Aimee Semple McPherson

Is there enough budget to release a DVD???? I'm sure many out here want to have a copy. I'm writing this comment because I've been looking on the internet for over a year to find if there has been a home video release. Just think how many people want to see this film and there evidently has been no progress that I have seen to indicate that there is any production in the works to release a home video. This is about all I can say on the subject. I have long admired Ms McPherson as a spiritual leader and dynamic personality. I've heard recorded sermons and viewed most all other video material that relates to her story. Maybe a grant from SAG should be considered to have this important film available to the general public.

Dreadfully bad, the acting is so poor it draws attention to what is going on in the film, not that it matters. The quality of the film is grainy and at times blurry. Didn't anyone making the film know how to focus the camera?! It is very amateurishly done. It is clearly evident director Richard Rossi has no idea how to make a film. The camera work seems like it was done by a child, the script is laughable bad. This certainly has to rank among the worst film of the 2000's. The lack of effort to capture the time period - the early 1900's is painfully obvious. This would be an excellent example for a film class and how NOT to make a film.

Aimee Semple McPherson 2 hours and 15 minutes DVFeature Film Director: Richard Rossi

I had the opportunity to attend a preliminary screening of the film in Pasadena California. Before attending the film, which consisted of Hollywood producers, the director Richard Rossi, and his editor, I decided to do my homework and find out just who this woman was.

Immediately the name, Aimee Semple McPherson had a certain power to it, like she 'should' be known to all, a name that commands and demands attention. The internet was able to provide me not only with her history as an evangelist in Los Angeles, but the scandal that would follow her up to her untimely death at the age of 54 in 1944. Historically Aimee Semple McPherson is the founder of the FourSquare Gospel denomination, a denomination which still thrives today, headquartered in Hollywood, California.

The film began with a rather tongue in cheek throwback opening credit sequence to the silent films of Aimee's era. It seemed as if the director really wanted to put the audience into the sights and sounds of the roaring twenties. The opening montage was very effective in doing just that.

If I could use one word to sum up my experience watching the film Aimee Semple McPherson it would be 'Interior.' ASM was shot digitally on a small budget and many times with smaller independent films this tactic usually hurts the film, in this case it enhanced the story or more importantly the character whose name is the title of the film. Aimee Semple McPherson, as director Richard Rossi portrayed her is a woman of magnificent triumphs and magnificent defeats. This film isn't about crowds and buildings and model Ts, it's about quiet emotion, loneliness, and the idea that a higher power can call us to greatness no matter what our faults. This idea is a direct contradiction to the Christian church today which seems to enjoy looking good as opposed to being good.

The film begins at her famed and much publicized disappearance off the coast of Ocean Park beach in May, 1926. This disappearance was and is rumored to have been a hoax perpetrated by Aimee herself and an accused lover, Kenneth Ormiston played wonderfully by the dashing and sexy Michael Minor. The scandal of her disappearance would find Aimee in court when, soon after she disappeared two divers died looking for her body.

Straight from her disappearance we are taken back to Aimee's humble beginnings [via a mysterious reporter] in a small town in Stratford Ontario Canada. Aimee is 17 years old living with her parents. Aimee's father James Kennedy, is played graciously and perfectly by Rance Howard, [father of Hollywood heavy-weight Ron Howard]. Howard plays Aimee's understanding and nurturing father with Americana blue-collared perfection, his every line delivered with the conviction of belief as opposed to performance.

Aimee is portrayed by newcomer Mimi Michaels with grace and conviction. All of 20 years old, Michaels breathes life into a role most Hollywood actresses would not know what to do with. The part of ASM of was offered to Rene Russo who turned the part down. A pity for Ms. Russo, the role was perhaps the best female lead to circulate Hollywood in decades.

Kiera Chaplin [granddaughter of legendary Charlie Chaplin] makes an interesting appearance as a prostitute that goes for Aimee's third husband later on in the film. Chaplin seems to make a good effort at performance but yet again she doesn't understand the qualities of being a presence, and she never really was one. It almost seemed as if her performance was edited for impact.

ASM is also a film about imperfection and how imperfect people are used to affect positive change in the lives of so many others. Unlike bland TBN fair [did anyone actually see The Omega Code?] ASM is a portrait of a life as seen through the eyes of an artist as opposed to the eyes of Christian. Aimee's life isn't pretty, and many times she comes across as near manic-depressive or bi-polar, that is how real the calling of evangelism is in her life. In fact I think a plausible argument can be made debating whether Aimee was indeed clinically nuts. The fire of evangelism is started by her first husband Robert Semple, adequately performed by unknown actor Chad Nadolski whom Aimee loses through tragic circumstances. The fire grows and builds until Aimee has a following and church of her own in Los Angeles [Angelus Temple].

Probably what captured me the most is how director Rossi fully realized how spirituality and sexuality can so easily become entangled. It's no wonder why so many men and women of faith end up falling for their secretaries or congregational members. This is an idea not welcomed by many people who call themselves Christians but it's truth and that truth is offered not graphically but subtlety.

This is an important film. Rare is it when humanity is showcased so beautifully and stylistically and at the same time with a heart. There's a particular scene in the film when Aimee uses the pulpit as a means to raise money, she is vamped out, giving the performance of her life, while looking at us, the audience, the stand in for the non-existent congregation of Angelus Temple.

First time director Rossi weaves vaudevillian decadence with sensual spirituality but still maintains the heart of a healer who ultimately couldn't heal herself. This is a film for everyone to see and love. Aimee Semple McPherson has the theatrics of Moulin Rouge but the heart of the much underrated The Apostle, this film is not to be missed, there's something there for everyone.

Evan Charles Gross Freelance Entertainment Writer Pasadena California

Bravo to Richard Rossi, producer, director, and writer of 'Aimee Semple McPherson' who also plays a leading role in his film. This remarkable drama based on the real life of the 1920's Pentecostal Evangelist, is a 190 degree turn away from today's glossy commercial film making status-quo. Aimee's life from teens to 40's is compellingly delivered by 21 year old, MIMI MICHAELS, Rossi's casting coup. The young intriguing actor is a rare if not all but extinct breed among her contemporaries. Her performance ascribes to no trappings of the twenty-something blonde pop-culture actors flooding the film market these days. Entirely unselfconscious, she is a unique blend of intelligence, sensitivity, and emotional dexterity. The real-deal classical actor gives us an unaffected 24carat 'Aimee,' exposing the complexities of her psyche, longings, frustrations and doomed attempt for personal happiness, with deft subtlety. Michaels keeps her work fresh and inspired with artfully delicate gestures baring Aimee's instability. It doesn't take us long to fall in love with the mixed-up, naughty, but well intended Aimee. James Kennedy, Aimee's mild mannered father, oft emasculated by his wife, is played by veteran, RANCE HOWARD with wisdom, warmth and tenderness. The chemistry between this father and daughter will be recognized by loving girls and daddies alike. The honesty and comfort Howard and Michaels shared together discloses a relationship that could only be divined as altruistically between Aimee and her Heavenly Father. When Aimee and her controlling mother Minnie, played discerningly by TERES BYRNE

take the screen, again familial chemistry was strong and volatile as well.

When the aggressive mother and Aimee lock horns we all sit a little more rigidly. CHARLES HOYES as Harold McPherson shows his metal as Aimee's woebegone husband in his futile competition with Jesus; or Aimee's calling to do His work. Other notable performances were given by Aimee's closest disciples, Emma and Reba played by ETIENNE ECKERT and LAURIE SHAW.

Although sustained by Mimi Michaels Magnetism, the current 2 hour plus version requires a good half hour chop if it is to see the light of day at the independent film festivals. The story line strays a bit afield in the last half hour but generously returns us to a three tissue ending. In this unpretentious film, purest Richard Rossi has, it seems, almost innocently produced a genre to be followed; making his 'A.S.M.' a reminder that the independent cinema is a great escape from the glossy mega-million dollar manipulative Hollywood flicks. R. Hughes Los Angelos

Saw at recent private industry screening of a long three hour rough cut in which a disparate mixture of evangelical Christians, cult film fanatics who think Rossi is a genius, teenagers, and 9 to 5 salt of the earth suburbanites gathered. Director Richard Rossi wanted audience feedback to assist him in trimming an hour out of the film. I must say, I was spellbound for three hours by Rossi's incredible direction and innovative visual eye, and Mimi Michaels acting as Aimee will be critically acclaimed. Rance Howard and Mimi Michaels had a great chemistry as father/daughter and Rance Howard's acting stood out, (it's obvious how his famous son Ron genetically was born for talent) he was perfect casting for the farmer with common sense and a connection to his gifted daughter. All I can say, is I believed, I bought it all. Mimi Michaels was so spot on I almost could not distinguish between her voice and Aimee McPherson's historical voice. Rossi's compassion for her as a healer who could not heal herself, and his understanding of women and their core emotional vulnerability is deeply moving. The end, Aimee's confession of her own loneliness, that only God can be her husband, and the way it ends, it had the room crying. It is masterful, and this is not an exaggeration. The timing of this, after the release of "The Passion" is perfect.