IMDb-BEWERTUNG
6,7/10
22.265
IHRE BEWERTUNG
Der Arbeiterklasse-Tomboy Mona trifft den exotischen, verwöhnten Tamsin. Während der Sommersaison entdecken die beiden jungen Frauen, dass sie sich gegenseitig viel beibringen und gemeinsam ... Alles lesenDer Arbeiterklasse-Tomboy Mona trifft den exotischen, verwöhnten Tamsin. Während der Sommersaison entdecken die beiden jungen Frauen, dass sie sich gegenseitig viel beibringen und gemeinsam viel entdecken können.Der Arbeiterklasse-Tomboy Mona trifft den exotischen, verwöhnten Tamsin. Während der Sommersaison entdecken die beiden jungen Frauen, dass sie sich gegenseitig viel beibringen und gemeinsam viel entdecken können.
- 1 BAFTA Award gewonnen
- 9 Gewinne & 20 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesA lot of scenes and dialogue were improvised whilst shooting, with a lot of participation from the actors. The scene in which Mona draws a portrait of Tamsin on the wall of her room was entirely improvised - during Pawlikowski's traveling together with Press, he discovered that she used to do a lot of drawing while she was thinking, so he decided to integrate it into the movie and made a scene out of it.
- VerbindungenFeatured in 2006 Glitter Awards (2006)
- SoundtracksLovely Head
Written by Goldfrapp and Will Gregory
Performed by Goldfrapp
Licensed courtesy of Mute Records
Copyright Warner Chappell Music Publishing Ltd
Ausgewählte Rezension
I saw this movie in Albany, NY USA and I thought it was great. I admit, I went because the two young girls were super hot and lesbians are always sexy. But watching it, I really got to like the people in the story. It's not really a sexy movie, but it's a very good drama about people.
Mona, the working class girl, is so sexy and yet so vulnerable. She has no idea she's a beauty, or that she's stronger and more creative than the people around her. She thinks that being sophisticated means smoking and drinking and acting bored all the time. So when she meets Tamsin she is instantly captivated!
Tamsin is spoiled and rich, used to being adored. When the rough, but very sexy young working girl looks up at her with innocent admiration, cruel and shallow Tamsin thinks it might be amusing just to get her going for a bit. But pleasure soon leads to passion, out of control.
Both girls in this movie are superb, wonderful actresses. Mona could seem dim, but we get how smart she could be if she just woke up to the phony side of Tamsin. Tamsin could seem evil, but we get how lies and make believe are the only way she can get attention.
It's a lovely film, with only a couple of tiny flaws. I thought it was too easy for Mona's "boyfriend" to be just a selfish, fat lout. It's the kind of thing you always see in lesbian films, like the girl needs an "excuse" to find love with another woman. Why need an excuse? Also, I would have liked just a bit more on Tamsin's family -- do they know what she really is? Do they care? Just a hint or something at the end.
My theory about why American audiences didn't like this movie is about culture, but not just that Americans are dumb. Americans, when they watch "British" movies, expect to see dukes and duchesses, aristocrats, Jane Austen elegance. Just a couple of teens smoking and drinking doesn't look "British" to us.
You can't say Americans don't "like" British movies, but if you look at GOSFORD PARK and compare it to MY SUMMER OF LOVE you can see what I mean. I hated GOSFORD PARK, thought it was paper thin and sentimental, but it gave Americans the England they want -- aristocrats, servants, luxury, scandal.
See what I mean?
Mona, the working class girl, is so sexy and yet so vulnerable. She has no idea she's a beauty, or that she's stronger and more creative than the people around her. She thinks that being sophisticated means smoking and drinking and acting bored all the time. So when she meets Tamsin she is instantly captivated!
Tamsin is spoiled and rich, used to being adored. When the rough, but very sexy young working girl looks up at her with innocent admiration, cruel and shallow Tamsin thinks it might be amusing just to get her going for a bit. But pleasure soon leads to passion, out of control.
Both girls in this movie are superb, wonderful actresses. Mona could seem dim, but we get how smart she could be if she just woke up to the phony side of Tamsin. Tamsin could seem evil, but we get how lies and make believe are the only way she can get attention.
It's a lovely film, with only a couple of tiny flaws. I thought it was too easy for Mona's "boyfriend" to be just a selfish, fat lout. It's the kind of thing you always see in lesbian films, like the girl needs an "excuse" to find love with another woman. Why need an excuse? Also, I would have liked just a bit more on Tamsin's family -- do they know what she really is? Do they care? Just a hint or something at the end.
My theory about why American audiences didn't like this movie is about culture, but not just that Americans are dumb. Americans, when they watch "British" movies, expect to see dukes and duchesses, aristocrats, Jane Austen elegance. Just a couple of teens smoking and drinking doesn't look "British" to us.
You can't say Americans don't "like" British movies, but if you look at GOSFORD PARK and compare it to MY SUMMER OF LOVE you can see what I mean. I hated GOSFORD PARK, thought it was paper thin and sentimental, but it gave Americans the England they want -- aristocrats, servants, luxury, scandal.
See what I mean?
- Dan1863Sickles
- 2. März 2006
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Summer of Love
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.700.000 £ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.000.915 $
- Eröffnungswochenende in den USA und in Kanada
- 90.022 $
- 19. Juni 2005
- Weltweiter Bruttoertrag
- 2.766.976 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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