Rånarna

This must be one of the worst movies I have ever seen. I was actually expecting a bad movie but I was caught by surprise believe it or not. The storyline is the traditional, all clichées are included.

The dialogue is so poorly written that you actually laugh when the otherwise half-descent actors are trying to make it sound real. The photo is not too good, the music is so malplacée it actually made me angry, the actors are not even trying, altho the script makes it almost impossible you could expect more from people that have been acting for 30 years and the so called action scenes actually manage to lack the "action" itself.

I dont understand why these types of bad movies keep on coming, who is financing this shit? Where is the screening ? And why on earth do actors take on this mission impossible script?

There are a million hollywood-movies in this genre without even aspiration of reaching the theaters, but even them Straight To Video things actually manages to look professional in comparison.

I can not say anything positive about this except the title which explains it all, I feel robbed of 2 hours of my life.

Typical Swedish movie. Cast is known. But if you do not watch Swedish movies every day, will suit.

Having watched about ten Swedish movies so far, I still can not predict it. Yes, maybe Swedish viewers can predict everything, I could not.

Can not comment on plot, but it's kind of simple. At least it has logic. Characters, well, more or less they are played well. I would say you should not in any case compare this to Hollywood movie. Just don't do it. Swedish level of details, Swedish logic and Swedish atmosphere.

Yes, probably second time I would not watch it, but to get the atmosphere and spend an evening, why not?

It feels like swedish movies are trying to become more american and I just don´t get it. In this movie the performance of some of the actors is horrible and the script is nothing special. Don´t waste your time!

For all of you that don't speak swedish: The swedish [original] title of this film; "Rånarna" translates into something in the line of "The Robbers". This fact is the main problem I have with the film, cause it's not really about the robbers at all. It's about a young woman working for the swedish police researching robberies. A regular desk job one would think, but this girl is soon out on the field taking matters into her own hands, as the story goes, even shooting one of the robbers... Exactly: We've seen this before. The fact that there's a rather interesting twist to the plot halfway through doesn't really help as the ending is just as cliché as the first two thirds of the film.

What saves it from being just another mainstream film is the fact that it's masterfully executed in all ways, that the actors are as great as they are and don't overact and that the director really manages to keep it as thrillingly exciting as it is for the most of the story.

One thing that I really loved about this film is the fact that it's music sets the right mood when it's needed, but is absent for the rest of the time, which gives a nice sense of reality to the shootouts and car-chases spread throughout the film. A nice touch! The fact that Michael Persbrandt is one of the few swedish actors that often tend to get typecasted sadly hurts the film as you know that he's not going to just play the boyfriend of the heroine and be a supporting character in the background, but that's something you have to neglect.

All in all it's an entertaining film that steals more money in it's plot than time from you. 7/10

Some cops are killers, a robbery can be a kidnapping in disguise, and a friend may turn out to be an enemy after all. Peter Lindmark does wonders when he gets to work with his own script, rather than the novel he used as the basis for his most recent movie, "Exit". While "Exit" is as complicated as it is predictable, "Rånarna" tells a simple story that is full of surprises. There seems to be no bottom as grand larceny investigator Karla Arvidsson (Sofia Helin) is sucked deeper and deeper into her current case, a series of highly professional bank robberies rooted in paramilitary right-wing underground circles. Much as the movie owes to the clever script, it's Sofia Helin's personal touch that makes you want to know what happens next. She makes Karla come alive as a rich character, with a story of her own that extends well beyond the two hour window of the movie. No doubt she will stay with you for a while. Go see it if you liked 2001's "The Pledge".