Die besten Jahre

This is a great movie! I thought that all of the acting by every single actor in the movie was just bloody fantastic. I thought that every one of the characters in the movie was very believable and all of them brought me to certain emotions, it was just a great story told in a great way and again what sold it all to me was the great acting by everyone involved from the stars on down to just the supporting bit players who make this movie work. Great big kudos to the director for getting such wonderful performances out of all of these people, I would definitely recommend seeing it to any fan of movies and/or fans of great acting.

It's hard not to feel like an "easy" grader to give this film a 10, given that it is the very simple story of a family over 4 decades, no quirky writing or the eccentricities of "indie" films - just beautiful scenery, characters that move us and that we care about, and a sweet and believable story. The acting is excellent.

To say this is a miniseries is misleading and adds the impression of a "cheese" factor that is not present. There is a reason that this film has been taken from the small screen and released in theaters - I didn't even know it had been a miniseries until I read some of the comments here.

The story is simple but it is not trite; we may not have a huge number of surprises and no amazing plot twists and contortions but it is an emotional, moving, satisfying story.

The most moving part of the story is the love and connectedness between the characters, and how this is expressed - here in the U.S. physical display of platonic affection is virtually non-existent, unless you count athletes hitting each other on the rear. You can tell these characters really care for each other.

I sat for the second three hours today with people who sat through the first three hours with me yesterday. Some yesterday just got back in line for part 2. There was a line waiting to get in today - all people who had seen part 1 already.

Saying this movie is like Zelig as someone here did is false and insulting. We couldn't tell a story about a U.S. family that spans the 60's to the present without mentioning Viet Nam or Watergate or 9/11, so this story of course mentions events internal to Italy during that time. The historical events are a backdrop to the story, not the story itself.

The story is about this family, and we care about what happens to them. We become engaged, we sit and watch and laugh and cry with them. That's what movies are supposed to do.

Man, this 6 hour Italian drama gives soap opera a very good name. Saw the film at this year's Singapore International Film Festival, whose organisers were thankfully intuitive enough to endeavour such challenging programming.

Best of youth's sprawling, epic scale depiction of love, familial ties and the strength which friendship binds, were assuredly interspersed into those 6 hours. The sweeping grandeur of its scope never overshadows the intimacy of its finely detailed characterisation. The subtle shifting of focus between characters (before unveiling the true lead character in the end) also proved to be intriguingly fruitful for the attentive audience.

The screening time hence becomes a non-issue, for it genuinely felt like a sumptuous breeze. In fact, I'm pretty sure the captivated audience on that fateful night of screening could go on for another 3 hours. Such is the allure of good story telling.

In summation, Best of youth boasts of good story, excellent performances, well placed "Godfather" references and beautiful people for the restless(if any) to ogle at. What more can a film geek (erm, me) ask for?

Fantastic movie. Go hunt for it.

"There is, nevertheless, a certain respect and a general duty of humanity that ties us, not only to beasts that have life and sense, but even to trees and plants." Montaigne

Rarely does a new film find a place on a longstanding short list of best ever. The Italian import Best of Youth recently entered my all time best ten, a singular honor considering I had to sit still for six hours of viewing, and I rarely sit still anytime, even if my name is DeSando and it's a family saga.

Director Francis Ford Coppola created a movie empire with his Godfather series and ended up with what some consider the best American movie ever made. It is unforgettable for its emphasis on family values mafia style and its stunning photography. The Best of Youth is decidedly not mafia related; rather it is a romantic and historical rendering of Italy from the 1960's as seen through the lives of the Carati family and their friends and lovers. The two brothers, Nicola and Matteo, represent the Janus-like conflict of liberal and conservative in the volatile last half-century of Italian social and cultural change.

This is humanistic history at its best as director Marco Tullio Giordana takes us through the sexy seventies, a devastating Florence flood, the emergence of Red Brigades, assassinations and business downturns including the Fiat layoffs. Despite deaths, suicide, and disappointment, the last line of the film, spoken in the new century, repeats the sentiment of the youthful days in the last century that everything is truly beautiful. How can you miss that theme when the cinematography emphasizes the antique charm of Italy and the close up beauty of actors who look their parts, albeit rarely ugly? The film, often tightly framed, accentuates character over plot and a certain imprisonment in character and destiny. The choice of actors is nothing short of inspired.

The genius of Best of Youth is that like Italy itself, this family is a stew of ideologies that offers up dignity of the individual as the highest value and respect (remember The Godfather) for humanity the only arbiter of peace. This film stands with Brokeback Mountain and The New World as a towering achievement and testimony to the transcending power of art to make us look at ourselves as vulnerable and beautiful.

Having just returned at 2 am from a festival showing of the movie that started at 5:30, I still can think of nothing but looking for anything and everything about this exceptional film that I came across more or less by accident. I can only sum up two points: it is an excellent yet easy-going overview of recent Italian history, and a truly moving, in an unbanal and unstereotypical, unpopcorny way, movie about the value of friendship, closeness, family. This film makes you want to live, to cherish the people you love and to be aware of the consequences of your acts. City living makes sour cynics out of teenage optimists (I'd count myself in until now), and this one is a lesson of keeping the best of yourself throughout life. A true inspiration! Bravo.