Tomie: Re-birth

Tomie: Re-Birth mainly focuses on the characters affected by Tomie. I enjoyed the changes in characters' nature: particularly for Shunichi and Hitomi. At first, Shunichi (Mazasaya Kikawada) comes off as a confident guy who likes to have a good time with his friends. Gradually, he becomes more unsure, paranoid, and even obsessed in a most manic way. On the flipside, Hitomi (Kumiko Endou) has an innocent, yet subdued nature. Questions and uncertainty beckon Hitomi down a road from which she may regret walking down upon.

Don't get me wrong..Miki Sakai does well as Tomie and is equally adept at producing an ominous stare; one enabling her to peer deep into the depths of inner souls. Although there are CG effects used, I thought the use of close-ups and different angle shots were more effective at establishing a mood of fear. Despite slow pacing and a few sappy (yet amusing) scenes, Tomie: Rebirth is darkly entertaining.

This installment of the "Tomie" series is, well in lack of better words, unnecessary. Why? Well, the story offered nothing new to the series that hadn't already been seen in "Tomie" or "Tomie: Replay". In fact, if you have seen the first "Tomie" movie, you can just as well skip this installment, as it is basically the exact same story, just with different characters and set in a different place.

The "Tomie" series was starting to rise up with "Tomie: Replay", and then this one, "Tomie: Re-Birth", comes along and pushes it right back down the ladder.

There was nothing scary about this movie, just like the previous ones. And the storyline, well basically it is about the undying Tomie girl who comes to torment those who love and kill her. Same old, same old.

The people in the movie did good enough jobs with their given roles, though there was nothing outstanding here.

The only outstanding part of the entire movie, was the crawling head with the weird arm-like appendages. And that was hardly enough to make up for the rest of the movie.

"Tomie: Re-Birth" was plain and rather uneventful at best, and it wasn't really a movie that was necessary in any way to the "Tomie" storyline. After having seen this installment to the series, I am starting to dread how the last ones in the series will turn out to be...

This is a very creepy horror film/psychological drama starring Miki Sakai as Tomie. In this one Hideo, an aspiring artist, kills his girlfriend/model for the painting girlfriend Tomie. With his friend's help, they bury her in the woods. However, Tomie shows up at a party. Her aim is not only revenge but to haunt the lives of the guys who did this to her. This film is okay, on a par with "Another Face". Not having read the source material of these films, as film value alone it is passable. While the revenge aspect is not only deserved to these guys but necessary to the continuity of the film, the part of her coming back more than once after she has been "re-killed" gets a little tired. So, not bad but not near the best of the series.

Tomie: Rebirth is the weakest entry in the horror movie franchise about the evil girl that cannot die. Let's start with the few positive points. The film certainly has an uneasy atmosphere from start to finish. Sakai Miki might be the best actress to portray Tomie yet as she finds the right balance between human emotions and monstrous manipulations. The film shows a Tomie that is more powerful than ever before. She can come back to life through a picture, take possession of other people when they use her lipstick and even kill people with the help of her hair.

Despite a good lead actress, an intriguing atmosphere and a few clever ideas, the movie is boring and hard to sit through. Horror movies should be scary in one way or another but there isn't one single frightening moment in the entire film. The cast claimed that the film had humorous elements and were close to a dark comedy but that most certainly isn't the case as the atmosphere remains gloomy throughout the film and people die under terrible circumstances. Most of the acting performances are terrible since actors and actresses constantly move and speak in slow motion that would even make Inspector Mathias and Detective Chief Inspector Derrick look like dynamic characters. The story is also somewhat confusing as it shifts perspectives all the time and includes unnecessary flashbacks. The pace of the film is dragging and it certainly doesn't help that this is the longest movie in the franchise up to that point.

Tomie: Rebirth is a disappointment because it never lifts up, overstays its welcome and wastes all of its initial potential. Shimizu Takashi directed movies like Ju-On before this film and would later on create the marvelous Marebito but his involvement in this film is underwhelming. Only avid collectors and fans of the franchise can give this film a try. Anyone else should stick to Tomie or Tomie: Replay or just read the manga.

Having watched the first three films (Tomie, Tomie: Replay, and this, Tomie: Re-birth), I can say this is far and away the most accessible and interesting of the group.

For sure, this movie is, like the others, almost glacially paced, but those with the attention spans for it will be rewarded.

It's hard to describe the plot, but it essentially revolves around the effect that the title character - Tomie, the girl who can't die - has on the people around her. Tomie "enchants" men in so much as they become powerless, madly in love with her, to the point where they kill her, and she is reborn.

But the character is so much more complex than that, and this iteration of the series makes her the most accessible and expands her well beyond what the previous films had.

For sure, this is horror, but it's more psychological than anything. There are gruesome scenes, but the whole film is effective because the characters are rich and deep and interesting. While the first two films focused almost entirely on the effects Tomie had on the men she encountered, this one expands beyond that, touching on family and friends, and even deigns to show us what happens when a man resists her charms.

It isn't enough that it's a solid horror film, but the quality of writing on display is outstanding and puts it on par with other classics like Ring and Kairo. This is a matured Tomie film - not dull like the first or overtly Americanized like the second - but raw and intelligent.

Absolute must see.