The Boondocks

Aaron McGruder is an admitted militant liberal, and his comic strip has provided quite an insight into his world view on politics and the lack of political tactfulness. But the television show has effectively upped up the ante, making even starker commentary on society and the racist ills that have fallen on it.

Some may attack McGruder for attacking African American culture by using the profane language and in his depiction of Riley, but what he has effectively provided is a sensible argument toward the ills of all cultural settings. He's effectively illustrating what people EXPECT from black culture.

McGruder has always been very critical of the "hip-hop" culture, calling it feminine and useless. In my opinion, McGruder's commentary is almost as powerful as Spike Lee's "Bamboozled," where he basically states hip-hop culture is just another form of black-face to entertain suburban white people. While the television seems to border more along the lines of cultural inequities and absurdities as opposed to the full-on political commentary of the strip, he still hammers home a lot of good points. Years from now, people will look at this show as a daring look at junk cultural paradigms and laugh at the absurdity of it all.

This is Adult Swim's most socially conscious and possibly most clever show. It's loaded with parallels to real world events. (A convenience store robbery works as a perfect metaphor for the early stages of Iraqi Freedom.) There are also heavy doses of Eastern influences, with references to Japanese cinema (Zatoichi, specifically) and action scenes comparable to what you'd normally only see in anime. The heavy dosage of quality hip hop is also refreshing. Aaron McGruder is man with good tastes, and they help to make his material so brilliant.

And yes, it is damn funny. John Witherspoon is incredible, and Regina King's voice grows on you after an episode. Also, frequent appearances by Samuel L. Jackson and Charlie Murphy as a couple of rich white boy gangstas lend an unequaled comic value to the show.

Now, onto the controversy factor.

Not to sound like a broken record, but this show is not racist. It does not lampoon black people, nor does it lampoon white people. This show specifically makes fun of just plain ignorant folks. Regardless of race. If you are a viewer who gets offended by the show, or thinks it's just an excuse for Adult Swim to prominently feature the "n-word," then you are exactly who this show is making fun of. (That's not to say that you have to like the show. If you are not offended but still do not like the show, that's your own prerogative.) I always thought that any show that always has to include a moral message must be a crappy family sitcom or kid's show. Not so in the case of Boondocks. Not to sound to preachy, but racial tensions still exist, even if the most common result is a white person being awkward and overly friendly when meeting a black person, saying things like "So, you hear the new Jay-Z?See the new Spike Lee?" This show is just what society needs. ***** out of *****

S1: Funny, wacky, underneath all the silliness lies a bigger pic, a bit far at times, quite consistent for the most part.

S2: Improved animation, I think this might be the best season, comedy not overdone, each episode had a purpose, great writing.

S3: Animation looks great, writing is as good as the second season, a bit weaker in terms of purpose, more comical then second season, but basically as good as the second season. Character development is the best in this season.

S4: Not bad, a bit better than S1, a bit of reused things, feels like it's missin something, best animation out of the 4 seasons.

The voice acting, music, and everything else was superb. Alot of cool and wacky characters that are unique in their own rights.

Overall it was quiet an enjoyable series.

Memorable: Sort of, Rewatchable: Likely..

In a day, of all we can hope for is reruns of beloved classics, and some of the dumbest crap-anime to brainwash young children, there is one that truly gets it right : The Boondocks.

Animation wise, it is the best looking show in syndication. It has a sharp blend of realism, with the 'glow' of a cartoon, thrown into nicely painted backgrounds. It sets the mood of McGruder's comics perfectly.

As a comedy, it features off-the-wall insanity, hilarious expressions, and well written 'stupidity'. Something that the old Simpsons used to do. Something that the old Simpsons didn't used to do, though, is make a grand statement about the African American culture, and the modern world today. Both the comedy and drama elements are carried out beautifully.

I can't name one character that sucks. All of them are heartwarming in their own way...and heartwarming in 'Boondocks' terms, to be more specific. Huey, Riley, Grandad, Uncle Ruckus, Ed the 3rd, and so on. I couldn't pick a bad one if I tried.

And not mentioning, the caliber of the voice acting is superb, as well. Regina King, John Witherspoon, and Cedric Yarbrough are just a few names that grace us each week. Not to mention the now and then Charlie Murphy, and the BMF himself...Samuel L. Jackson.

Compare this show to other shows. Become rational, if you are not, for an hour. Pull your head out of yourself, if it is there, for one hour. This is entertainment at its finest.

the boondocks comic strip, which appeared in April of '99 was a thought inspiring strip, which more times than once, was pulled for it's raunchy messages.

the strip has garnered so much attention that it has become a TV show Broadcasted on Adult Swim. the story centers around the lives of two comical children. the older brother, Huey freeman, is a leftist revolutionary open to racial conspiracy theories. the younger brother is a thug-in-training, whom gravitates towards cliché ghetto-thuggish subjects. both view things differently but makes for much hilarity. the show is a fountain of subtle messages, gushing out through scenes, flashbacks and commentary. so far, in my opinion, the boondocks is a catalyst for debate and discussion(whether you like it or not).