Monster House

Looking out his window, DJ (Mitchel Musso) sees a creepy-looking house (Kathleen Turner). It's owned by Mr Nebbercracker (Steve Buscemi), who really doesn't want people on his lawn. Toys that end up there disappear, taken by Nebbercracker to discourage trespassing. DJ catalogs the lost items, but his parents (Catherine O'Hara and Fred Willard) aren't interested in his observations of the house. Just before Halloween, his parents leave him home, in the care of babysitter Elizabeth (Maggie Gyllenhaal), who prefers the nickname "Z". His friend "Chowder" (Sam Lerner) visits, and joins his observation of the house. They spot Jenny (Spencer Locke, who is a girl whose parents stuck her with a boy's name) about to try to sell Halloween candy to Nebbercracker, and hurry to talk her out of approaching the house. Before long, they discover that Nebbercracker isn't the only thing that's creepy about the house. The house, it seems, has a life of its own.

This movie started as a script that sat unproduced for years, for want of technology and the right people to make it. The technology that went into it turned out to be the same sort of animation as _The Polar Express_, digital animation based on motion capture. Like _Polar_, it has a stylized look rather than attempting photorealism, but instead of taking the look of paintings in a book, it took the look of extremely detailed dolls and doll accessories. But with motion capture driving the movements of the characters, they end up with a lot of personality, which overrides their stylized look. The animation is least effective in the climax scene at the end, where it exaggerates the action just a bit too far for my tastes, but even there it's pretty good. Most of the time the animation is excellent, with just the right degree of exaggeration to fit the stylized look. The sets are very good, particularly a construction site near the house. I'd rate the animation very good.

More important than the technology is the story. What really makes the images on the screen interesting is the way they serve the story. Comparing with _The Polar Express_ again highlights the point -- this movie had a solid story, compared with _Polar_, which expanded a very thin children's book into a feature-length story. This movie's story isn't in a class with the best of Pixar, but the film-makers are clearly aware of the fact that the strength of the story is very important. I'd rate the story very good.

The voice and motion capture performances, shot in only 34 days, are almost all excellent. My favorite was Maggie Gyllenhaal, who was wonderful in her supporting part as babysitter "Z". The least satisfying, I thought, was Jon Heder (as video-game master "Skull"), and he was good, just not great. Even Kathleen Turner, as the house, performed in the motion capture space, moving around in a neighborhood constructed of foam. I really hope that the director wasn't joking when he said he might include her motion capture video as a DVD extra. Nick Cannon, as a rookie police officer, was probably the funniest character, relative to his screen time.

Kathleen Turner's presence in the cast is a bit of a nod to executive producer Robert Zemeckis, who cast her as Jessica Rabbit in _Who Framed Roger Rabbit_. She was thrilled by the part, which gave her a grotesque role to mirror her glamorous role as Jessica Rabbit. Other Zemeckis references are more obvious. Most obvious one is in the opening, featuring a leaf. Another deals with a basketball -- originally an accident during production. Others may exist, but it's not packed with pop culture references like the _Shrek_ movies.

Directing an animated film is different in a lot of ways from directing live action, which makes it more complicated to rate. Directing this movie involved directing both the motion capture performances and the camera positioning. The director took the script, and made complete storyboards from it. From those, he made an animatic, which guided the way he directed the motion capture shoot. Because of the way character interactions affected the results, he said that he ended up throwing out all the storyboarding, but I'd guess he meant that figuratively. The character interaction looked really good, better than almost any animated movie I've seen. I'd rate the directing excellent, in a class with Pixar.

Overall, I'd rate the movie very good, mostly on the strength of the story. Kids are usually easy to please, and they'll probably find the movie excellent. Adults are harder to please. Where _Shrek_ emphasizes pop culture references for adult appeal, this movie targets adults' memories of childhood, effectively drawing adults into enjoying it like the kids in the audience.

Credits: There are a few additional scenes after the credits begin. Don't run out right away. Stick around at least until the fine-print credits roll.

Personal appearances: The director, Gil Kenan, and a couple of the producers (I don't know which ones, but not Spielberg or Zemeckis) were there. The director took questions from the audience, and answered very enthusiastically -- he seemed like he was thrilled to see his film in front of a real audience, and not burned out from hearing the same questions over and over. He was really nice to the kids in the audience, and behaved like he was new to the experience of being the center of attention. He signed lots of autographs (including one for me), and seemed genuinely pleased that people cared enough to ask. That's a reaction that one might expect for the director of something obscure, but uncommonly nice for the director of a big-budget summer movie.

The US rating is "PG", for some scary scenes and (supposedly) "crude humor and brief language". The crude humor is minimal, compared to typical movies aimed at kids. I can't think of any inappropriate language.

I saw this film as part of a free screening I took my little sister to and was ready for an immature piece of fluff. Preparing for restless children making bathroom trips and throwing an occasional tantrum overshadowing a mediocre movie I was happily proved wrong. Too many CG-generated films ride on the spectacle of the animation technique keeping audiences in awe while forgoing story. While jaws drop at impossible camera angles and while 3-D rendered characters being stretched in a 2-D way we all play spot/ear the celebrity voice. The Dennis Leary as a ladybug joke can only be taken so far. Perhaps a bar is being set by Pixar to work from an entertaining script like "The Incredibles" that would make an good movie no matter how it was made. Drawing from the neighborhood ghost story and a dash of H.P. Lovecraft's "The Shunned House" Amblin delivered an entertaining popcorn movie that ranges in age appeal. The humor could have easily fallen into stereotypical characters, the familiarity of the story, and bathroom laughs, but maintains irony and, while not naive, maintains a reverence for the innocence of the characters and no doubt much of the young audience. This is a popcorn movie, no doubt, and not every gag is spot on, but it makes for a good matinée and a pretty good introduction to horror movies for a younger crowd. As a fan of animation I walked into a second-run screening of "The Iron Giant" and loved it. For me seeing a good movie outside of hype is a lot of fun. I know my expectations were low and the movie was free but I thought it was pretty cool.

I just saw this movie at the Seattle International Film Festival. I didn't know what to expect, but I must say I found it quite enjoyable. There was a lot of talk before the movie. People were saying that it will be too scary for the little kids, but not adult enough to capture older kids attention.

I can see it being quite frightening at times for the little ones, but of the kids in the theater its not like I heard any of them screaming mommy. I don't know how well the movie will do with kids, but from an adult's perspective, its definitely worth a viewing.

The best part of the movie definitely has to be the characters. Each were extremely well thought out and put together. They did a fantastic job of matching right voices with the right characters. Characters facial expressions were amazing. You'll find yourself laughing at things they say and do quite a lot.

The animation looks great. They certainly aren't ground breaking. But they fit the movie well. However, I will say that some scenes looked quite amazing.

If you are looking for a fun, clean movie with plenty of laughs and chuckles, this is definitely one you don't want to miss!

The animation is a bit clunky and grainy, but this somehow adds to the dark atmosphere, which is fairly unique for mainstream American animation. Although it is not explicitly stated, the main protagonist seems to be suffering from depression. The story itself is different from a typical haunted house story, in that the house itself is anthropomorphized, and at its heart lies the cemented-over body of Nevercracker's dead wife, her soul now possessing it. As the movie itself notes, this is the literal (monstrous) definition of "house wife."

Watched in Princeton and in Iowa City 2020, on Halloween night!

I saw the 3D version of Monster House, which I recommend as THE format to see the film in.

The story is pretty simple and not entirely original. But the zest for which the characters jump into your lap (figuratively and literally) makes this a fun ride through a house of horrors.

The overall animation is pretty decent, but the facial expressions are absolutely fantastic. They are so lifelike. The lack of photo realism in other features is quickly ignored as you feel at times like you are watching a real life childhood drama unfold right in front of you.

Who hasn't had a spooky house in their neighborhood that was legend? This film taps into that legend and brings to life through gleeful fun the horror that unfolds.

This continues a great bunch of surprises I have experienced this summer at the local multiplex.