Infernal Affairs - Abstieg in die achte Hölle

After phenomenal success of "Wu Jian Dao (2002)" (or IA for short), a lot of hypes generated around when next two movies in the series are announced. I tend to ignore them and do not expect anything about IA2. Before I got into the cinema, "how would the screenwriters present this time,and how would they connect the characters between them?". After the movie, I would say I am not disappointed.

Like IA, this is also a drama about clashes of characters, not in the form of breath-taking kung fu / wire-work actions we find in traditional Hong Kong cop movie, but starting from their own desire, intentions, hate and positions. If you are looking for a non-stop action flick, I am afraid IA2 would not fulfill you.

But unlike last year's blockbuster, the main theme of IA2 is about the rise and fall of a great gangster family Ngai, other than about the police. The difficult part in making a prequel lies in the fact that as audiences all know too well the new appearences would drop-out one way or the other and the characters from IA must be okay. So the story does not waste efforts in describing most of the adventures, rather, concentrate on how these events shapes things to come. It is sure to the scriptwrites' credits and this alone casts a strong contrast to prequel movies like "Star Wars: Attack of the Clones" (2002).

Moreover, it is not surprising for many audiences relating this with similar movies like "The Godfather". I am not comparing them here, but rather I would point out that the actor Francis Ng, who plays the new gangster head of Nagi family, runs the show. He plays a young, well-educated, cool,calculating, witted, cruel, cunning -- and unpredictable leader. As some critics say, a CEO-style triad boss. On the other hand, he successfully shows Ngai is actually a passionate man whose family comes first. On the other hand, late gang leader is screened for one shot only (pun intended), his character is only reflected, not by flashbacks, but by short monologues recited by Ng. It is a quite demanding job and I would say Ng has done a really good job here.

Speaking of characters, another drift from IA, and many other traditional movies in the genre, female character actually plays "real" effects. Mary, played by Claudia Lau, is the closest girlfriend of Sam Hung. She is not just a powerless, declorative character. Like many female in the course of human history, she is the ignition point of the whole storm.

If the audiences has not forgotten IA actually hints that Inspector Wong (played by award-winning Anthony Wong) and Sam Hung (played by also award-winning Eric Tsang) have known each other for a long time. IA2 unveils their long-time mutual respects, and how all these change as the story flows along. Anthony Wong still delivers a high standard of acting just like in IA and how he plays the 3 ups-and-downs of Inspector Wong is simply terrific. On the contary, gangster Hung, Wong's arch-enemy in IA, is much lighter and more human. As with Wong, this character experiences changes which shapes of what to be seen in IA. However, I find the last party scene is unnecessary and does not seem to connect with the firece and uncanny Hung we used to know.

Relatively, the other major characters seems week. Mainland actor Jun Wu, plays another inspector who is a close partner with Wong. I could see the actor tries. Unfortunately, Wu's character is just too flat. His friendship and his clashes with Wong could not mark strong impressions among the audiences. I have a (probably false) feeling that this character is created to be destroyed and it is a waste of Wu's talents.

The actors portriating the young Wing-yan Chan (by Shawn Yu) and Kin-ming Lau (by Edison Chan) would be the weakest link in IA2. Except for a few scene, Edison puts up a regular expression of somewhat between arragonce and anger. For example, towards the end of airport scene, Lau would have a mixed feeling of guilt, anger, loss and vengence. This is an important scene for Lau's self-centered character, however, the actor simply fails to convince me.

The same goes to Shawn. He fails to play as someone who is torn between his role as a "policeman" and a triad member, his loyalty and duty. Most of the time, he just plays plain and "flat faced". To be fair, he gets a tad better towards the end of the movie as his character begins to merge with the character in IA.

Nonetheless, young actors weight must less as the others.

Speaking about continuity, IA2 does not fail in providing bits and pieces about the backstory of IA. And it is not hard for anyone to catch the images of other minor characters from IA. However, I have a few issues.

First, in IA, we see Hung was an ambitious and man of vision, that is why he implants many moles in the police department in the first place. However, the initial character of Hung seems too soft and passive. Why does he stand by Ngai in the time of crisis? We could not see his importance rises afterwards. Why didn't he use the chance and take out his opponents or expand his influence in the triad, then? Was he just covering himself for his long-term plan?

Also, why Wing-yan Chan remains in the end, even in light of his well-known ties with the Ngai family? How come does he becomes a subordinate of Keung? In IA, the position of Keung and Yan seems to have switched.

Apart from some goofs (accuracy of shooting from a paper bag, ignorance of emptied handgun and way of corspes could be burnt to ashes), the run of the movie stops rather abruptedly twice as timeline transits from year 1991 to 1995 and from 1995 to 1997. The effects on and changes of characters are not appearent so it leaves the audiences with a lot of imaginations and mental exercises. (Not that I hate mental exercises, it is rare for Hong Kong movies to make me enjoy doing so) I think the director could handle the storytelling a bit better smoother and tighter.

Despite of cliches, IA2 delivers a more powerful drama than the original. The acting, directing and many other technical aspects are top notch. The scriptwriters are very clever in telling from the other side of the theme and breaks away the shadow casted by the successful predecessor.

Looking forward to see the real "final" this December.

8/10

This film is a good example for the fact that good and fertile story is the key of film making. "Infernal Affair II" shows how to inherit an original story and expend its scope in a reasonable, even creative way. It is a very good experience watching this film, the actors are good, the directing is skilled and the sequences are intensive, and the climax is stunning, but meanwhile, it always makes you have some ideas connecting to the Godfather series. No matter its epic scale and clues of scenes, you can feel their respect to(or, borrowing from?) the Coppola's legendary film(maybe only the first two...) that's a good try, but not an original one.

a very important work of Hong Kong Cinema in the 90s

Worth watching, especially with the original "Infernal Affairs" 7/10

INFERNAL AFFAIRS II is a prequel to the smash-hit movie about undercover operatives and their parallel lives in the Hong Kong police and Triads. This one explores the early lives of the characters played by Tony Leung and Andy Lau in the original, the actors replaced by newcomers Shawn Yue and Edison Chen respectively (Yue and Chen had bit parts in INFERNAL AFFAIRS).

The problem with this prequel is that it feels hurried and unnecessary, lacking almost all the qualities that made the first film so good. Leung and Lau were engaging actors who brought subtle nuances to their roles, but Chen and Yue feel bland and too fresh-faced in comparison. Realising this, the film-makers spend a lot of screen time with rivals Anthony Wong and Eric Tsang instead, but you can't help feel but the plotting in this one is redundant in contrast to the life-or-death stakes of the gripping original.

There's a distinct lack of emotional involvement in the film as the story develops, and although the technical qualities are strong, the twisty-turny plotting isn't. There are the requisite betrayals, executions and bombings, but they have a slightly tired quality to them. This isn't a bad film by any means, but it's one that's easily lost and indistinguishable during a decade in which Johnnie To made seemingly endless variants on similar themes.

What a tangled web a studio can weave when they realize they desperately need to make some money off of a sequel to a film that didn't need one. That's not to say that this is bad, but it would strike me as an ordinary film even if I hadn't seen the extraordinary film that came before. This "sequel," despite the number, is actually a prequel, but it doesn't so much fill in the blanks as muddy up the waters; it's often confusing, it's not always clear if some of the new backstory really squares with the depictions we saw in the first one, and some of the more glaring questions are left unanswered (possibly for film number three). The young replacements the mole characters, previously played by Tony Leung and Andy Lau, are certainly not up to the task. Thankfully, the movie works because Anthony Wong and Eric Tsang reprise their roles as the respective cop and mob boss, and it is quite interesting to learn about a relationship between them that, from what I recall, was far from obvious before. I certainly wouldn't recommend watching this before the first one, despite the chronology, but I imagine it is worth satisfying the likely thirst for more that you will most likely have after watching the previous film.

Thought the first one was one of the finest Cop thrillers in recent years and the follow up is equally brilliant - for obvious reasons its a prequel set in 3 time periods leading up to the events in the first movie. This time round Ming(Edison Chen - Andy Lau last time) and Yan(Shawne Yau - Tony Leung last time) are more peripheral characters - the main action concentrates on Inspector Wong(Anthony Wong) and his struggles against the Triads. The leader of the major gang has been murdered and his son Hau(Francis Ng) has taken over - he is a more ruthless boss and intends to take over all the territory that other leaders currently control. These include Sam(Eric Tsang) and its interesting how close Wong and Sam are before the events that end so tragically later - Wong would rather have Sam running things and it appears that Wong has conspired with Sam's woman Mary(Carina Lau) to have Hau's Father killed - only to see the son become worse than the Father. To complicate matters Yan is Hau's half brother who as a cop is willing to infiltrate Hau's gang but whose loyalty is put under pressure when he realises that Wong(who he is working for) had a hand in his Fathers murder.Meanwhile Sam is grooming Ming to become his mole in the HK Police(although Ming's attraction for Mary does complicate things).

How this all pans out and leads to the events in the first film I shall leave but its an excellent film - a little complicated at times as you have to work out all the dynamics buts worth the effort - as mentioned the most poignant part is the relationship between Wong and Sam - they may be on opposite sides but have a closeness that will prove to be the central point of the story later.

There is a fantastic scene where Hau contrives to have himself held in Police custody whilst the other gang bosses are murdered and the way the film cuts between his interview(where he reveals how he knows who killed his Father) and the other bosses being wiped out is worthy of comparison with Coppola's Godfather - the series has that whole epic feel and the way it culminates with the handover of power to the Chinese in 1997 with new bosses on both sides of the conflict coming to power is very well done.

For once a sequel that lives up to the original........I shall be interested to see if Scorcese's remake can come close.