IMDb-BEWERTUNG
6,5/10
5273
IHRE BEWERTUNG
Ein normaler Vorstadt-Familienvater kommt an seinem Geburtstag von der Arbeit nach Hause und findet ein verlassenes Haus und ein Videoband vor, das darauf wartet, abgespielt zu werden.Ein normaler Vorstadt-Familienvater kommt an seinem Geburtstag von der Arbeit nach Hause und findet ein verlassenes Haus und ein Videoband vor, das darauf wartet, abgespielt zu werden.Ein normaler Vorstadt-Familienvater kommt an seinem Geburtstag von der Arbeit nach Hause und findet ein verlassenes Haus und ein Videoband vor, das darauf wartet, abgespielt zu werden.
- Auszeichnungen
- 3 Gewinne & 18 Nominierungen insgesamt
Philip Spruce
- Taxi Driver
- (as Phillip Spruce)
Michael Ienna
- Male Worker
- (Nicht genannt)
Ausgewählte Rezension
"Alexandra's Project" begins masterfully, setting a dark and heavy mood long before the plot reveals itself. When the plot does reveal itself, it is done craftily, piece by piece, as if you were a bird being led into a trap one crumb at a time. This is exactly how the main character is trapped also.
For the first hour I loved this film and couldn't believe I had never heard of such an intelligent thriller before. This abruptly turned when the complex story quickly unravelled to a cheap rip off of every bad Hollywood cat-and-mouse flick ever made.
How did this happen? Because the lead character who, for the first half of the movie, was shown to be smart, resourceful and level-headed, turns into a whiskey swilling moron, gets drunk and spends the the last half of the movie soaking in self-pity while not taking the obvious actions to fix the situation.
That's what I mean in my title. You will be so aggravated at how dense the main character becomes that you will likely hurl your popcorn at the screen in disgust. Like in those cheap slasher flicks when the murderer is hiding in the house, and somehow the idiot victim decides it's a good idea to go into that dark room anyway. Cheap thrills are fun in cheap movies, but I was led to expect a bit more from this award-winning film.
The message of the film itself, offensive as it may be to some, wasn't what bothered me. The movie ridicules feminism by portraying the villain as a rabid, man-hating, feminist psycho. But my gripe isn't about that. My gripe is the fact that the villain's plan turned out to be totally half-baked, and only a total dolt would play into it. A simple call to the cops, and all the bad guys could've been traced, rounded up and punished. But no, instead let's get plastered on whiskey and feel sorry for ourselves until the end of time. As others have commented, the characters and their actions defy sensibility.
I actually recommend that you watch this film so you'll see how a great idea can come apart with shoddy writing. This movie will probably leave you feeling sickened, not by the plot or the director's message but simply by the director's ability to ruin an otherwise good idea. Four stars out of 10, only because it did keep me interested for an hour.
For the first hour I loved this film and couldn't believe I had never heard of such an intelligent thriller before. This abruptly turned when the complex story quickly unravelled to a cheap rip off of every bad Hollywood cat-and-mouse flick ever made.
How did this happen? Because the lead character who, for the first half of the movie, was shown to be smart, resourceful and level-headed, turns into a whiskey swilling moron, gets drunk and spends the the last half of the movie soaking in self-pity while not taking the obvious actions to fix the situation.
That's what I mean in my title. You will be so aggravated at how dense the main character becomes that you will likely hurl your popcorn at the screen in disgust. Like in those cheap slasher flicks when the murderer is hiding in the house, and somehow the idiot victim decides it's a good idea to go into that dark room anyway. Cheap thrills are fun in cheap movies, but I was led to expect a bit more from this award-winning film.
The message of the film itself, offensive as it may be to some, wasn't what bothered me. The movie ridicules feminism by portraying the villain as a rabid, man-hating, feminist psycho. But my gripe isn't about that. My gripe is the fact that the villain's plan turned out to be totally half-baked, and only a total dolt would play into it. A simple call to the cops, and all the bad guys could've been traced, rounded up and punished. But no, instead let's get plastered on whiskey and feel sorry for ourselves until the end of time. As others have commented, the characters and their actions defy sensibility.
I actually recommend that you watch this film so you'll see how a great idea can come apart with shoddy writing. This movie will probably leave you feeling sickened, not by the plot or the director's message but simply by the director's ability to ruin an otherwise good idea. Four stars out of 10, only because it did keep me interested for an hour.
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe footage of Alexandra (Helen Buday) appearing solely on video tape took about two weeks of filming.
- PatzerHusband Steve is watching the video with the TV control in his right hand & a smoke in his left hand. The film angle changes & now the TV remote is in his left hand & the smoke is in his right.
- VerbindungenFeatured in ...it's in the eye of the beholder... (2008)
- SoundtracksSteam Will Rise
by Silverchair
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Alexandra's Project
- Drehorte
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Box Office
- Budget
- 2.000.000 AU$ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 752.148 $
- Eröffnungswochenende in den USA und in Kanada
- 37.078 $
- 21. Dez. 2003
- Weltweiter Bruttoertrag
- 1.224.975 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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