IMDb-BEWERTUNG
7,5/10
2498
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe filmed account of a large Canadian rock festival train tour boasting major acts like Janis Joplin, The Grateful Dead and The Band.The filmed account of a large Canadian rock festival train tour boasting major acts like Janis Joplin, The Grateful Dead and The Band.The filmed account of a large Canadian rock festival train tour boasting major acts like Janis Joplin, The Grateful Dead and The Band.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Janis Joplin
- Self - Janis Joplin & The Full Tilt Boogie Band
- (Archivfilmmaterial)
Grateful Dead
- Themselves
- (as The Grateful Dead)
Empfohlene Bewertungen
10jdgratz
What a terrific bit of insight into an event that until recently, was relatively unknown. In the wake of Woodstock, it was time for the players to have their fun. Some of the most tremendous artists of the 60's all join together to have a mobile party that ran across Canada. The movie includes some amazing footage of Janis Joplin, members of The Band, and a lot of Jerry Garcia and Bob Weir. I was curious where the remainder of the Grateful Dead spent much of their train time, but the footage shown was enlightening enough. From a night with LSD laden whiskey where spirits and the music was VERY high, to onstage performances by many of the groups from the actual concerts, and promoters and band members discussing the concerns about unruly fans and city managers. There was at least one huge aspect to note. For those of you who may appreciate Joplin for who she was and the influence she had but, maybe, aren't huge aficionados of her music, you may gain a new respect. Her onstage presence was clearly electrifying. You could tell that whenever she was belting out her bluesy tones, she had every bit of her heart bleeding out of her entire being. It would be a wondrous day to find that this, plus more and more hours of the footage could be released. I would waste away for an entire day watching and enjoying every tidbit of what was collected.
9vdg
There is nothing more to add to the other commentaries: all you want at this end of the almost perfect documentary is MORE MUSIC!! Indeed I could see the same technique used by Pennebaker, and the same groove as in "Woodstock", but this is the closest you'll ever get in these modern times to a recreation of the flower-power atmosphere!! Today we have no more Janis, no more Jerry, and the whole world just feels empty without them, now even more than before, thanks to this movie. JANIS just steals the show every time she appears in the film, but there are many other people with memorable lines and comments, so in the whole it's an amazing feast for the eyes and ears! GO AND SEE IT
Before seeing this film, I was a completely novice to The Band, Grateful Dead, Janis. I'm 22, I didn't grow up with this stuff, my only knowledge of The Band is that Scorcese directed a film on their last concert. I have a few hippie friends that endless blathered about the brilliance of Janis, which fell upon my deaf ears. I was expecting Festival Express to be this dull, venture into 70's nostalgia crap and tedious jam band boredom.
Oh...how my opinion has changed. I mean, its nothing like the music I love (90's alternative stuff and electronic stuff) but the performances are so absolutely incredible and passionate. In reality, its a film for musicians more than fans, people that who have, even for a moment, felt the sheer exhilaration of collaborating musically with people and it being perfect! Festival Express feels exactly like that. You see it in their eyes in these performances. Janis may have been.....kind of crazy, but in the track in the film ("cry baby"?) I can completely see her absolute passion for music and her amazing showmanship (or show-womanship). Festival Express is the best example of a completely non-contrived and purely candid look into these bands. Even if they are brief glimmers of their natural selves.
I think the die-hard fans who are criticizing the film are asking too much. If I can wait 30 years after the demise of my favorite bands (Radiohead, Tool, Nine Inch Nails)...to see an amazingly honest and brilliantly shot look into their touring lives, I would be very very grateful, not critical because the damned filmmakers didn't get everything I wanted. The interviews with the performers and particularly the promoter, are fantastic. Not only are they a good dose of humour, but...its so easy to see WHY they are saying this tour was absolutely special and unique and memorable. It's right there on film, this was the pinnacle of that era and that place and that mentality and musicianship that was going on. You have to appreciate what Festival Express showcases. You might not like every bit of music (I didn't) but I can appreciate the total intensity and passion of the performances.
Oh...how my opinion has changed. I mean, its nothing like the music I love (90's alternative stuff and electronic stuff) but the performances are so absolutely incredible and passionate. In reality, its a film for musicians more than fans, people that who have, even for a moment, felt the sheer exhilaration of collaborating musically with people and it being perfect! Festival Express feels exactly like that. You see it in their eyes in these performances. Janis may have been.....kind of crazy, but in the track in the film ("cry baby"?) I can completely see her absolute passion for music and her amazing showmanship (or show-womanship). Festival Express is the best example of a completely non-contrived and purely candid look into these bands. Even if they are brief glimmers of their natural selves.
I think the die-hard fans who are criticizing the film are asking too much. If I can wait 30 years after the demise of my favorite bands (Radiohead, Tool, Nine Inch Nails)...to see an amazingly honest and brilliantly shot look into their touring lives, I would be very very grateful, not critical because the damned filmmakers didn't get everything I wanted. The interviews with the performers and particularly the promoter, are fantastic. Not only are they a good dose of humour, but...its so easy to see WHY they are saying this tour was absolutely special and unique and memorable. It's right there on film, this was the pinnacle of that era and that place and that mentality and musicianship that was going on. You have to appreciate what Festival Express showcases. You might not like every bit of music (I didn't) but I can appreciate the total intensity and passion of the performances.
I'm a little baffled by some of the comments here regarding the film making style or skill in this film. I watched the film to see Janis and the Grateful Dead and The Band -- happy, young, and exuberant, and that's exactly what I got. I even liked the footage of the promoter talking about the festival and the issues with the crowds.
ANYWAY... I recommend the DVD over the theatrical release, since everyone here seems to mention that they want to see more musical performances, and the DVD delivers. There are two DVD disks -- the movie disk and the extras disk. On the MOVIE disk, go to the menu and select "extras" and there are a dozen additional music performances from Janis, the Grateful Dead, Flying Burrito Brothers, and others. (I hear that the extras disk contains interviews with the director, but I haven't seen it). Enjoy!
ANYWAY... I recommend the DVD over the theatrical release, since everyone here seems to mention that they want to see more musical performances, and the DVD delivers. There are two DVD disks -- the movie disk and the extras disk. On the MOVIE disk, go to the menu and select "extras" and there are a dozen additional music performances from Janis, the Grateful Dead, Flying Burrito Brothers, and others. (I hear that the extras disk contains interviews with the director, but I haven't seen it). Enjoy!
I live in Winnipeg and unfortunately missed FESTIVAL EXPRESS when it rolled through back in 1970. I opted instead to go to Winnipeg's other huge ticket that summer - Manpop - which featured Led Zeppelin, Iron Butterfly and the Youngbloods as headliners. I've always remembered Festival Express as a golden opportunity missed - but being only sixteen years old with limited funds - I was forced to live with the consequences of a tough choice.
Seeing the film "Festival Express" isn't quite like being there in person, but it's the next best thing! For young folks who weren't even born in 1970, it's a chance to see Janis Joplin, the Grateful Dead, the Band, the Fly Burrito Bros, Buddy Guy, Ian & Sylvia, et al... in their prime and find out what the buzz was all about. Janis and Jerry Garcia are in particularly great voice. Janis gives a gut wrenchingly poignant performance, particularly during "Cry Baby". I'm not sure what brought the tears to my eyes, her greatness or the knowledge that she would leave us just a few short months after that performance (followed later by the tragic death's of the Dead's drummer "Pigpen" & guitarist/singer Jerry Garcia and the Band's piano player Richard Manuel & bassist Rick Danko)
The concert footage of Janis and the Dead alone justify the film's admission price. My biggest gripe was that there should have been far more concert footage included. However, a local newspaper writeup mentioned that much of the concert footage was non-usable (bad sound, out of focus cameras, sound/no pix, pix/no sound....). It was so bad apparently - the fact that anything remotely resembling a cohesive film was wrought from the mounds of botched footage was nothing short of minor miracle! Don't get me wrong - the behind the scenes footage of the band partying and jamming stand on their own merit. Jerry Garcia pops up jamming on stage and off with everyone from Ian & Sylvia and the Great Speckled Bird (on stage in Calgary) to the Band's Rick Danko (on the train along with Janis - quite schwacked - hilarious!) Shots of protesters bitching about "the pigs" and high admissions prices (Fourteen dollars - how outrageous!)are also good for a chuckle and help capture the flavour of the period.
"Festival Express'" split screen camera techniques, the documentary style narrative and band lineups are bound to invite comparisons to the movie "Woodstock." I believe the camera techniques and documentary style are intended to help recapture the time period and mood rather than to ripoff "Woodstock." Further, neither Janis', the Dead's nor the Band's Woodstock performances made it into the original "Woodstock" movie. The experience of trucking a load of monstrously talented - notoriously hard partying rock n'rollers across Canada in a train with a well stocked bar, guitar amps, and a drum kit while the cameras rolled is singularly unique in the annals of rock n'roll - so is this film! Check it out!!
Seeing the film "Festival Express" isn't quite like being there in person, but it's the next best thing! For young folks who weren't even born in 1970, it's a chance to see Janis Joplin, the Grateful Dead, the Band, the Fly Burrito Bros, Buddy Guy, Ian & Sylvia, et al... in their prime and find out what the buzz was all about. Janis and Jerry Garcia are in particularly great voice. Janis gives a gut wrenchingly poignant performance, particularly during "Cry Baby". I'm not sure what brought the tears to my eyes, her greatness or the knowledge that she would leave us just a few short months after that performance (followed later by the tragic death's of the Dead's drummer "Pigpen" & guitarist/singer Jerry Garcia and the Band's piano player Richard Manuel & bassist Rick Danko)
The concert footage of Janis and the Dead alone justify the film's admission price. My biggest gripe was that there should have been far more concert footage included. However, a local newspaper writeup mentioned that much of the concert footage was non-usable (bad sound, out of focus cameras, sound/no pix, pix/no sound....). It was so bad apparently - the fact that anything remotely resembling a cohesive film was wrought from the mounds of botched footage was nothing short of minor miracle! Don't get me wrong - the behind the scenes footage of the band partying and jamming stand on their own merit. Jerry Garcia pops up jamming on stage and off with everyone from Ian & Sylvia and the Great Speckled Bird (on stage in Calgary) to the Band's Rick Danko (on the train along with Janis - quite schwacked - hilarious!) Shots of protesters bitching about "the pigs" and high admissions prices (Fourteen dollars - how outrageous!)are also good for a chuckle and help capture the flavour of the period.
"Festival Express'" split screen camera techniques, the documentary style narrative and band lineups are bound to invite comparisons to the movie "Woodstock." I believe the camera techniques and documentary style are intended to help recapture the time period and mood rather than to ripoff "Woodstock." Further, neither Janis', the Dead's nor the Band's Woodstock performances made it into the original "Woodstock" movie. The experience of trucking a load of monstrously talented - notoriously hard partying rock n'rollers across Canada in a train with a well stocked bar, guitar amps, and a drum kit while the cameras rolled is singularly unique in the annals of rock n'roll - so is this film! Check it out!!
Wusstest du schon
- WissenswertesThere were two bands, Traffic and Ten Years After, that were on the Festival Express tour but are not seen in the movie. The producers of the film could not get the musical rights.
- Zitate
Self - Interviewee: [promoter] We're going to get a whole bunch of acts together and do a big festival. And rather than do it at one site, I said, we're gonna travel the country on a private train.
- SoundtracksCasey Jones
From the Album "Workingman's Dead"
Performed by Grateful Dead
Written by Jerry Garcia (as J. Garcia) / Robert Hunter (as R. Hunter)
Published by Ice Nine Publishing Company, Inc.
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Strategic Marketing
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- How long is Festival Express?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Фестивальный экспресс
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.174.079 $
- Eröffnungswochenende in den USA und in Kanada
- 12.074 $
- 25. Juli 2004
- Weltweiter Bruttoertrag
- 1.281.754 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Festival Express (2003) officially released in India in English?
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