Adam & Steve

Adam (Craig Chester) and Steve (Malcolm Gets) have an embarrassing one night stand in the late 80s. Then the movie fast forwards to 2005. They meet again but have no recollection of their earlier encounter. They fall madly in love...but then Steve remembers. Can they survive this? Also Adam's best friend (Parker Posey) falls in love with Steve's best friend (Chris Kattan).

This is no masterpiece. It has its dead moments and there are some painfully unfunny moments--and where the hell did that two-stepping sequence at the end come from? Still it works more often than it doesn't and is easily one of the best movies I've ever seen dealing with a gay couple. When it's funny it's hysterical and some of the observations Adam and Steve make about being gay and in love are VERY accurate (Chester and Gets are gay in real life so it adds more to the lines--they speak from experience). Also Chester wrote the script AND directed it as well as starring in it--this guy is very talented.

Acting is good all around. Gets and Chester are just great and perfectly believable. It's always great to see Parker Posey and she's just wonderful (catch her outfit at the two-stepping). Even Kattan is good--he annoyed me totally in SNL. And the supporting cast includes Julie Hagerty, Sally Kirkland and Melinda Dillon--all are just great.

I saw this at a sold out viewing at the Provincetown Film Festival. The demand for this was so great they had to ADD an extra showing! This is the most truthful movie I've seen so far about gay life and love. Not perfect but damn close. A must-see for gay men.

The premise is this: Two gay men, Adam and Steve, meet in the 80's and have a disastrous encounter. Fast forward to the present. Adam and Steve's paths cross again and they begin to date, neither remembering their history together. Until one does. How will the past affect the future? Somewhat interesting premise, however, writer and director Craig Chester doesn't have much faith in it and decides to fill the film with a barrage of gross out humor, slapstick, and silly over the top moments. While some of these are very very funny, others don't work at all. The end result is a movie that seems to sell out for cheap laughs rather than go for something real.

Craig Chester (who also wrote and directed) and Malcolm Gets are likable as Adam and Steve but don't generate much chemistry. Parker Posey is always good for a few laughs. Chris Kattan is basically wasted in a supporting role as the best friend.

If you are looking for a few laughs and don't have expectations too high, I would recommend this film. If you are seeking an authentic contemporary film about gay relationships, pass over this one and rent "All Over the Guy."

What a fun, funny, sharp-witted, incisive film about the rocky road to romance. And how brilliant that it's about a gay couple-- a committed, monogamous gay couple who look very much like real gay human beings (as opposed to the broad caricatures usually seen in film and television). Is it possible that this will be the first "gay" date movie that straight couples will go to and laugh with?

Maybe that's hoping for an America more open-minded than it is, but certainly the open minded heterosexual partners are in for a good time.

Kudos to writer/directer Chester for creating what is an impressive mosaic of styles. In lesser hands the film, with everything from emotional honesty to slapstick comedy to over-the-top (and I do mean WAAYYYY over-the-top) camp, should be a mess. But somehow scenes of first love are actually made sweeter all the more by the slapstick running gag that accompanies them (sorry, no spoilers here!).

The leads are extremely appealing, the dialog is well-realized, and the realities of dating are sharply realized in a film that walks the fine line between maudlin and frank but rarely feels dishonest. That's going to sound ridiculous in the context of a film that includes a choreographed dance-off featuring a drag queen, but the movie is wise to use broad strokes of humor to help otherwise clichéd movie devices go down easier. Additional kudos to Parker Posey, who becomes the heterosexual equivalent of the "Jack" character on "Will & Grace." Her comic contributions are note-perfect.

Chester has commented that the use of comedy has a role in helping straight audiences better accept a budding romance between men. I hope that's true, because this film deserves better than the "cult" or "gay/lesbian" dungeon in your local video store.

I'm getting really tired of people who don't like a particular film genre giving bad reviews of movies belonging to that genre. I don't like gory horror films, so I wouldn't review (or see) something like Hostel or Saw. But somehow people (and reviewers) delight in putting down romcoms, not because there's anything wrong with the films, but because it would have to be something absolutely extraordinary to even merit a "satisfactory" from them.

That's why it pisses me off that Adam and Steve hasn't gotten the critical acclaim that it deserves. I honestly feel that most of the bad reviews were of people predisposed to dislike it just as they'd be predisposed to dislike any new romantic comedy, gay or straight. (That's not to say that it hasn't gotten its fair share of good reviews, and deservedly so!)

Yes, the romantic comedy genre has been done and done again, and not always well, but I can count the number of GAY romantic comedies on the fingers of one hand. All Over the Guy, and Adam and Steve, and...? How many others follow the formula of two people who meet cute, fall in love, face some kind of crisis, and then overcome it in a tear and laughter filled climactic scene? Yes, I'll admit it. I'm a sucker for a good romcom. I can see While You Were Sleeping any day of the week. But as a gay man I've been cheated of this genre, always having to superimpose my own boy/boy couple over the boy/girl couple in the film.

Adam and Steve is the film I (and others I'm sure) have been waiting for. One of the funniest (admittedly crude at times, Thank you Farrely bros) and at the same time most gloriously romantic romcoms ever, and this time it's a boy meets boy, boy loses boy, boy gets boy back story! The chemistry between Craig Chester and Malcolm Gets is palpable, and thank you openly gay hero Chester for casting another gay man to play opposite. As Chester says in the film commentary, he and Gets don't have to worry about "playing gay" but can simply play the characters, and when they are in bed together or sharing a romantic moment (lots of kissing in this film), you don't have to wonder if they felt odd or uncomfortable. It's obvious that they didn't and don't.

Parker Posey and Chris Kattan are along for the ride, Ms. Posey giving yet another lovable quirky performance that's made her the indie queen, and Mr. Kattan showing himself a real actor and real person, something that his usual over the top roles don't allow him to do.

If you don't like romantic comedies, don't see this movie. But if you're like me, someone who loves the genre but has felt cheated out of his own romcom, by all means BUY the DVD because this is a movie you'll be watching again and again.

This film is a romantic comedy between two men in New York City. They by chance meet each other, get along very well, until things start to fall apart.

It is great that throughout the film, the emphasis is on love, instead of sex. It is so easy to fall into the temptation to make scenes depicting gay sex in order to entice gay viewers to watch the film. However, in this film, there are no sex scenes at all. The thing that keeps the viewers watching is the real love that keeps Adam and Steve together. Coupled with the excellent character development, the love between Adam and Steve becomes convincing and touching.

The dance sequences of this film are very well rehearsed and delightful to watch. The plot is straightforward and predictable, but that's the whole idea for romantic comedies.

I hope gay romantic comedies get made more often!