IMDb-BEWERTUNG
7,1/10
80.008
IHRE BEWERTUNG
Als der Kopf einer Statue, die einem Dorf heilig ist, gestohlen wird, geht ein junger Kampfkünstler in die Großstadt und nimmt es mit der Unterwelt auf, um sie zurückzuholen.Als der Kopf einer Statue, die einem Dorf heilig ist, gestohlen wird, geht ein junger Kampfkünstler in die Großstadt und nimmt es mit der Unterwelt auf, um sie zurückzuholen.Als der Kopf einer Statue, die einem Dorf heilig ist, gestohlen wird, geht ein junger Kampfkünstler in die Großstadt und nimmt es mit der Unterwelt auf, um sie zurückzuholen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 5 Nominierungen insgesamt
Phetthai Vongkumlao
- Humlae
- (as Mum Jokemok)
- …
Suchao Pongwilai
- Komtuan
- (as Suchoa Pongvilai)
Chatthapong Phantana-Angkul
- Saming
- (as Chatthapong Pantanaunkul)
Wannakit Sirioput
- Don
- (as Wannakit Siriput)
Cheathavuth Watcharakhun
- Peng
- (as Chetwut Wacharakun)
Rungrawee Barijindakul
- Ngek
- (as Rungrawee Borrijindakul)
Chumphorn Thepphithak
- Uncle Mao
- (as Chumporn Teppitak)
Boonsri Yindee
- Yai Hom
- (as Bunsri Yindee)
Woravit Tanochitsirikul
- Sia Pao
- (as Woravit Tangchitsirikul)
Empfohlene Bewertungen
The storyline is predictable, but the visual and the fights makes up for it. I understand why people compare the lead actor with Jet Li. They both have that presence on screen, the amazing flexibility and fighting sequences. Outstanding acrobatic movements when running from the bad guys in the street and it was good to see the shots from different angles.
It reminds me of some Jet Li's better fighting sequences before he took to the wires. This is the kind of martial arts film that makes me smile and cheer.
If you like martial arts films, then you'll sure to like this.
It reminds me of some Jet Li's better fighting sequences before he took to the wires. This is the kind of martial arts film that makes me smile and cheer.
If you like martial arts films, then you'll sure to like this.
In terms of sheer athleticism and martial artistry, Tony Jaa certainly lives up to his billing as 'the Next Bruce Lee'. He puts the kick into this quick-fry Thai fightfest that mixes dynamic set-pieces with skull-splitting one-on-ones. It should also remind fans of the Crouching Hero, Flying Dagger brand of Eastern blockbuster (including myself) that Oriental action cinema was founded on action without safety nets, never mind all that fancy wirework and colour-coordinated mysticism.
But for all his physical prowess, Jaa falls short of Bruce Lee (and even Jet Li) when it comes to charisma, sounding nervous and looking slightly uncomfortable in the action-free scenes. Director Pinkaew perhaps recognises that Jaa will need time to build his own screen persona, so wisely gives him very little to say. I wish the same could be said of screechy female sidekick Muay who is both an irritation and a distraction. However, quibbling too much about the acting would be churlish.
Who cares that the plot's straight out of The A-Team when the adrenaline flows this thick and fast? The foot pursuit through Bangkok's backstreets is not just five minutes of pure exhilaration, it turns a few chase clichés on their heads (uh-oh, look out for those two guys carrying panes of glass across the road hold on a minute!). There are even replays of the most jaw-dropping bits so that you can believe what you just saw.
But for all his physical prowess, Jaa falls short of Bruce Lee (and even Jet Li) when it comes to charisma, sounding nervous and looking slightly uncomfortable in the action-free scenes. Director Pinkaew perhaps recognises that Jaa will need time to build his own screen persona, so wisely gives him very little to say. I wish the same could be said of screechy female sidekick Muay who is both an irritation and a distraction. However, quibbling too much about the acting would be churlish.
Who cares that the plot's straight out of The A-Team when the adrenaline flows this thick and fast? The foot pursuit through Bangkok's backstreets is not just five minutes of pure exhilaration, it turns a few chase clichés on their heads (uh-oh, look out for those two guys carrying panes of glass across the road hold on a minute!). There are even replays of the most jaw-dropping bits so that you can believe what you just saw.
This movie is just great. There are no words to explain how classicly the actions has been choreographed. Tony Ja is simply great and beyond comparison. Bruce, Jet and Jackie took a couple of movies to reach the top in my favorite list..But Tony Ja is at the top in one shot. Sure I would add this movie as No.1 in my top 5 list of action movies ever. The first chase in the streets is one spectacular proof of Tony's efforts. The thai free style kickboxing is simply superb.
Sure a BIG feast for any action lovers.
Regards, Venkat.
Sure a BIG feast for any action lovers.
Regards, Venkat.
Ting lives in a village where they worship the statue of Ong-bak. When an unscrupulous young man comes to the village to buy valuable goods, he steals the head and returns to Bangkok where he gives it to his boss a crime lord who presides over illegal pit fights and steals historical artefacts. Ting goes to Bangkok to join up with former villager Humlae (who now is a street hustler and calls himself George). However, once there, he finds that the only way to get the head back is to kick and elbow people. Lots.
Before I talk about the main (only?) reason to see this film, let me at least pretend that it is meant to operate like a normal film and look at the traditional aspects that give a film value plot, acting, characters etc. First off, the plot is very basic, so basic that really I could have done it in a sentence and still given you more than you needed to know. Happily it only really last 15 minutes before we are given the first of many, many action scenes. Within this basic frame it is no surprise that none of the characters work or are developed to a point were we care about them this is a given, but why then did the film still labour under the idea that we did? I didn't care that much for any of them, because none were written as people only action figures or one-note characters (ie the girl who is suffering due to crime, the crimelord, the middleman etc etc).
With this, perhaps it is no surprise that the performances are roundly average. Wongkamlao is pretty funny but can't do much more than that but he looks like Brando at his best compared to the wooden and unconvincing Yodkamol. The rest of the cast fill their genre cliché shoes well enough; leaving us with the reason we are here Jaa himself. Now, as an actor, he needs work he can't really deliver a character, seems unsure of how to handle comedy and, despite having a good screen presence, didn't convince delivering dialogue neither. However, none of this really matters does it? I didn't come for plot, narrative, script, acting or directing I came to se people get kicked and, by god, that is what this film delivers.
Without wires and without special effects, the fight scenes had the cinema audibly reacting with gasps and groans as Jaa did things that did not seem possible but also delivered some very, very brutal moves that made even the toughest in the room wince. Of course, a film that relies solely on action is never going to be one that manages to win praise beyond the bounds of the genre, but it helps that, within that genre it blows away a lot of competition and justifies its UK wide cinema release. Rest assured, it is stunning at times and, although it niggles that the film is set around the action (as opposed to vice versa) it is forgivable when it is this enjoyable! Overall, not a brilliant film by any means but one that really delivers in terms of what it sets out to do. Action fans will love it and those that thing martial arts started with the Matrix will find out just how much more compelling action is whenever it isn't being produced on a hard drive somewhere. With a plot so basic, acting so poor and characters so thin, it speaks volumes about the quality of the action that I was engaged and entertained from start (well, ten minutes in) to finish.
Before I talk about the main (only?) reason to see this film, let me at least pretend that it is meant to operate like a normal film and look at the traditional aspects that give a film value plot, acting, characters etc. First off, the plot is very basic, so basic that really I could have done it in a sentence and still given you more than you needed to know. Happily it only really last 15 minutes before we are given the first of many, many action scenes. Within this basic frame it is no surprise that none of the characters work or are developed to a point were we care about them this is a given, but why then did the film still labour under the idea that we did? I didn't care that much for any of them, because none were written as people only action figures or one-note characters (ie the girl who is suffering due to crime, the crimelord, the middleman etc etc).
With this, perhaps it is no surprise that the performances are roundly average. Wongkamlao is pretty funny but can't do much more than that but he looks like Brando at his best compared to the wooden and unconvincing Yodkamol. The rest of the cast fill their genre cliché shoes well enough; leaving us with the reason we are here Jaa himself. Now, as an actor, he needs work he can't really deliver a character, seems unsure of how to handle comedy and, despite having a good screen presence, didn't convince delivering dialogue neither. However, none of this really matters does it? I didn't come for plot, narrative, script, acting or directing I came to se people get kicked and, by god, that is what this film delivers.
Without wires and without special effects, the fight scenes had the cinema audibly reacting with gasps and groans as Jaa did things that did not seem possible but also delivered some very, very brutal moves that made even the toughest in the room wince. Of course, a film that relies solely on action is never going to be one that manages to win praise beyond the bounds of the genre, but it helps that, within that genre it blows away a lot of competition and justifies its UK wide cinema release. Rest assured, it is stunning at times and, although it niggles that the film is set around the action (as opposed to vice versa) it is forgivable when it is this enjoyable! Overall, not a brilliant film by any means but one that really delivers in terms of what it sets out to do. Action fans will love it and those that thing martial arts started with the Matrix will find out just how much more compelling action is whenever it isn't being produced on a hard drive somewhere. With a plot so basic, acting so poor and characters so thin, it speaks volumes about the quality of the action that I was engaged and entertained from start (well, ten minutes in) to finish.
Version: Edko's Hong Kong VCD release
In only their first movie, director Prachya Pinkaew and lead actor Tony Jaa have created a very impressive, awesome action movie in "Ong Bak". Jaa plays Ting, a muay thai fighter from a small village in Thailand. The villagers revere Ong Bak, a statue of Buddha kept in the village's temple, and believe it guarantees the safety of the village. Don, a former villager turned criminal, removes the head from the statue and takes it to Bangkok, to curry favour from the crime lord Khom Tuan. Ting follows Don to Bangkok and fights for the return of Ong Bak.
Story wise, its a pretty standard action movie - it touches briefly on serious social issues in Thailand, but only very briefly. Action wise, its a pretty awesome action movie. Tony Jaa is pretty good showing off his muay thai skills on screen as he fights a range opponents. Most of the one-on-one fights are well choreographed and quite intense. As for stunts: some of them would make even old-school Jackie Chan green with envy. Jaa and Pinkaew have hit the nail right on the head when it comes to action movies, and in only their first go!
9/10 - Hopefully I can catch it on the big screen some time.
In only their first movie, director Prachya Pinkaew and lead actor Tony Jaa have created a very impressive, awesome action movie in "Ong Bak". Jaa plays Ting, a muay thai fighter from a small village in Thailand. The villagers revere Ong Bak, a statue of Buddha kept in the village's temple, and believe it guarantees the safety of the village. Don, a former villager turned criminal, removes the head from the statue and takes it to Bangkok, to curry favour from the crime lord Khom Tuan. Ting follows Don to Bangkok and fights for the return of Ong Bak.
Story wise, its a pretty standard action movie - it touches briefly on serious social issues in Thailand, but only very briefly. Action wise, its a pretty awesome action movie. Tony Jaa is pretty good showing off his muay thai skills on screen as he fights a range opponents. Most of the one-on-one fights are well choreographed and quite intense. As for stunts: some of them would make even old-school Jackie Chan green with envy. Jaa and Pinkaew have hit the nail right on the head when it comes to action movies, and in only their first go!
9/10 - Hopefully I can catch it on the big screen some time.
Wusstest du schon
- WissenswertesTony Jaa performs all of his own stunts.
- PatzerIn the cave near the end of the film, Saming is no longer using the electronic voice box that he had to use to speak with throughout the rest of the movie
- Alternative VersionenThe UK Cinema version and Premier Asia DVD version feature a brand new orchestral soundtrack composed especially for the UK release.
- VerbindungenFeatured in Yo soy la Juani (2006)
- SoundtracksBangkok Running
Written by Excellence and Vincent Tulli
Performed by Excellence
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.563.167 $
- Eröffnungswochenende in den USA und in Kanada
- 1.334.869 $
- 13. Feb. 2005
- Weltweiter Bruttoertrag
- 20.235.426 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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