Nach abgeschlossenem Training mit seinem Mentor beginnt Batman mit seinem Kampf, das vom Verbrechen geplagte Gotham City vom Netz der Korruption zu befreien, mit dem Scarecrow und die Gesell... Alles lesenNach abgeschlossenem Training mit seinem Mentor beginnt Batman mit seinem Kampf, das vom Verbrechen geplagte Gotham City vom Netz der Korruption zu befreien, mit dem Scarecrow und die Gesellschaft der Schatten die Stadt überzogen hat.Nach abgeschlossenem Training mit seinem Mentor beginnt Batman mit seinem Kampf, das vom Verbrechen geplagte Gotham City vom Netz der Korruption zu befreien, mit dem Scarecrow und die Gesellschaft der Schatten die Stadt überzogen hat.
- Für 1 Oscar nominiert
- 15 Gewinne & 79 Nominierungen insgesamt
Zusammenfassung
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There are two things that keep this from an even more impressive start of Nolan's Batman Trilogy. The first is Katie Holmes. She is not up to the task. She is still playing that little girl character from Dawson's Creek. She doesn't have the seriousness or gravitas to play this gutsy lawyer character. It's a big character, and not just another girlfriend.
The second is that Scarecrow (Cillian Murphy) isn't a big enough villain. The evil plan has too much of a silly Bond feeling. It is too unrealistic in a Batman movie that is suppose to be realistic. It leaves a bad taste for the climatic ending. Other than those two, this is still a great start to the trilogy. It sets the tone for the final two.
What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie. The story does not progress in linear fashion for the first half, and there are some truly spectacular hallucination scenes. Parents thinking of taking their young kids along, think twice. When we left, a terrified 8-year-old boy was being comforted by his parents. Some of what's up there on screen really is the stuff of nightmares.
Of the cast of Brits chosen to bring this American tale to the masses, Christian Bale convinces in his dual role, while Michael Caine as Alfred comes up with the humour just when the film is in danger of taking itself too seriously. Gary Oldman and Tom Wilkinson provide able support, as does Morgan Freeman.
Most refreshing of all is the way that Nolan and co have come up with a way of bringing comics to the screen that does justice to the often adult source material in a way that, say, Daredevil, tried and failed to do (although the director's cut is better). If the Dark Knight doesn't return after this, there's no justice.
I heard Batman Begins, and I thought great, this was called "Batman" in 1989, selfishly I said, "I want something new!".
But, of course being a big Batman fan, I went opening night to Begings. 2 and half hours later, like the rest of the audience was completely blown away. It was the only movie I had ever been to (and yes I have been to some great ones) where the crowd claps and the end. This was not just golf claps for a popcorn clip, this was a standing ovation for 10:30 pm show in a crowded theater in Austin, Texas.
I never would have thought this would have worked, even with Nolan directing. But I was wrong, so wrong. After seeing the X-Mens and Spidermans, I clearly thought Marvel had the upperhand and DC was just simply trying to keep up, again, so wrong.
Nolan gave us a dark, gritty, and pleasantly realistic, view of Batman. Bale gives a tremendous performance as both Batman and Bruce Wayne. Michael Caine was a fabulous Alfred, and Morgan Freeman almost stole the show as Luscious Fox.
Even though X-Men and Spiderman(all of them) are wonderful superhero movies, Batman Begins, is just a good, no, great movie. And I think that is what blew people away, that it wasn't just some superhero, special effect, hero gets girl, good guy wins movie, it was a truly dark and well crafted movie, and it maybe stupid to say, but it didn't even feel like you were watching a superhero movie.
I don't even think Burton, and his animated style(which works), could have revived this troubled series, that Schumaker wrecked, because like Fantastic Four and Daredevil, tried over do it and give us the latter part of things.
So, here is to you Chris Nolan. You saved a franchise. You made an unforgettable movie, that will be remembered as the best superhero movie of all time, but just an all around great and unforgettable movie classic.
Thankfully though, Nolan has gone back to the roots of the character, portraying a confused and angry Bruce Wayne, who ultimately rises to become Gotham's greatest champion. Don't expect to see loads of shots of Batman in this film though. It is the story of Wayne and focuses mainly on his years of training and preparation for becoming Batman. You are almost teased throughout the first half of the movie, waiting to see the excellent Christian Bale in the costume, as it keeps holding back to keep you in anticipation. When Batman does finally turn up on screen, it is well worth the wait. In my opinion, Bale was born for this role and for the first time when watching a Batman film, I enjoyed the scenes of Wayne being Wayne as much as Wayne being Batman.
One of the strongest features of the film, is the way that it manges to suck you in believe that a 'Batman' could be a reality one day. The technology is current, with no use of silly OTT weapons and gadgets, again making the film work by today's standards. Plus, we are not allowed to forget that Batman is still just a man under the costume and there are times when he gets a bit of a kicking and shows that he can be vulnerable too, something we sometimes forget when watching a superhero flick. Gone too, are the silly villains!!! Jack Nicholson was the perfect Joker but from there it went downhill. Thankfully, in this movie the bad guys are actually fairly 'normal' and manage to be menacing at the same time.
Which finally brings me to the cast. I always had high expectations for this film when the cast was announced. Let's face it, what a line up! Christian Bale, Michael Caine, Morgan Freeman, Gary Oldman, Liam Neeson, Katy Holmes, Ken Watanabe and Tom Wilkinson are not to be sniffed at. Even an old favourite of mine makes an appearance: Rutger Hauer! Awesome. Actors of this calibre would never have gotten involved in this project if they didn't have faith in Christoper Nolan's talents and thankfully they took the leap...
For the comic book fans out there, waiting to see this movie, let me assure you that you won't be upset. Imagine the darkness of the 'A Death In The Family' and the 'Year One' story lines. I have never met a fan of Batman who didn't love these books. Well, this is the kind of Batman you can expect from Bale: Dark, brooding and tortured by his past, yet the hero we have come to love. For those of you who are not comic fans, then just look forward to seeing how Batman should be. This film is a credit to Bob Kane's original vision and a testament to all the talented artists and writers who keep the legend of the Dark Knight alive in the comic books today....
Thank you Mr. Nolan and thank you Mr. Bale. In fact thanks to everyone who worked on this film. Batman finally Begins from here....
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- WissenswertesAlthough Christian Bale performed many of his own stunts, he wasn't allowed anywhere near the Batmobile.
- PatzerSearchlights like the one Falcone is tied to are incredibly hot. Anyone held against one like that would be horribly burned.
- Zitate
Henri Ducard: But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just... poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.
- Crazy CreditsThis is the first DC Comics film to have a DC Comics logo on it. This logo was in fact a new one, that was designed the same year the film came out.
- VerbindungenEdited into Tankman Begins (2005)
- SoundtracksFolletto!...Folletto!
from "Mefistofele"
Written by Arrigo Boito
Performed by Norman Treigle, The Ambrosian Singers, and London Symphony Orchestra (as London Symphony Orchestra)
Conducted by Julius Rudel
Courtesy of EMI Classics
Under License from EMI Film & Television Music
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Box Office
- Budget
- 150.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 206.863.479 $
- Eröffnungswochenende in den USA und in Kanada
- 48.745.440 $
- 19. Juni 2005
- Weltweiter Bruttoertrag
- 375.406.308 $
- Laufzeit2 Stunden 20 Minuten
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- Seitenverhältnis
- 2.39 : 1