Ein Computerprogrammierer aus San Francisco verliebt sich in den Tagen nach dem dot.com-Boom in eine Lehrerin.Ein Computerprogrammierer aus San Francisco verliebt sich in den Tagen nach dem dot.com-Boom in eine Lehrerin.Ein Computerprogrammierer aus San Francisco verliebt sich in den Tagen nach dem dot.com-Boom in eine Lehrerin.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Bar Patron
- (Nicht genannt)
- Moving man
- (Nicht genannt)
- Richard
- (Nicht genannt)
- Straggler
- (Nicht genannt)
- Bartender
- (Nicht genannt)
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These are the issues at the center of "Dopamine", a likeable but insubstantial indie comedy/drama from new director Mark Decena.
Set in San Francisco, it's about a computer programmer named Rand (John Livingston), who is working with 2 other guys on an interactive children's program called Koy Koy, named after the cute little digital bird that the kids are supposed to talk to. In shopping the program around, he meets Sarah (Sabrina Lloyd, from TV's great, cancelled "Sports Night"), a complicated kindergarten teacher, and they begin dating.
The relationship is tense because Rand is emotionally withdrawn having not yet fully dealt with his mother's tragic Alzheimer's, and has become convinced that love is nothing but a chemically-induced illusion in our brains (dopamine), after hearing his father's bitter diatribes on the subject.
One of the movie's very good qualities is that it takes time to ponder this issue, whether love is only a chemical reaction or if it's something more. It doesn't offer any concrete answers, but how could it? Also, the acting is mostly very good (particularly by Sabrina Lloyd), and the San Francisco cinematography is excellent and atmospheric.
On the minus side, though, there's just not very much to it. It's working from a unique angle, but otherwise it's pretty much like every other mopey, arsty indie love story. And even at an extremely short 79 minutes, it feels a little padded.
I saw "Dopamine" at a screening where director Mark Decena and executive producer Eric Koivisto spoke afterwards and did a Q & A. They are young, friendly and talented guys, and even though THIS movie is not entirely successful, it's promising and full of potential. I wish them the best.
The interplay between the programmers is especially witty. Bruno Campos is very funny and Grundy plays a great straight man.
Great visual portrayal of San Francisco.
Sarah has a genuineness about her that reflects reality, not stereotypes or cliches.
I look forward to future works by Decena and Breitbach and they continue to evolve as filmakers.
The Sundance process is one that needs to be supported and I hope to see the Sundance Film Series be a regular thing.
WUSSTEST DU SCHON:
- WissenswertesOne of the first films to use the Panasonic AJ-HDC27 Varicam Digital Cinema Camera.
- Zitate
Rand: My question is, does the chemical make-up between two human mammals make up our personal involvement a moot point?
Sarah McCaulley: Of course, it's all chemical to start with. It's all just signals to communicate with these bodies we live in, but true love is incredible, all consuming.
Rand: No I totally agree with you, all consuming. BUt so is the lust, I mean is it possibly rooted in physiology rather then
[hand quotes]
Rand: our hearts?
- SoundtracksDescarga en Faux
Performed by Carlos 'Patato' Valdés (as Patato Valdes)
Produced by Greg Landau
(P)1996 Published by Six Degrees Publishing
c/o Six Degrees Records
Under exclusive license from Round World Music
Top-Auswahl
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 69.544 $
- Eröffnungswochenende in den USA und in Kanada
- 22.278 $
- 12. Okt. 2003
- Weltweiter Bruttoertrag
- 69.544 $
- Laufzeit1 Stunde 19 Minuten
- Farbe
- Sound-Mix