually surprise you in a good way.
I think the real downfall of this film is that it has a "Hollywood" ending. For me the film loses points for this.
One final note: the climax, although still good, was pieced together in such a way that it did not hold the tension enough for the theater audience. There was laughter and some heckling in my theater.
I wouldn't walk into this film expecting a ground-breaking film that will change the genre forever, but it is does have some good pacing and the story moved along quite nicely. It is an enjoyable film that I recommend.
Charles (Owen) and Lucinda (Aniston) meet on a commuter train and in spite of the fact they are married, start flirting. Ending up in a hotel one night, they're beaten and robbed by LaRoche (Cassell) who promptly starts blackmailing Charles......
There's a decent thriller in the mix here, if only it had had a director able to hide the surprises and a writer capable of not making his male protagonist such an unlikable git! It's a shame because the premise is a good one, and there are good performances from an agreeable cast. Film essentially asks us to root for Charles as he battles with a reoccurring villain of some nastiness (Cassell genuinely unnerving), yet not only is he a love cheat (a lovely wife at home and a very sick daughter), he also makes ridiculous errors of judgement. While the holes in logic for some sequences are bafflingly poor. Still, it does have thrills and it doesn't soft soap the violence. Taken on popcorn thriller terms, it's above average and worth a watch, but it's not half as clever as it thinks it is. 6/10
The story was very underdeveloped and a bit unrealistic but the performances of Owen, Aniston, and Vincent Cassel kept the film moving. This movie was Unfaithful meets Matchstick Men meets Reindeer Games. I would recommend the film for a good popcorn flick but in terms of Oscar I would take it out of the game. Owen captures the nature of his character but flops in terms of staying in the location meaning his American accent. Although he is truly the hero of the story and you love the character. He got a couple of "claps" during the film. Aniston gives a very different performance than what we're used to but it works. She's very talented and I would love to see her nominated in the next coming years.
The standout of the cast is Vincent Cassel who's villainous, dark performance will go down in the books as one of the greatest villainous performances in the past years. He truly makes you hate him and you leave with a feeling in your stomach from him on screen. The worst part of the entire film was the terrible musical score which is very distracting and annoying but hopefully with better editing they'll get rid of it and hire someone new. So-so script and good performances make a pretty decent flick.
Wusstest du schon
- WissenswertesWhen LaRoche goes to Schine's house, he tells Schine's daughter in French: "Je m'appelle LaRoche, comme une petite roche qui va bientôt baiser ton père par derrière." This translates as: "My name is LaRoche, like a little rock who will soon screw your father from behind." Then, he tells her that in English, it means: "My name is LaRoche, it means a rock. Like the little rocks rolling down a river."
- PatzerWhen the police officer starts to tell Schine that he'd better not be in the alley when he comes back around the block, his lip movement doesn't match the words heard.
- Zitate
Philippe LaRoche: [Holding Charles against a wall] Man, you ended up in the wrong prison, Charlie!
Charles Schine: LaRoche...
Philippe LaRoche: [smugly] Yeah?
Charles Schine: I CHOSE this prison.
[Schine stabs LaRoche with Winston's shank]
- Alternative VersionenAccording to the FAQ: 'On DVD, two versions of this thriller were released: the well-known theatrical version and an Unrated version, that runs approx. 5 and a half minutes longer. But even though it's labeled as Unrated, one can only find several unspectacular plot extensions and there are only two short scenes that are a bit raunchier.
- VerbindungenFeatured in The Making of 'Derailed' (2006)
- SoundtracksGet Cha Bars Up
Written by Xzibit (as Alvin Joiner), Jelly Roll (as David Drew), Jason Smith, Mitchy Slick (as Charles Mitchell) and Marvin Jones
Performed by Strong Arm Steady featuring Xzibit and Jelly Roll (as Jellyroll)
Courtesy of Straight from the Shoulders Music
Top-Auswahl
Details
Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 36.024.076 $
- Eröffnungswochenende in den USA und in Kanada
- 12.211.986 $
- 13. Nov. 2005
- Weltweiter Bruttoertrag
- 57.479.076 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1