IMDb-BEWERTUNG
6,2/10
7285
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA man faces a moral dilemma after learning of his brother and cousin's involvement with the mob.A man faces a moral dilemma after learning of his brother and cousin's involvement with the mob.A man faces a moral dilemma after learning of his brother and cousin's involvement with the mob.
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Tommy (James Marsden) is a Marine threatened with prison after a drunken fight during the Gulf War. It's 1991. Unscrupulous FBI Agent Horvath (Brian Dennehy) recruits him as a confidential informer. His family is connected to the Philadelphia mafia. Mob boss Matty Matello (Dennis Hopper) has been assassinated and Tommy's beloved cousin Joey (Giovanni Ribisi) is the new leader. The New York mob is looking to take over.
This is second tier gangster flick. It feels like it. It looks like it. The filmmaking is strictly second tier level. Marsden is not quite mobster material. I guess that Tommy is not a mobster but it would be better to have some buried mobster within him. Marsden can't do that. Brad Renfro could have done it better. The saving grace of this movie is Ribisi. He is the definition of unstable and is a great mini-Hopper. At the end of the day, this is very derivative and a lesser version of better movies. I do still like me some Ribisi.
This is second tier gangster flick. It feels like it. It looks like it. The filmmaking is strictly second tier level. Marsden is not quite mobster material. I guess that Tommy is not a mobster but it would be better to have some buried mobster within him. Marsden can't do that. Brad Renfro could have done it better. The saving grace of this movie is Ribisi. He is the definition of unstable and is a great mini-Hopper. At the end of the day, this is very derivative and a lesser version of better movies. I do still like me some Ribisi.
I gave this film an 8. Maybe it's just because I happen to think Giovanni Ribisi is an exceptional actor, but I really did find this to be a surprisingly good film. The one thing that didn't sit well with me was the idea that James Marsden is the star. That's simply a misnomer. He is a decent actor and does give a professional effort, but I just do not see him as the street-tough Philly kid he's supposed to be. Maybe this is a bit cynical, but there really wouldn't be much reason for a woman to watch this movie if not for somebody with good looks like Marsden playing the lead character and gracing the cover of the DVD. Hey, don't get me wrong, Piper Perabo has made me watch a movie or two that I regret, so it definitely goes both ways. Still, I could have done without the forced romance angle that they really tried to pull off between the two of them. But overall I definitely would recommend seeing this film for Ribisi's performance if nothing else. As he ages he's beginning to play some much darker, grittier characters which suits him very well. His versatility is astounding, especially his ability to maintain a level of sympathy no matter how many misdeeds he commits. Check this one out if you're a fan of the genre, it will hold your attention and may surprise you a bit as it's much more than just the former Marine forced to return home in order save his family from a couple of corrupt cops trying to extort him.
Robert Moresco ('Crash') is proving to be a fine storyteller with a definite style of his own. 10TH & WOLF, written by both Moresco and Allan Steele and directed by Moresco appears on the shelves of DVDs as one of those films that makes us wonder why it didn't do well on the theater screens: it is well written, beautifully directed, has a cast that is consistently fine, and unravels a family involved in organized crime theme as well as any movie out there.
Moresco very wisely starts his story in the burning oil fields of Kuwait during Desert Storm where Marine sargeant Tommy (James Marsden, doing his finest work since his brilliant portrayal in THE 24TH HOUR) drives his Hummer through the desert, coming to grips with the absurdity of war, a key turn in his personality causing him to be dishonorably discharged for his refusal to take part in that ridiculous war game. He is given a deal: FBI agents Horvath (Brian Dennehy) and Thornton (Leo Rossi) visit his cell stateside and offer him clemency if he helps them capture a big drug dealer Reggio (Francesco Salvi) in Tommy's hometown of Philadelphia. Tommy had escaped the organized crime scene by joining the Marines, but is suddenly returned to his family occupation as an undercover agent with a wire. Tommy's brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi) welcome his return and begin plotting ways to off Reggio. Beatings and murders begin to occur: Joey is a bit on the mad side and plunges his boys into messes that become like quicksand. How the family bonds over losses to big crime and vendettas, and how that lifestyle affects parents (Lesley Ann Warren) and victims turned girlfriends (Piper Perabo) leaving the drive to survive as the paramount goal is the run of the plot.
There are plenty of cameos (Dennis Hopper, Val Kilmer, Dash Mihok etc) to round out the dark atmosphere, but the strength of the film lies strongly on the shoulders of Marsden, Ribisi and Renfro and they handle their roles exceptionally well. This is yet another big crime story but one that grips the audience's attention and holds it to the final twisted end. Strong violence and language, but a testy and tightly woven story with many unspoken metaphors. Grady Harp
Moresco very wisely starts his story in the burning oil fields of Kuwait during Desert Storm where Marine sargeant Tommy (James Marsden, doing his finest work since his brilliant portrayal in THE 24TH HOUR) drives his Hummer through the desert, coming to grips with the absurdity of war, a key turn in his personality causing him to be dishonorably discharged for his refusal to take part in that ridiculous war game. He is given a deal: FBI agents Horvath (Brian Dennehy) and Thornton (Leo Rossi) visit his cell stateside and offer him clemency if he helps them capture a big drug dealer Reggio (Francesco Salvi) in Tommy's hometown of Philadelphia. Tommy had escaped the organized crime scene by joining the Marines, but is suddenly returned to his family occupation as an undercover agent with a wire. Tommy's brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi) welcome his return and begin plotting ways to off Reggio. Beatings and murders begin to occur: Joey is a bit on the mad side and plunges his boys into messes that become like quicksand. How the family bonds over losses to big crime and vendettas, and how that lifestyle affects parents (Lesley Ann Warren) and victims turned girlfriends (Piper Perabo) leaving the drive to survive as the paramount goal is the run of the plot.
There are plenty of cameos (Dennis Hopper, Val Kilmer, Dash Mihok etc) to round out the dark atmosphere, but the strength of the film lies strongly on the shoulders of Marsden, Ribisi and Renfro and they handle their roles exceptionally well. This is yet another big crime story but one that grips the audience's attention and holds it to the final twisted end. Strong violence and language, but a testy and tightly woven story with many unspoken metaphors. Grady Harp
Ribisi is always good and he gives a great performance. I can;t say the rest of the cast does. The mother character is nothing too special and the lead is mediocre. The whole mob feel gets lost when Tommy Lee makes his appearance. It starts out with the cliché, voice over done by the lead character as all mob movies do. There is no real description of the rise of Joey(Ribisi's Character) to mob boss. It was a story based on a Philadelphia mafia, I was thinking Joey Merlino but I guess not because of the ending. All in all the movie was not that bad. I recommend "Gotti" or "Goodfellas" first though. No major players in this one but it will hold your attention. I wish there was more story of the kids growing up into mob guys but they skip that and head right into adulthood.
A decent story, good acting, but for a good number of people who have spent any time in Philly and/or Pittsburgh, ... you can't pull off calling Pittsburgh 'Philadelphia' (anymore then you can call Philadelphia 'Pittsburgh'). Both cities are great locations for movies... but just because they both happen to be in Pennsylvania, you can't interchange them -- geographically, architecturally they are distinctively unique (even if you leave the "Youse Guys" and the "Younse" accents out of it). Had South Philly's "Rocky" been filmed in Pittsburgh but pawned off as Philly it wouldn't be the classic it became, (nor conversely would the "Deer Hunter") it would have been ruined. I don't know how much better "10th & Wolf" would have been if the geography matched the story, but for me it would have been more believable.
Wusstest du schon
- WissenswertesPennsylvania lured the production with the following incentives to keep the budget fiscally responsible: a 20% transferable tax credit, no state sales tax, and free use of state-owned property.
- PatzerLocation errors abound as the story is based in Philadelphia. Most telling are: a Steelers logo on a beer billboard in one scene (would be an Eagles logo if in Philly); the Allegheny County '412' area code on a sign on a building for lease, late in the film; The PPG famous spiked tower in the background; famous Pittsburgh yellow bridges throughout; and key scenes at 'Wholey's' which is a real meat and fish landmark store in Pittsburgh's Strip District.
- Crazy CreditsJesse Gullion - Milk Shake Guy
- VerbindungenReferences Donnie Brasco (1997)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- 10th & Wolf
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 8.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.702 $
- Eröffnungswochenende in den USA und in Kanada
- 20.774 $
- 20. Aug. 2006
- Weltweiter Bruttoertrag
- 143.451 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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