IMDb-BEWERTUNG
8,0/10
8811
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA tour is taken into the Zion archives, where the history of the real world and the rise of the machines is shown to viewers.A tour is taken into the Zion archives, where the history of the real world and the rise of the machines is shown to viewers.A tour is taken into the Zion archives, where the history of the real world and the rise of the machines is shown to viewers.
Julia Fletcher
- The Instructor
- (Synchronisation)
Dane A. Davis
- 01 Versatran Spokesman
- (Synchronisation)
- (as Dane Davis)
Debi Derryberry
- Kid
- (Synchronisation)
Jill Talley
- Mother
- (Synchronisation)
- …
Dwight Schultz
- Additional voices
- (Synchronisation)
James Arnold Taylor
- Additional voices
- (Synchronisation)
Empfohlene Bewertungen
This short film forms part of the backstory of the Matrix universe. It shows a lot of violent imagery inspired by historical atrocities to show that humans were evil and shortsighted in their treatment of the robots. At times it went too far in this direction and the humans seemed unrealistically evil and made ridiculous decisions. A single robot kills its owner so the humans try to destroy every robot in existence, even though that is their entire labour force? Could they not have just done a product recall or software update? The story doesn't make a lot of sense but it was well made.
Ever wonder exactly HOW the machines managed to seize the planet and enslave the human race? This Animatrix short details how humans created robots to do their worst jobs for them. Basically it's a metaphor for a third-world divide. But when a single robot rebels political opinion of the machines turns sour and they are banished to their city, where their economy thrives, turning the human world into the new third-world. Oh, the irony.
It's a fascinating short and really makes you think if whether or not the soul is purely a biological thing, or if a sentient robot can earn one too, kinda like Bicentennial Man.
It's a fascinating short and really makes you think if whether or not the soul is purely a biological thing, or if a sentient robot can earn one too, kinda like Bicentennial Man.
'The second beginning' as it's title explains, shows us the beginning of the end for the human race. Set long before the matrix existed, this short anime written by the Wachowski's shows us the world that could lay infront of us in the not to distant future, set at the turn of the 21st century, the second renaissance delves into issues common with human behaviour; greed, power, control, vanity etc.
The use of robots or artificial intellegence as slaves or servents is common among science fiction/fantasy stories. The second renaissance is no exeption to this concept, however instead of a simple man vs. machine layout, this story explains the struggle that the machines put up with, the struggle for acceptance in a world ruled by humans. Where the matrix films show us the human perspective, these short animations tell both sides of the story.
The second renaissance part 1 + 2, answer many questions brought up by the original Matrix film, such as how the war broke out, how the sky was blackend, what led to the use of humans as batteries and it also introduces us to the machine city called 01, which may have relevance to the upcoming Matrix Revolutions film.
I won't give away too much of the story, as I do not want to ruin the experience for perspective viewers, however, I will recommend it to anybody interested in the world of the matrix or simply anybody interested in Japanese animation (anime).
9/10.
The use of robots or artificial intellegence as slaves or servents is common among science fiction/fantasy stories. The second renaissance is no exeption to this concept, however instead of a simple man vs. machine layout, this story explains the struggle that the machines put up with, the struggle for acceptance in a world ruled by humans. Where the matrix films show us the human perspective, these short animations tell both sides of the story.
The second renaissance part 1 + 2, answer many questions brought up by the original Matrix film, such as how the war broke out, how the sky was blackend, what led to the use of humans as batteries and it also introduces us to the machine city called 01, which may have relevance to the upcoming Matrix Revolutions film.
I won't give away too much of the story, as I do not want to ruin the experience for perspective viewers, however, I will recommend it to anybody interested in the world of the matrix or simply anybody interested in Japanese animation (anime).
9/10.
Entering the archives of Zion we are allowed a look at the history of the matrix. Many years before the machines turned the world into one of machines, man was on top and robots worked to support their lifestyles. When the destruction of a machine is ruled as legal under property rights, large marches for civil equality lead to murder and destruction, the machines retreat to the middle east where they set up a city - however trade wars soon lead to greater conflicts as peace becomes increasingly unlikely.
Having seen the animated short that sets up the warning on the attack on Zion I was then interested to see the vision of the rise of the machines. Part 1 exists separate from part 2 and I am looking forward to seeing the conclusion of the rise. Part 1 is delivered in a mix of Japanese and Western animation styles that is perhaps a little more graphically violent than I had expected. Starting with one machine's `rights' the film chronicles a civil rights movement that mirrors many events in recent human history, these bits don't work that well as it feels like it isn't being clever and is just re-imagining real history. However the actual story is gripping - mainly because even though events seem small, we know where (in this world) events will lead.
The animation is stylish but a little too violent - a human skull crushed and a `woman' sexually attacked are beyond what I expected to see, even though they do hammer home the point forcefully. Some of the machines are a little too crude to be convincing but overall the animation is strong and the direction is slick. It would be easy to dismiss this as a cynical marketing ploy I think it has more value than just that purpose. This short tells me more about a universe that I am interested in. I have not seen Reloaded at the time of writing this (but will be in a matter of days) but I know that the first film was hooked on discovering what the matrix was and the audience uncovering the extent of the false world at the same time as Neo did. This short succeeds because it allows further understanding of this reality.
On the whole it is easy to dismiss this but it does have enough style of it's own to justify it's existence as a short in it's own right. It shows that (unlike many blockbusters) this trilogy (for all it's flaws) was established in a world that was planned rather than one which was expanded when the box office suggested that it would be a good idea to try to do so.
Having seen the animated short that sets up the warning on the attack on Zion I was then interested to see the vision of the rise of the machines. Part 1 exists separate from part 2 and I am looking forward to seeing the conclusion of the rise. Part 1 is delivered in a mix of Japanese and Western animation styles that is perhaps a little more graphically violent than I had expected. Starting with one machine's `rights' the film chronicles a civil rights movement that mirrors many events in recent human history, these bits don't work that well as it feels like it isn't being clever and is just re-imagining real history. However the actual story is gripping - mainly because even though events seem small, we know where (in this world) events will lead.
The animation is stylish but a little too violent - a human skull crushed and a `woman' sexually attacked are beyond what I expected to see, even though they do hammer home the point forcefully. Some of the machines are a little too crude to be convincing but overall the animation is strong and the direction is slick. It would be easy to dismiss this as a cynical marketing ploy I think it has more value than just that purpose. This short tells me more about a universe that I am interested in. I have not seen Reloaded at the time of writing this (but will be in a matter of days) but I know that the first film was hooked on discovering what the matrix was and the audience uncovering the extent of the false world at the same time as Neo did. This short succeeds because it allows further understanding of this reality.
On the whole it is easy to dismiss this but it does have enough style of it's own to justify it's existence as a short in it's own right. It shows that (unlike many blockbusters) this trilogy (for all it's flaws) was established in a world that was planned rather than one which was expanded when the box office suggested that it would be a good idea to try to do so.
10dispet
along with it's partner, this is the greatest piece of animation ever created. the images and styles are amazing, and match perfectly with the story which is a brilliantly realistic reinterpretation of our own world, where is has been, and where it could go. quite affecting and sometimes painful to watch, it it a masterpiece of the visual art.
Wusstest du schon
- WissenswertesThe robot who first rebelled against humans is designated as "BI-66ER," a reference to Bigger Thomas, the protagonist of the 1939 novel Native Son, giving the rise of the machines a backdrop in historical race relations. In the novel, Thomas is a black teenager who comes from a poor, working-class upbringing and goes to work as a butler for an affluent white family until he accidentally murders his employers' daughter and ultimately receives a life sentence for his crimes.
- VerbindungenEdited into Animatrix (2003)
- SoundtracksBIG WEDNESDAY
Written by Adam Freedman, Jamie Stevens and Frank Xavier
Performed by Free*land
Courtesy of Marine Parade
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- The Animatrix: The Second Renaissance Part I
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