IMDb-BEWERTUNG
5,6/10
33.212
IHRE BEWERTUNG
Gefangen in einer Londoner U-Bahn-Station betritt eine Frau, die von einem potenziellen Angreifer verfolgt wird, das unbekannte Tunnellabyrinth unter den Straßen der Stadt.Gefangen in einer Londoner U-Bahn-Station betritt eine Frau, die von einem potenziellen Angreifer verfolgt wird, das unbekannte Tunnellabyrinth unter den Straßen der Stadt.Gefangen in einer Londoner U-Bahn-Station betritt eine Frau, die von einem potenziellen Angreifer verfolgt wird, das unbekannte Tunnellabyrinth unter den Straßen der Stadt.
Empfohlene Bewertungen
Creep doesn't do what its title suggests, it isn't exactly creepy, but it is pretty violent and gruesome. The story is fairly linear and has no plot holes that i noticed and the acting and script are OK.
The problem with Creep is that it doesn't really do anything to set it apart from the rest of the Horror crowd, but when compared to some its not to bad.
With floods of horror movies in recent years (Toolbox Murders, Grudge, White Noise, Descent, Boogeyman to name but a few) Creep is left languishing in mediorcratity.
For horror fanatics, its worth watching and it can hold its own in the genre. For movie lovers in general there is not enough here to warrant your time.
6/10
The problem with Creep is that it doesn't really do anything to set it apart from the rest of the Horror crowd, but when compared to some its not to bad.
With floods of horror movies in recent years (Toolbox Murders, Grudge, White Noise, Descent, Boogeyman to name but a few) Creep is left languishing in mediorcratity.
For horror fanatics, its worth watching and it can hold its own in the genre. For movie lovers in general there is not enough here to warrant your time.
6/10
Decent little British horror.
Basic plot, Woman gets trapped in a subway overnight. Unfortunately for her, shes not alone.
Characters are a bit stereotypical, however Sean Harris' portrayal of the antagonist will make your skin crawl.
Pretty fast paced, action packed with a satisfying resolution.
Give it ago if you like "The Descent" or "Wrong Turn".
Brit horror successfully marries suspense and gore to create a more than decent movie.
Franka Potente is Kate, a socialite on her way to a party in London where George Clooney (Yes really) is believed to be hanging at and where she will attempt to seduce him (Yup, I'm not kidding).
However, she falls asleep at the subway station and misses the last train, leaving her trapped inside. Jeremy Sheffield's Guy is pursuing her though, and when a train finally arrives (Yes, the logic's already disintegrating), he appears out of nowhere and tries to rape her. Unfortunately for him, there is a real killer in the underground who drags him off her and wounds him fatally.
The rest of the movie is killer-pursues-Kate.
Quite frankly the logic in this one was never meant to be particularly strong. It's not even obvious that she fell asleep while waiting for the train, and instead it could have been mindgames. And indeed, mindgames seem to be the only explanation for some of the slightly ludicrous events which occur in the first half.
Nonetheless, this movie is about running away from the bad guy, whose appearance and identity imply he's 'not normal' (Are they ever), and to this end the film does a decent enough job. Once the bizarre first half hour of silliness is past, it is simple enough fare, with more than a hint of severe gore.
There's little more that can be said, such is the basic nature of this, but if you accept the intrinsic daftness of some of it, you'll get a reasonable kick out it if you like the genre.
Seen worse.
Franka Potente is Kate, a socialite on her way to a party in London where George Clooney (Yes really) is believed to be hanging at and where she will attempt to seduce him (Yup, I'm not kidding).
However, she falls asleep at the subway station and misses the last train, leaving her trapped inside. Jeremy Sheffield's Guy is pursuing her though, and when a train finally arrives (Yes, the logic's already disintegrating), he appears out of nowhere and tries to rape her. Unfortunately for him, there is a real killer in the underground who drags him off her and wounds him fatally.
The rest of the movie is killer-pursues-Kate.
Quite frankly the logic in this one was never meant to be particularly strong. It's not even obvious that she fell asleep while waiting for the train, and instead it could have been mindgames. And indeed, mindgames seem to be the only explanation for some of the slightly ludicrous events which occur in the first half.
Nonetheless, this movie is about running away from the bad guy, whose appearance and identity imply he's 'not normal' (Are they ever), and to this end the film does a decent enough job. Once the bizarre first half hour of silliness is past, it is simple enough fare, with more than a hint of severe gore.
There's little more that can be said, such is the basic nature of this, but if you accept the intrinsic daftness of some of it, you'll get a reasonable kick out it if you like the genre.
Seen worse.
This is a could-have-been that starts out on an attractive premise, but fails to deliver and ends up looking like the makers were too ambitious and wanted to make a horror movie that would work on different levels, with more than just one basic plot line, but ended up with a messy movie that really goes nowhere, just like the tube that the protagonist gets into at the beginning.
The movie begins with a sequence in the sewage system of London, where two employees are doing their maintenance work. Suddenly, something goes wrong and they're attacked by someone or something that we don't get to see. Then it switches over to a party, where we meet Kate (Franka Potente), a young woman who needs to leave to meet her friend. She goes to take the underground, but falls asleep while waiting for her ride. When she wakes up, the train has arrived, but there's nobody at the station. She gets on the underground, only to find out she's all alone there too...
The introduction is certainly appealing to the horror buff, and we're led to believe that we're in for a movie that will explore our fear of being trapped, the "underworld" (both in a real and metaphorical way), the dark, claustrophobia... Instead, the movie soon chooses to follow a different plot line, which, in my opinion, is much less interesting and much more conventional, more oriented to commercial success and to please those viewers who look for easy scares and blood-packed, gory scenes. The ending isn't fulfilling in the least, and seems sudden and not very well written or connected to what we've already seen.
The movie begins with a sequence in the sewage system of London, where two employees are doing their maintenance work. Suddenly, something goes wrong and they're attacked by someone or something that we don't get to see. Then it switches over to a party, where we meet Kate (Franka Potente), a young woman who needs to leave to meet her friend. She goes to take the underground, but falls asleep while waiting for her ride. When she wakes up, the train has arrived, but there's nobody at the station. She gets on the underground, only to find out she's all alone there too...
The introduction is certainly appealing to the horror buff, and we're led to believe that we're in for a movie that will explore our fear of being trapped, the "underworld" (both in a real and metaphorical way), the dark, claustrophobia... Instead, the movie soon chooses to follow a different plot line, which, in my opinion, is much less interesting and much more conventional, more oriented to commercial success and to please those viewers who look for easy scares and blood-packed, gory scenes. The ending isn't fulfilling in the least, and seems sudden and not very well written or connected to what we've already seen.
"Creep" is a new horror film that, without a doubt, will please many genre fans simply because it's so down to the point and unscrupulous! It has many genuine shock-moments, a whole lot of repulsive gore-sequences and a rare claustrophobic tension. What it hasn't got is logic and a solid plot but, to tell you the truth, that didn't bother me for one second. When the end-credits start to roll, there are still many unanswered questions to ponder on but director/writer Christopher Smith (in his debut) seemly preferred to fully focus on tension and adrenalin-rushing action instead of long, soporific speeches and theories that could explain the existence of the "creep" in the London subway. The story revolves on the young and haughty Kate, who leaves her own party in order to go and meet the famous actor George Clooney who's in town to present his new film. She falls asleep in the subway, misses the last train and she finds herself trapped in the underground subway network. Things really get terrifying when she encounters a mad-raving lunatic who lives in the old tunnels and kills/kidnaps people to experiment upon. Even experienced homeless people, security guards or sewer-workers can't rescue her from this ravenous monster! I really dug the creep-character! He's nauseating, hideous and primitive but in a strange way fascinating. Christopher Smith only leaves us clues and hints, and it's merely up to the viewer to guess this vile creature's origin and background. I reckon this isn't very original, and I'm sure many people won't appreciate the lack of content, but I forgive Smith and I think it's better this way than going over the top completely, "Jeepers Creepers"-style (that particular film started out great as well, but as soon as the Creeper's identity was clear it turned into a very mediocre horror effort). The obvious aspect-to-love is the outrageous gore! There's some severe butchering going on in this film and the make-up, as well as the sound effects, are very convincing. The ominous setting of the abandoned London subway during night is effectively used. There also is some acting-talent present in this film, with Franka Potenta (Run Lola Run) returning to graphic horror nearly five years after the cool German film "Anatomie". Creep is terrific entertainment when you're in an undemanding mood and Christopher Smith definitely is a director I'll keep an eye on. Make sure you don't have to take the subway right after watching this film...
Wusstest du schon
- WissenswertesSean Harris is a method actor and didn't socialize with anyone throughout the shoot.
- PatzerAll tube stations in London have release mechanisms on the inside of the metal gates, to ensure people can get out in case of this exact circumstance.
- VerbindungenFeatured in Creep: Making of Creep (2005)
- SoundtracksSoundsplatt
performed by Butterich
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
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Box Office
- Budget
- 5.000.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 7.480.424 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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