Füge eine Handlung in deiner Sprache hinzuWhen a mysterious fog surrounds the boundaries of California, there is a communication breakdown and all the Mexicans disappear, affecting the economy and the state stops working missing the... Alles lesenWhen a mysterious fog surrounds the boundaries of California, there is a communication breakdown and all the Mexicans disappear, affecting the economy and the state stops working missing the Mexican workers and dwellers.When a mysterious fog surrounds the boundaries of California, there is a communication breakdown and all the Mexicans disappear, affecting the economy and the state stops working missing the Mexican workers and dwellers.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 2 Nominierungen insgesamt
- Ellen Abercombie
- (as Melinda R. Allen)
- Oficer Carr
- (as Frankie Jay Allison)
- Lila's Mom
- (as Maria Camporredondo Neeley)
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As some other reviewers have mentioned, this film had the potential to be much more in terms of social commentary. The fact that it went in a comedic direction isn't bad in itself, it's just the execution of everything seemed so flawed.
There were chances to make statements, and to be relevant; one can still do that while still being funny. It's just -- I never laughed during the entire film, and I never felt as if any point was driven home, so it failed both goals.
I won't call this a bad film, but it's certainly not worth the $4 rental fee. If it shows up on TV for free, go ahead and watch it, otherwise find something else to spend your money on. Stereotypes can be used to convey a serious message (see Hollywood Shuffle), however I'm not sure what this film's message really was. Was it that Mexicans are a cheap economic revenue? That they're our maids, and token love interests?
As for bad acting, I can get over that. The problem is with the script. The initial idea sounds great, but the initial idea needs followed up with original and clever thought; that's where this film went downhill quickly.
You may be feeding on a steady diet of Lou Dobbs' anti-immigration screed and not realize just how important Latinos are to the United States. Their contribution to out food supply and their presence in every aspect of our lives, not to mention the great Latino actors that we would miss.
It was the documentary part of this mocumentary that was satisfying and worthwhile. Check it out on the tube - you won't be disappointed; and you'll get a few laughs with your information.
Like Arau's original short, the movie's premise is that for strange circumstances all the Hispanic immigrants (not only Mexicans) disappear of the state of California and the state is surrounded by a mysterious fog that isolates the people leaving them without the work that Hispanics usually do. The movie chronicles the events happening in that situation and showcases how important are the immigrants for the development of California.
Writer Yareli Arizmendi plays Lila, a reporter hired for her Latin looks who later becomes the center of the attention as she becomes "the last Latin in California". John Getz plays Senator Steven Abercombie III, an anti-immigrant politician who becomes governor of California after the actual Governor disappears due to Hispanic heritage. Muse Watson is Louis McClaire, owner of a ranch who understands the importance of the immigrant's work but who has to deal with his overtly patriotic and racist son George (Bru Muller).
These three main stories as well as other minor subplots get together to showcase different situations of the immigrants in California. Arau mixes "interviews with experts" giving opinions on the Hispanics disappearance and noticing the importance of their presence for the country. Using comedy as a medium to deliver his message, Arau's film delivers good laughs and flows smoothly most of the time, however, at times it is notorious that the project started as a short as there are scenes that seem to be shot only to reach the runtime of a feature length film.
Being a music video director before, Arau can't help but to display the influences of his previous work, giving the movie a modern albeit a bit MTV-like look. Also, the movie has been severely criticized for its highly fictitious premise. While this criticism is valid in the sense that the unexplained disappearance and the comedic tone do diminish the importance of the subject matter, Arau makes his point clear despite the flawed conception of his plot.
The acting is good on the main roles, but the apparently undeveloped script makes it look a bit forced at times. Arizmendi and Getz shine in their respective roles and without a doubt they are the driving force of the film. The rest of the cast is also good, but nothing spectacular. This in my opinion is due to the lack of details in the script that leaves some characters at a very shallow stereotypical level.
"A Day without a Mexican" may not be subtle in its approach, and probably it forces its message a bit too much, but still raises very important points and delivers its message without problems. The Arau couple had a brilliant idea and raised very good points, however, the film still feels as if it could had been better. Hopefully the couple will continue making films that will be better than this first attempt. 7/10. Interesting film.
So I went to see the movie, not so much because of the controversy, but to see how good a film had been put together. I was really disappointed. For as clever a campaign had been crafted to get people to see their movie, the filmmakers failed miserably at keeping them interested.
The storyline is not too terribly involving, and the "morality tale" message is really beat into your head with a hammer from the first minute all the way to the end. The acting is amateurish... it had a very distinct high school film project look and feel to it, and although I'm no stranger to low budget films... this one really looked bad. The film quality was so terribly grainy that it was distracting, and the attempts at "visual effects" even moreso. I would have been more impressed and they would have saved a few bucks if they'd left them out.
The coup d'etat... I fell asleep. And I had really wanted to like this movie... I went in having a really good feeling about it.
The film would probably have made a great half hour after school special or educational video, with all of the boring and tedious plot left out and all of the interesting factoids about the Mexican contribution to American culture left in. I know many of my Mexican friends who saw it got a kick out of some of the cultural in-jokes in the movie, but almost across the board they agree with me that the movie wasn't very good.
So there you go. If you have a burning desire to learn some fairly obvious facts about Mexican culture in California, jump right in. My feeling is that people who are ignorant to the information put forward in the film are probably not inclined to care or want to know anyway... but there's never any harm in trying to get the word out. All minorities in the U.S. have historically been mistreated and maligned, and if one were really inclined to learn some perspective about American treatment of Mexicans, Indians, Blacks, Asians... I would suggest a read of 'A People's History of the United States' by Howard Zinn. NOW THAT'S AN EYE OPENER.
Wusstest du schon
- WissenswertesThe scenes on the empty San Diego streets were shot on 1 January, when there are few people about, because the production was unable to pay for closing them.
- PatzerThe scenes in Stockton, California show orange groves in the background. There are no orange groves in Stockton.
- Zitate
Lila Rodriguez: In the face of so many emergency calls reporting missing persons in the state of California, every explanation needs to be considered, from
[an unmanned tractor comes into frame in the background, heading towards Lila]
- Crazy CreditsDisclaimer: "No Mexicans were harmed in the making of this film".
- SoundtracksA Day Without a Mexican
Written by Piro, Mongus, Avi and Sergio Arau (as S. Arau)
Performed by Ritmo Peligroso
Imaginary Friend Publishing, Administered by Universal Publishing Latino
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Un día sin mexicanos
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.179.890 $
- Eröffnungswochenende in den USA und in Kanada
- 628.807 $
- 16. Mai 2004
- Weltweiter Bruttoertrag
- 10.057.021 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix