To date, this is probably the most beautiful looking AND most vapid Korean science fiction film to come down the pipe.
NATURAL CITY (2003) Directed by Min Byong-chan. Arresting productions design and state-of-the-art visual effects can't disguise a dull plot that borrows so liberally from BLADE RUNNER and GHOST IN THE SHELL that the word 'tribute' could warrant legal action. To date, this is probably the most beautiful looking AND most vapid Korean science fiction film to come down the pipeline, and one feels almost guilty in knocking it in spite of the undeniable amount of craftsmanship that went into it. Set in a futuristic megacity in the year 2080, it's about a sullen policeman (Yu Ji-tae) who wants to extend the life of his beautiful android dancer Ria (Seo Rin) by finding a new host for her brain-chip. As she's nearing her sell-by date, which requires her complete destruction, this puts him at odds with fellow cop Noma (Yun Chan) and evil android Roy Batty...err...evil uber-android Jeon Doo-hong, who has plans on accessing android headquarters and programming a massive robot uprising. Flying police cars, slow-floating dirigibles with gigantic projection screens, endlessly vertical skyscrapers forming a mountain of technology in a post-war wasteland.
We've seen all this before. And indeed, it all looks amazing here. But what's missing is any depth of character to make the story more convincing. The leading man is a complete cipher whose motivations for prolonging the life of his robot are never explained or explored, and while his robot clearly has functional difficulties with her impending doom, Seo underplays these scenes to a fault, generating neither tension nor sympathy, only indifference about her fate. To give credit where it's due, Korean is one of the few Asian countries - and one of the few countries outside of America and Japan - even attempting such high-minded science-fiction films as this, WONDERFUL DAYS, 2009 LOST MEMORIES, and YESTERDAY. One hopes that one day, the quality of screen writing will improve to meet the superb level of technical artistry already apparent on screen. The 2-disc Special Edition DVD of this film has tonnes of interesting (unsubtitled) materials for those inspired by its technical merits, including an art gallery, a sketch gallery (tres Syd Mead), a 45 minute TV doc with plenty of behind the scenes and FX footage, a 24 minute DVD doc with more of the same, a 14 minute interview with the lead effects man, an 8.5 minute interview with the animator of the opening credits, 6 minutes of deleted scenes, an English language Cannes trailer that pumps up the action quotient, cast interviews and a 20 minute walking tour of the films locations with the director and lead actor. A cool easter egg can be found on disc 2 by arrowing up on the main menu to highlight '*REC'. This will give you access to what appears to be a 7 minute, effects laden music video about the plight of a country devastated by a nuclear attack, which almost feels like the backstory to the main feature. 5.
We've seen all this before. And indeed, it all looks amazing here. But what's missing is any depth of character to make the story more convincing. The leading man is a complete cipher whose motivations for prolonging the life of his robot are never explained or explored, and while his robot clearly has functional difficulties with her impending doom, Seo underplays these scenes to a fault, generating neither tension nor sympathy, only indifference about her fate. To give credit where it's due, Korean is one of the few Asian countries - and one of the few countries outside of America and Japan - even attempting such high-minded science-fiction films as this, WONDERFUL DAYS, 2009 LOST MEMORIES, and YESTERDAY. One hopes that one day, the quality of screen writing will improve to meet the superb level of technical artistry already apparent on screen. The 2-disc Special Edition DVD of this film has tonnes of interesting (unsubtitled) materials for those inspired by its technical merits, including an art gallery, a sketch gallery (tres Syd Mead), a 45 minute TV doc with plenty of behind the scenes and FX footage, a 24 minute DVD doc with more of the same, a 14 minute interview with the lead effects man, an 8.5 minute interview with the animator of the opening credits, 6 minutes of deleted scenes, an English language Cannes trailer that pumps up the action quotient, cast interviews and a 20 minute walking tour of the films locations with the director and lead actor. A cool easter egg can be found on disc 2 by arrowing up on the main menu to highlight '*REC'. This will give you access to what appears to be a 7 minute, effects laden music video about the plight of a country devastated by a nuclear attack, which almost feels like the backstory to the main feature. 5.
- BrianThibodeau
- 31. Aug. 2004