Toorop, ein Söldner, übernimmt die riskante Aufgabe, eine Frau von Russland nach Amerika zu eskortieren. Er weiß nicht, dass sie einen Organismus beherbergt, den ein Kult haben möchte, um ei... Alles lesenToorop, ein Söldner, übernimmt die riskante Aufgabe, eine Frau von Russland nach Amerika zu eskortieren. Er weiß nicht, dass sie einen Organismus beherbergt, den ein Kult haben möchte, um einen genetisch veränderten Messias hervorzubringen.Toorop, ein Söldner, übernimmt die riskante Aufgabe, eine Frau von Russland nach Amerika zu eskortieren. Er weiß nicht, dass sie einen Organismus beherbergt, den ein Kult haben möchte, um einen genetisch veränderten Messias hervorzubringen.
- Auszeichnungen
- 1 Nominierung insgesamt
- Neolite MIB
- (as Pete Thias)
Empfohlene Bewertungen
The setting is the world in ruins after nuclear war. Vin Diesel comes in as the anti-hero, terrorist hired to deliver a "package" to the US. Enter Michelle Yeoh as the protector and chaperone to the package. She's excellent in her role as a nun in a seemingly peaceful cult spouting lines such as, "just because we are peaceful, doesn't mean we are weak." There are some nifty special effects and enough mystery at the beginning to make me believe the film is going to get 7 stars.
Except for some futuristic technology, that's about it for the good parts of the film.
As for the bad parts, have you ever seen The Simpsons episode with Mel Gibson? The last half hour of Babylon AD is treated like Homer Simpson's version of Mr. Smith Goes to Washington. I'm not kidding. It was shockingly bad and truly follows Homer's vision.
I'm still not quite sure what point the movie was trying to make. The story becomes so muddled and the acting is so bad at times that I had no idea what was going on. About 3/4 through the movie, one of the most awkward sexual tension scenes is thrown in for the hell of it. There's no build to it and it makes absolutely no sense, which unfortunately becomes the recurring theme until the end.
Please give to Kassovitz a very good script because i know he can do a great film. And he is one the few french director who can direct a movie as the American does when they achieve greatness. I know he can do better. He must !
Do you like headaches? Do you wake up everyday saying "Today sure is a great day to see a movie that could have been great, but I'd rather be confused!" Well then go see this movie! I don't really know what else to say, you can't really rate a movie as good, or bad, unless there is a movie to rate. It was so jumbled around with drastic scene changes, a plot that you don't even understand at the end of the movie, and uhhh, be prepared to be in an altered state of mind when you go to see it, maybe then you'll think you get it. Otherwise you're gonna hate this movie.
If you don't pay attention, you will hate this movie. It moves fairly quickly, so once you miss something, it's gone and you will be lost. So pay attention. The story is actually pretty good and actually feels down to earth, which is more than I can say about quite a few sci-fi movies.
For the record, I went into this movie not expecting much more than average, and I was slightly surprised. If you go in expecting the next academy award winner, you will completely despise it. It is no Dark Knight, so don't expect it to be. There's not much there artistically, so, if you don't like a movie simply trying to be entertaining for the sake of being entertaining, then you won't like this one. All in all, it was a good watch, not entirely worth the price for a new movie, so I suggest waiting until it comes to the cheaper theaters (if you have one near by).
As another note (and I'll probably get some heat for this) I actually enjoy Vin Diesel as an actor. This is not his best performance, but it's certainly not his worst (even though I still moderately enjoyed Chronicles of Riddick, I admit it was pretty bad and to this day I still don't know why I like it.) I think Diesel is good at what he does, although he really hasn't been in anything that really blows me away, even my favorite Diesel film (Pitch Black) wasn't completely stunning, but it was really good. With that in mind, this is a Vin Diesel movie, so, if you're not like me and you don't like Diesel, you will not like this movie and should just steer clear of it.
In 2002, after the release of "Pitch Black" and "xXx", and even though I was possibly too old to indulge in such childishness, I wrote Vin a fan letter. I expressed my admiration for his work and politely requested an autograph on a magazine, featuring Vin on the cover, that I had enclosed with a stamped addressed envelope. A month later the magazine arrived back and it had been autographed.
I have no idea if the autograph is genuine. It may well have been signed by Vin Diesel, or maybe it was just signed by somebody in Vin Diesel's office. I will never know. Do you know what? I don't care. Somebody went to the effort to send that autograph to me for that I think that Vin is sound, is cool and I give him much respect.
I just wish that Vin appeared in better movies. This brings us to "Babylon A.D.".
Good things. The presentation of the near future world in "Babylon A.D." is beautifully done. Compare and contrast the difference between the collapsing, grunge-like, shabby Eastern Bloc, with the hi-tech, neon lit New York. Very well put together. "Babylon A.D." also has a really intriguing cast (Charlotte Rampling, Mark Strong, Michelle Yeoh, Gérard Depardieu), some good action sequences and an interesting, if derivative, plot.
Bad things. "Babylon A.D." is a mess. There is evidence of extensive tampering with and shortening of the movie in the editing suite. (I read one rumour that 70 minutes had been cut from the movie, although the Director claims that this was more like 15 minutes.) The ending is absolutely awful and apparently not the one that the Director intended.
Director Mathieu Kassovitz has mostly disowned "Babylon A.D.", calling it a movie of 'pure violence and stupidity'. There is nothing wrong with cinematic 'pure violence and stupidity' as such, but I for one would like to have seen Mathieu Kassovitz's original vision. It could have been great.
Such a shame. I have always felt that Vin Diesel could have been the new Stallone, but bad choices have turned him into new Van Damme.
Still, "Babylon A.D." is currently the #2 film at the US Box Office, so what do I know?
Wusstest du schon
- WissenswertesWhen the film was released, director Mathieu Kassovitz called it a "bad episode of 24: Twenty Four (2001)." In an interview with amctv.com, Kassovitz said that 20th Century Fox interfered throughout production, and he never had a chance to shoot a scene the way it was scripted, or the way he wanted it to be.
- PatzerWhen we are first introduced to Auroa, you can see she has her tongue pierced with a gold barbell in a couple of close-ups when she is talking. Her character would obviously not have had her tongue pierced for many reasons, not the least being she has never ventured out into the world. In later shots, the piercing is no longer there.
- Zitate
Sister Rebeka: Aurora could speak when she was two years old.
Toorop: Oh, a lot of kids speak at two.
Sister Rebeka: Not 19 different languages.
- Alternative Versionen20th Century Fox and Studio Canal released this film in different countries separately (since it is a co-production between the two companies). However, the version released by Fox (released for example in the United States and Great Britain) runs 90 minutes whereas the Studio Canal versions runs 101 minutes (released for example in France and Germany).
- SoundtracksDeuces
Written by RZA (as Robert Diggs) and Shavo Odadjian
Performed by Achozen
Courtesy of UrSession Records, Wu Music Group and Columbia Records
Published by Universal Music Careers and Allyomusic (BMI)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Misión Babilonia
- Drehorte
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Box Office
- Budget
- 70.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.532.572 $
- Eröffnungswochenende in den USA und in Kanada
- 9.484.627 $
- 31. Aug. 2008
- Weltweiter Bruttoertrag
- 72.109.200 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1