Ein Taxifahrer sieht sich als Geisel eines einnehmenden Auftragskillers, der in einer Nacht in Los Angeles von Mordauftrag zu Mordauftrag eilt.Ein Taxifahrer sieht sich als Geisel eines einnehmenden Auftragskillers, der in einer Nacht in Los Angeles von Mordauftrag zu Mordauftrag eilt.Ein Taxifahrer sieht sich als Geisel eines einnehmenden Auftragskillers, der in einer Nacht in Los Angeles von Mordauftrag zu Mordauftrag eilt.
- Für 2 Oscars nominiert
- 22 Gewinne & 73 Nominierungen insgesamt
- FBI Agent
- (as Ken Ver Cammen)
- FBI Agent
- (as Charlie E. Schmidt Jr.)
- Fever Bouncer
- (as Michael A. Bentt)
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The picture packs action, violence , drama , shootouts with exciting scenes. Casting is frankly excellent , the main protagonists give first-class performances. Jamie Foxx (recently his Oscar for ¨Ray¨) as a hapless cab man is awesome similar to Tom Cruise as the relentless murderer , besides Jada Pinkett (Will Smith's wife) as obstinate prosecutor is magnificent and brief appearance by Javier Bardem . The film contains stimulating action set-pieces as the impressive gunplay developed in a tumultuous discotheque or the breathtaking final pursuit in the building and on the train . Atmospheric and moving musical score by the master James Newton Howard. Colorful and spectacular cinematography -although some dark due to be mainly shot by night- by two nice cameramen , Dion Beebe and Paul Cameron . The motion picture was well directed by the successful director Michael Mann (Red Dragon, Heat, Last Mohican , The insider) . The film will appeal to Tom Cruise devotees and action film enthusiasts .Rating : Better than average . Well worth watching.
Although this isn't the quality of his 1995 "Heat," it wasn't far behind in its ability to interest and entertain the viewer while providing some slick visuals.
Tom Cruise and Jamie Foxx are the stars of the film, Foxx winning an Academy Award. No offense to him, but I found Cruise better. He was just outstanding in here as the immoral hit-man. Foxx was entertaining, too, as the nerd-ish cab driver who is pulled into Cruise's murdering adventures.
You'll appreciate both of these guys, and the great visuals, more on the second viewing after you are familiar with the story. The intense film is definitely worth more than one look. Check out the behind-the-scenes documentary, too. You'll be glad you are not an actor in one of Mann's films.
Cabbie Max (Foxx) picks up Vincent (Cruise) expecting just another job. When Vincent offers to double his nightly earnings if he drives him all night he accepts, until Vincent's mission is revealed. What follows is a night of hell for Max, reluctantly driving Vincent from hit to hit, all the while trying to stay alive and do the right thing, two goals which may ultimately be unachievable together. What is most fascinating about Cruise's character though is the sheer indifference he shows towards his victims. He does not hate them, he doesn't even know them, he has just been assigned to kill them and does so with absolutely no remorse. When a body crashes on to his cab, followed by Vincent's re-appearance, Max is shocked by the answer to his accusatory 'you killed him!" - No, I shot him, the bullets and the fall killed him." This matter-of-fact approach is indicative of Vincent's professionalism, and adds a really chilling level of apathy to the character.
It is certainly refreshing to see Cruise in such a different role, and it is one which he really gets his teeth into, producing a sociopath contract killer, seemingly with no remorse and no redeeming qualities. He pulls it off with a genuinely sinister edge on the character, and the final half hour is particularly impressive from an acting point of view.
Jamie Foxx however is certainly by no means acted off the screen. His likable cabbie with relaxed attitude to life (well, until he meets Cruise) shows many of the qualities he used to really bring Ray Charles to life later.
The action too is well staged by Michael Mann, in probably his best work since Heat. It is easy to track the action through the relatively simple plot, and the set piece scenes are competently done without being spectacular. A very good above average thriller, but most notable for Cruise's revelation of another string to his acting bow. A superbly acted film.
The movie starts with Vincent (Tom Cruise) arriving to L.A., a guy who just looks perfect
Some people happen to people on purpose, in order to tell them something about their lives And they sit somewhere and share two or three lines, and they leave, and you know, your life is changed
When Max (Jamie Foxx) first meets Vincent, it was "who cares? He was a dreamer when he said: "I just saw the woman of my dreams I'm getting married in my mind right now." Vincent says, "I want you to disconnect so that when you guy do connect, it's like day and night." And continues "I got five stops to make. Collect signatures, see some friends, and then I got a 6 a.m. out of LAX. Why don't you hang with me?"
It's not until the offering of the money that you see really connect
"Collateral" projects in a much deeper way into Cruise/Vincent character He can become very quiet, and we can look at the screen, and we will feel that Cruise is totally in command He's a quick draw Vincent is fast As an assassin, he must be economical in his moves
The film focused some of the wildness, and what lurks below the surface of L.A. Just the opening shot, when we look at that cab driving out and we see the big paintings on the walls, it was just visual sophistication
The movie is not an action story It's a compelling drama with realistic action that works for the story And it is done for an emotional reason Cruise gives a dynamic performance as the cold-blooded killer Foxx is terrific as the honest hearted guy driving a cab for twelve years, and both come together suddenly like a spike in a railroad right here in this point where things were going to change in one night Jamie Foxx finds himself in the presence of a real adversary in the form of this bumbling cab driver, who has never fired a handgun in his life
The fact that some awards givers, including members of the "Golden Globes" and "Academy Awards" organizations, considered Mr. Foxx as the year's "Best Supporting Actor" really calls their legitimacy and reputation into question. You've got to wonder if these people are even watching the movies. Foxx an above-the-title STAR of the film; for anyone napping during the running time, it's confirmed during the end credits. By the way, how could you nap during this film?
DreamWorks produces writer Stuart Beattie's plot in delirious style. "Collateral" is a visual treat, thanks to director Michael Mann plus cinematographers Dion Beebe and Paul Cameron. The James Newton Howard music is perfect. These filmmakers make Los Angeles a sprawling, empty vessel in which to pour Mr. Beattie's moody psychological character clash. The real supporting players, Jada Pinkett Smith (as Annie Farrell) and Mark Ruffalo (as Fanning) are great.
******** Collateral (8/5/04) Michael Mann ~ Tom Cruise, Jamie Foxx, Jada Pinkett Smith, Mark Ruffalo
Wusstest du schon
- WissenswertesAccording to Michael Mann, Vincent is a man able to get in and out of anywhere without anyone recognizing or remembering him. To prepare for the movie, Tom Cruise had to make FedEx deliveries in a crowded Los Angeles market without anyone recognizing him.
- PatzerWhen Max and Vincent load the first corpse in the trunk, the "corpse" is holding Max by the wrists as well.
- Zitate
Vincent: Look in the mirror. Paper towels, clean cab. Limo company some day. How much you got saved?
Max: That ain't any of your business.
Vincent: Someday? Someday my dream will come? One night you will wake up and discover it never happened. It's all turned around on you. It never will. Suddenly you are old. Didn't happen, and it never will, because you were never going to do it anyway. You'll push it into memory and then zone out in your barco lounger, being hypnotized by daytime TV for the rest of your life. Don't you talk to me about murder. All it ever took was a down payment on a Lincoln town car. That girl,you can't even call that girl. What the fuck are you still doing driving a cab?
- Crazy CreditsThere are no opening credits of any kind. The title does not appear until the closing credits.
- SoundtracksDebestar
Written by Rick Garcia, Rene Reyes & Cisco De Luna
Performed by The Green Car Motel
Courtesy of FastKat Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- Colateral
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Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 101.005.703 $
- Eröffnungswochenende in den USA und in Kanada
- 24.701.458 $
- 8. Aug. 2004
- Weltweiter Bruttoertrag
- 220.240.655 $
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1