Spirtokouto

"Spirtokouto" is a movie that is really hard to watch. From the very beginning till the very end, one can sympathize with the main character, who suffers diverse psychological deaths (as depicted by black-and-white stop shots).

"Spirtokouto" is the greek word for matchbox. People who resemble matches and only need some stimuli to be on fire.

Despite that it is a gripping movie from the very first scene, "Spirtokouto" is a bit excessive, as far as verbal violence is concerned. Also, the viewer can't figure out much about the characters' past, except perhaps for the part of Dimitris (Mitsos ;)) which is developed fairly well. Even so, the movie is more than a mere depiction of the miserable life of a Greek family which might very well exist.

The writers manage to discuss successfully several aspects of every day life in Greece and even discuss some social phenomena. While one cannot argue of course that what is presented is typical of a greek family, it might well be said that it is not a very distant reality for a part of the greek population.

Despite any disadvantages, the film a noticeably good try about society, it could be an example of realistic film-making that is definitely worth seeing. 7.5/10

When this movie came out, it polarized audiences due to the heavy and continuous use of vulgar cussing. It was so over the top, that many, even today consider it to be a comedy-an absurd one at that- and you know what? It does come off as one to an extent.

However, if you take the time to look deeper and try to understand the connection with the average modern Greek decadent suburban family, you will discover another layer of filmmaking, full of realism and raw motion. The characters may feel over the top but I believe it was done on purpose, to convey how horrific every-day life for some people can be. From the father and the mother down to their kids, a feeling of pure social decay permeates.

It's this duality that makes the film interesting in my eyes. It doesn't shove its message in your face but it's there for you to discover if you want to take the time. If you just want to spend some time watching excessive cussing and laughing at all the ludicrous situations that unfold, then you're perfectly welcome to do that. The 18 year old me sure did!

The cynical mid-thirties me is lifting the veil of crude comedy to look what's beneath, whenever I stumble on this film in TV.

I became interested in watching Spirtokouto after reading an interview with Yiannis Economidis. I was intrigued by his views on realism and on how films should, among other things, pull no punches when depicting the painfulness of dysfunctional families. In that respect, Spirtokouto is very much on the mark. However, I found the movie started grating on my nerves after about 30 minutes. As it progressed I felt like switching off my DVD, but I finally decided to give Economidis the benefit of the doubt. The movie does have some positive elements. Erricos Litsis (Dimitris) and Eleni Kokkidou (Maria) give very compelling performances and have all the venom you'd expect to see in a middle-aged couple trapped in their marriage. But, unfortunately, after a certain point the shouting and insults start appearing gratuitous. When the movie ended I heaved a sigh of relief, glad that it was over. Spirtokouto is not a good example of modern Greek cinema, despite the fact that Economids is capable of better things.

Very rarely a film can capture the thin line between sanity and insanity in our daily lives. The director manages to detail the drama of a dysfunctional family without being overly dramatic, no good guys, no bad guys, just people on the verge of a nervous breakdown. His use of the anti-aesthetic works perfectly and adds to the built up of the storyline.

This is not a "Greek" movie. This family can be found anywhere where urban migration run amok. It could be south American, Mediterranean, or any other industrial country.

All in all a great film, not for everyone, but definitely worth watching!

Spirtokouto is a really unique film, and takes guts and a great deal of patience to follow. The name, meaning matchbox, is probably meant to suggest the extreme temper of the head character. He actually reminds me a lot of my own father, so I believe the screenplay is fairly realistic. I think this movie is a really good try by the Greek director Giannis Ekonomidis, and it's a really interesting and different one. Everything's promising about it. Not exactly perfect, nothing like the masterpiece "Apo Tin Akri Tis Polis" which I think is the best Greek movie ever; but still pretty good and definitely watchable. I'm looking forward to seeing other movies featuring the cast and the director. Recommended! 7/10