Anchorman - Die Legende von Ron Burgundy
Ron Burgundy ist San Diegos bestbewerteter Nachrichtensprecher in der männerdominierten Sendung der 1970er Jahre, aber das wird sich für Ron und seine Freunde ändern, wenn eine ehrgeizige Fr... Alles lesenRon Burgundy ist San Diegos bestbewerteter Nachrichtensprecher in der männerdominierten Sendung der 1970er Jahre, aber das wird sich für Ron und seine Freunde ändern, wenn eine ehrgeizige Frau als neuer Anker eingestellt wird.Ron Burgundy ist San Diegos bestbewerteter Nachrichtensprecher in der männerdominierten Sendung der 1970er Jahre, aber das wird sich für Ron und seine Freunde ändern, wenn eine ehrgeizige Frau als neuer Anker eingestellt wird.
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- 1 Gewinn & 13 Nominierungen insgesamt
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Overall - 4/5
So that's that and now, after having seen it, I must add that 'Anchorman: The Legend of Ron Burgundy' is a laugh riot. It superbly spoofs the 70s. Adam McKay brings together an excellent comedic cast playing colourful characters. Ferrell and Applegate are at the centre of the film and both are stupendous! But the supporting cast that includes David Koechner as a 'macho' wannabe who's actually a closet homosexual, Paul Rudd as a virgin stud, Steven Carell as a mentally stunted weatherman and Fred Willard as the laid back boss equally stand out with their gags and superb comic timing. Just when I was thinking that it would be funny if Vince Vaughn was part of the cast, he appears on screen as the 'deadly' rival. There are also notable cameos by a psychopathic Tim Robbins, a Hispanic Ben Stiller, an armless Luke Wilson and Jack Black as a cruel junkie.
I'd recommend to watch the movie with English subtitles as there are some hilarious lines between Burgundy's dog and a bear which is spoken in animal language. There are so many more laugh-out-loud moments that it's hard for me to single out a particular scene. Which one shall I say? The scene where he plays the flute to impress Veronica, Veronica screaming 'Ron!' (in typical 70's melodramatic style) when he gets fired, the entire bear awakening sequence, the battle between the anchormen, Veronica challenging Ed with her three strengths: screwing, fighting and news-reading ....there's just too many.
While being an out-and-out comedy, it does bring forth some serious issues like gender equality (which was still a problem in the 70s). Though the undertone is serious, it's all presented in a comedic way but it never makes fun of the issue. For example, Veronica is continuously harassed by her male co-workers but she stays strong without succumbing to their rudeness.
'Anchorman: The Legend of Ron Burgundy' is a joyride all the way. Whether one likes the film or not, I'm sure they at least would have a good laugh.
Luckily, this isn't what "Anchorman" is. "Anchorman" is a refreshingly off-kilter outing from an unlikely source--Will Ferrell, the current reigning lord of middle-of-the-road fratboy Sandlerism. The film has a lot more in common with Mel Brooks and Zucker-Abrahams-Zucker than anything in the SNL family tree. It prizes out-and-out silliness and absurdity over bathroom humor and penis jokes (though there's plenty of the latter, don't worry), and pulls it off admirably. In essence, the key to this stuff is never letting off of the goofiness even for a second--the audience should never be allowed to take anything seriously.
"Anchorman" achieves this with exceedingly silly and bizarre dialogue complemented by killer comic performances from Ferrell, Paul Rudd, Vince Vaughn and Steve Carrel. You'd have to be lobotomized to maintain a straight face through lines like "It's made with bits of real panther. So you know it's good." and "I'm riding a big, furry tractor!" The direction and pacing are also pretty solid at times, and the requisite celeb cameos are very nicely done (especially in one particular scene which I wouldn't dream of ruining).
The film's not without its flaws, certainly. Chief among them is the wasting of one of the best comic character actors in the biz: Fred Willard. If ever there was someone born to play a smarmy local TV newsman, Willard is it. But he's inexplicably cast here as a dull station suit, while David Koechner plods through the sportscaster role that was clearly meant for him--passable but certainly not as inspired as Willard would have been. Also, I think that the story would have benefited if Vaughn and his cronies, the closest thing to villains in this lightheaded romp, had a little more face time.
But these are comparatively minor problems--the point is that Ferrel has given us something that's really funny in a way that's appreciably different from the endless SNL movie-mill. It's not Monty Python, but it is a healthy departure from what has become the comic mainstream. Most importantly, the laughs are frequent, long, and deep--check it out and you won't be disappointed.
Basically, "Anchorman" is an extended sitcom. Ron is informed by his station manager, Ed (a funny Fred Willard), that he will have a co-anchor, Veronica Corningstone (a hot Christina Applegate). Turns out that Veronica was a woman whom was immune to Ron's vast charm at a wild news crew party. Veronica is beautiful, ambitious, and smart. She too has aspirations of being a Network Anchor. The Boys Club news crew which include sportscaster Champ Kind (David Koechner), feature story guy Brian Fantana (Paul Rudd), and the dumb as a post weatherman Brick Tamland (Steven Carell) all make their play for Veronica. However, she falls for Ron in spite of himself. Ron eventually woos her affections in a totally wacky jazz flute display. The screen writing is so skewed in a good way, and it has absolutely no shame. There is a classic scene with Ron's dog Baxter, and a bridge that according to my bud, John, shatters a fundamental script writing rule. In another memorable scene Ron gives an erroneous translation of the name San Diego to Veronica that is hilarious. "Anchorman" also benefits from cameos of talented actors, most notably Vince Vaughn as Wes Mantooth, the rival station anchor. Christina Applegate looks great, and truly has a talent for comedy.
"Anchorman" is completely over the top, and ignores any boundaries. That really makes it work. "Anchorman" is broad stroke farce done well. Will Ferrell demonstrates great comedic gifts. I want to see what he creates next. For now, "Anchorman" is just great fun, and very funny stuff.
Wusstest du schon
- WissenswertesThe Mexican restaurant Veronica visits with the girls from the station is named "Escupimos en su Alimento". In English, that means, "We spit on your food."
- PatzerWhen Ron reads the teleprompter with the question mark on it, it is revealed that the words on the prompter don't match the words that Ron said. The plot depends on the notion that Ron cannot help but read anything that is put on the teleprompter.
- Zitate
Veronica Corningstone: For the entire Channel 4 news team, I'm Veronica Corningstone.
Ron Burgundy: And I'm Ron Burgundy. Go fuck yourself, San Diego.
- Crazy CreditsThe end credits feature outtakes from the film, as well as one outtake from the film Das ausgekochte Schlitzohr ist wieder auf Achse (1980).
- Alternative VersionenDifferences between the theatrical release and the director's cut:
- After Brian Fantana comments on being hung over from the previous night's party, Champ states "I woke up on the floor of some Japanesse family's living room, and they would NOT stop screaming!", to which Brick replies, "I ate a big red candle". In the director's cut, Champ says "I woke up this morning and I shit a squirrel. The hell of it is, the damn thing's still alive. So I've got this shit covered squirrel down there in the office, and I don't know what to name it." Brick replies, "I'm sorry, I think I ate your chocolate squirrel".
- The scene of Ron Burgundy walking around the office with an erection is extended by about fifteen seconds.
- Ron daydreams of being married to Veronica, and has two children. After coming home from work, she appears from the kitchen in negligee, tells him that she's just prepared dinner in the nude, and they somewhat violently make out in the hallway.
- The scene of Ron being carried away by the crowd after reading the phrase "Go fuck yourself, San Diego" on the air is extended, with Ron screaming, "I would never say fuck! I would never fucking ever fucking say that!"
- After the above, Ron goes to Tino's where he is forced to eat cat poop in regard to the above incident.
- VerbindungenEdited into Wake Up, Ron Burgundy: The Lost Movie (2004)
- SoundtracksTreat Her Like a Lady
Written by Eddie Cornelius
Performed by Cornelius Brothers & Sister Rose
Courtesy of EMI Records
Under license from EMI Film & Television Music
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- El periodista: la leyenda de Ron Burgundy
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Box Office
- Budget
- 26.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 85.288.303 $
- Eröffnungswochenende in den USA und in Kanada
- 28.416.365 $
- 11. Juli 2004
- Weltweiter Bruttoertrag
- 90.710.804 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1