IMDb-BEWERTUNG
6,2/10
1058
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuHigh school student Katie signs up for a trip to China, where she meets Lin, who has a facial deformity that discourages her from ever showing her face, but her friendship with Katie helps h... Alles lesenHigh school student Katie signs up for a trip to China, where she meets Lin, who has a facial deformity that discourages her from ever showing her face, but her friendship with Katie helps her start to see life in a new way.High school student Katie signs up for a trip to China, where she meets Lin, who has a facial deformity that discourages her from ever showing her face, but her friendship with Katie helps her start to see life in a new way.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Empfohlene Bewertungen
This movie isn't about the character makeover that Katie has or the facial makeover that Lindsay has. I kept on wondering why they would call the movie Smile ! I had my answer. "Smile" is about the ability to genuinely smile, to smile for something that doesn't go through you, to smile with mushy emotions inside, to smile with tears in your eyes, to smile at the happiness of someone besides yourself ! Its what you would do while you watched "Smile". They have also probably chosen the perfect tag-line for this movie. Watch the movie and you will find out why !
I give this movie all its rating because of Lindsay and her dad and everything that revolves around them. Very very touching to watch a father sacrifice everything for the love of an adopted child. Cinematography too was excellent. The scenic countryside holding hands with the pleasant music score adds to the feel good touch of brilliantly done scenes such as the father and child dancing etc.
The initial chunk of the movie is a lil overdone potpourri of characters. Character development was essential, but it spills over into more of a striking contrasting difference between the lives of two girls born on the same day. It puts forth a wrong perspective which could well and truly stand in line with the archaic stereotype of lives in developing countries. They could also have gone easy on the last set of photo stills to don the movie screen. It tends to give a lil bit of the "true story" thing away !
Given its pros and cons, I would certainly recommend this movie even if its a date movie !
I give this movie all its rating because of Lindsay and her dad and everything that revolves around them. Very very touching to watch a father sacrifice everything for the love of an adopted child. Cinematography too was excellent. The scenic countryside holding hands with the pleasant music score adds to the feel good touch of brilliantly done scenes such as the father and child dancing etc.
The initial chunk of the movie is a lil overdone potpourri of characters. Character development was essential, but it spills over into more of a striking contrasting difference between the lives of two girls born on the same day. It puts forth a wrong perspective which could well and truly stand in line with the archaic stereotype of lives in developing countries. They could also have gone easy on the last set of photo stills to don the movie screen. It tends to give a lil bit of the "true story" thing away !
Given its pros and cons, I would certainly recommend this movie even if its a date movie !
My friend is visiting Shanghai and giving lectures to pharmacists in one of the hospitals. Her partner wrote me how shocked they were to learn that in China, an ostensibly Communist-governed country, the health care system is privately operated. And yet, to view this picture, you would never guess that the whole health system was not hunky-dory and just bursting to help deformed children. You could call this omission naive, or you could call it misleading---even dishonest. Smile is an advertisement for a regime that holds millions of dissenters in a gulag of slave factories and conducts a huge number of public executions per year. Furthermore, the perpetrators of the Tianenmen Square massacre have never been brought to justice, which goes fundamentally against human rights and human nature. Nevertheless, it is interesting to see Shanghai looking so comely, and Mika's super figure is waved around in almost every shot. The picture is a courageous attempt to sell Volunteering Overseas and for that it deserves brownie points, but can charity ever be divorced from politics? What price in oppression is this picture paying for its sanitised portrait of Communist China?
SMILE is one of those Op-Ed moments on CNN that can be told with poignant dignity in 10 - 15 minutes and make a significant impact. The trouble with SMILE, the motion picture, is that it stretches this idea into 107 padded minutes, incorporating far more sitcom TV dialog about wealthy families with strident children looking for ways to escape uninspiring parental role models with teenage sex life and outside causes. It takes so long for this movie to get going that it loses the viewer.
The strong elements lie in the concept of the parallel of two girls born on the same day, one to the wealthy Malibu family with everything but concord, an the other left as an unwanted deserted orphan because of a facial deformity, salvaged by a caring worker who raises her as his own. The stories run parallel through the teen years when the Western girl seeks meaning to life by joining a humanitarian medical group whose efforts are directed toward offering the Eastern girl a chance at a normal appearance. The comparison of the lives of the two girls and their disparate families is tender and meaningful and that alone is worth the effort to tell this tale.
The actors are very good for the most part - Sean Astin in his most mature role to date, Mika Boorem as the Western girl and Yi Ding as the Eastern girl, and Beau Bridges and Luoyong Wang as the apposing fathers, Linda Hamilton as a rather tiresome mother, and some good young actors in supporting parts. The cinematography in China is very lovely but there is little tie in with the California counterpart. Jeffrey Kramer directs with less hold on pacing than on commitment to a worthwhile tale begging for brevity. Grady Harp
The strong elements lie in the concept of the parallel of two girls born on the same day, one to the wealthy Malibu family with everything but concord, an the other left as an unwanted deserted orphan because of a facial deformity, salvaged by a caring worker who raises her as his own. The stories run parallel through the teen years when the Western girl seeks meaning to life by joining a humanitarian medical group whose efforts are directed toward offering the Eastern girl a chance at a normal appearance. The comparison of the lives of the two girls and their disparate families is tender and meaningful and that alone is worth the effort to tell this tale.
The actors are very good for the most part - Sean Astin in his most mature role to date, Mika Boorem as the Western girl and Yi Ding as the Eastern girl, and Beau Bridges and Luoyong Wang as the apposing fathers, Linda Hamilton as a rather tiresome mother, and some good young actors in supporting parts. The cinematography in China is very lovely but there is little tie in with the California counterpart. Jeffrey Kramer directs with less hold on pacing than on commitment to a worthwhile tale begging for brevity. Grady Harp
This film is noteworthy: beautiful cinematography, super performance by many of the Chinese actors, and a great message. Some of the scenes seem a little unrealistic, but the movie compels me to charitable action -- that and great cinematography make for a worthwhile film.
The film creates an interesting comparison between a 17-year-old girl, Katie, from affluent L.A., and her counterpart, Lin, a girl of exactly the same age, from rural China. Their friendship will hopefully lead other young people to travel, to give of themselves and to form their own cross-cultural relationships.
I enjoyed listening to Director Jeffrey Kramer's notes, which give a whole new set of insights into several aspects of the film. First, being filmed in rural China, the film captures innumerable authentic elements of the culture, which Kramer points out. Second, Kramer talks about the many intercultural, interpersonal relationships going on behind the scenes in this film. Finally, as Kramer mentions more than once, the movie touches interestingly on the one-child policy in China and how it affects families.
Some of the performances, especially on the Malibu side, seem a bit of a stretch from reality. However, on the Shanghai side, the performance by the actors playing Lin and her family are superb. Despite some of the aspects of the screenplay which seem to stretch realism, overall the intercultural aspects, cinematography and charitable cause make this one worth watching -- and being changed by.
The film creates an interesting comparison between a 17-year-old girl, Katie, from affluent L.A., and her counterpart, Lin, a girl of exactly the same age, from rural China. Their friendship will hopefully lead other young people to travel, to give of themselves and to form their own cross-cultural relationships.
I enjoyed listening to Director Jeffrey Kramer's notes, which give a whole new set of insights into several aspects of the film. First, being filmed in rural China, the film captures innumerable authentic elements of the culture, which Kramer points out. Second, Kramer talks about the many intercultural, interpersonal relationships going on behind the scenes in this film. Finally, as Kramer mentions more than once, the movie touches interestingly on the one-child policy in China and how it affects families.
Some of the performances, especially on the Malibu side, seem a bit of a stretch from reality. However, on the Shanghai side, the performance by the actors playing Lin and her family are superb. Despite some of the aspects of the screenplay which seem to stretch realism, overall the intercultural aspects, cinematography and charitable cause make this one worth watching -- and being changed by.
"Smile" is an independent film from 2005 about an American girl and a Chinese girl born on the same day. Kate (Mika Boorem) lives the good life as a typical Southern California good-lookin' blond whereas Lin (Yi Ding) was discarded like trash as an infant by her parents because of a facial deformity. Thankfully, a man rescues the girl and sacrifices all to see to it that she has a quality life (Luoyong Wang). The two girls meet when Kate decides to take part in a program encouraged by her teacher Mr. Matthews (Sean Astin). The story's a cumulative creation based on thousands of true stories, including one of an American teen and Chinese teen. A picture of the two is featured at the end.
The cinematography, locations, score/soundtrack, etc. are professional-level filmmaking and there are a few big names in the cast, like Linda Hamilton and Beau Bridges as Kate's parents, not to mention Astin. Although this is one of those tear-jerking inspirational dramas, it's also a coming-of-age flick. To be expected, the story goes back-and-forth between Kate and Lin. The latter's life is quite sad, except for her adoptive father, while the former's life plays out like the usual teenage-babe-in-high-school yarn. I don't mean that in a bad way because Kate's (melo)drama helps hook the viewer into the story and is one of the film's strengths. Another positive is that the filmmakers don't try to play your heart-strings too early. The whole story is a build-up to the revelation at the end and, I have to confess, it brought tears to both my wife and me.
Unfortunately, you can tell that this is a low-budget movie in regards to the weak acting in several scenes. When a movie has the funds the filmmakers will take several shots of the same scene until they get it just right; and they'll kick axx if they have to in order to get the best out of the actors. Here you can tell that they set up scenes and shot them very quickly with the attitude of "That's good enough." Why? Because time is money and they didn't have the money to take all day to shoot one or two scenes, so they got the best they could on their limited budget. Another negative is that the story is too by-the-numbers. You're watching a scene and it feels like actors following the contrived words of a script rather than what they would do or say in real life, which ruins the movie's illusion of reality. If you can ignore these flaws, however, this is a worthwhile inspirational drama. Being shot in China, it gives Westerners a good spotlight into the lives of common people in that country.
The film runs 107 minutes and was shot in Malibu, California, and Jingxi & Shanghai, China.
GRADE: B-
The cinematography, locations, score/soundtrack, etc. are professional-level filmmaking and there are a few big names in the cast, like Linda Hamilton and Beau Bridges as Kate's parents, not to mention Astin. Although this is one of those tear-jerking inspirational dramas, it's also a coming-of-age flick. To be expected, the story goes back-and-forth between Kate and Lin. The latter's life is quite sad, except for her adoptive father, while the former's life plays out like the usual teenage-babe-in-high-school yarn. I don't mean that in a bad way because Kate's (melo)drama helps hook the viewer into the story and is one of the film's strengths. Another positive is that the filmmakers don't try to play your heart-strings too early. The whole story is a build-up to the revelation at the end and, I have to confess, it brought tears to both my wife and me.
Unfortunately, you can tell that this is a low-budget movie in regards to the weak acting in several scenes. When a movie has the funds the filmmakers will take several shots of the same scene until they get it just right; and they'll kick axx if they have to in order to get the best out of the actors. Here you can tell that they set up scenes and shot them very quickly with the attitude of "That's good enough." Why? Because time is money and they didn't have the money to take all day to shoot one or two scenes, so they got the best they could on their limited budget. Another negative is that the story is too by-the-numbers. You're watching a scene and it feels like actors following the contrived words of a script rather than what they would do or say in real life, which ruins the movie's illusion of reality. If you can ignore these flaws, however, this is a worthwhile inspirational drama. Being shot in China, it gives Westerners a good spotlight into the lives of common people in that country.
The film runs 107 minutes and was shot in Malibu, California, and Jingxi & Shanghai, China.
GRADE: B-
Wusstest du schon
- WissenswertesAt 30:52 into the movie, after the family was fighting at the dinner table, Katie is on the phone. Her dad walks in and opens the refrigerator door. You can see what appears to be an overhead microphone, orange in color, move in and out of the scene and also move side yo side
- VerbindungenFeatures Cowboy and the Senorita (1944)
- SoundtracksVanishing Romance
Written by Joe Lervold (as Joel Evans)
Performed by Carla Helmbrecht and Joe Lervold (as Joel Evans)
Published by Mopsy Music (BMI)
Courtesy of Heavy Hitters
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 32.833 $
- Weltweiter Bruttoertrag
- 32.833 $
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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