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Grand Theft Parsons

  • 2003
  • PG-13
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
6,0/10
3890
IHRE BEWERTUNG
Christina Applegate and Johnny Knoxville in Grand Theft Parsons (2003)
Official Trailer
trailer wiedergeben1:43
1 Video
1 Foto
Dark ComedyAdventureComedyDrama

Füge eine Handlung in deiner Sprache hinzuA partially fictional account of musician Gram Parsons' death and cremation. After Gram ODs in a desert motel in 1973, his road manager steals Gram's body for a last trip to Joshua Tree.A partially fictional account of musician Gram Parsons' death and cremation. After Gram ODs in a desert motel in 1973, his road manager steals Gram's body for a last trip to Joshua Tree.A partially fictional account of musician Gram Parsons' death and cremation. After Gram ODs in a desert motel in 1973, his road manager steals Gram's body for a last trip to Joshua Tree.

  • Regie
    • David Caffrey
  • Drehbuch
    • Jeremy Drysdale
    • David Caffrey
  • Hauptbesetzung
    • Johnny Knoxville
    • Christina Applegate
    • Marley Shelton
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,0/10
    3890
    IHRE BEWERTUNG
    • Regie
      • David Caffrey
    • Drehbuch
      • Jeremy Drysdale
      • David Caffrey
    • Hauptbesetzung
      • Johnny Knoxville
      • Christina Applegate
      • Marley Shelton
    • 40Benutzerrezensionen
    • 51Kritische Rezensionen
    • 46Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Grand Theft Parsons
    Trailer 1:43
    Grand Theft Parsons

    Fotos

    Topbesetzung36

    Ändern
    Johnny Knoxville
    Johnny Knoxville
    • Phil Kaufman
    Christina Applegate
    Christina Applegate
    • Barbara
    Marley Shelton
    Marley Shelton
    • Susie
    Jamie McShane
    Jamie McShane
    • Radio Announcer
    Danielle Sapia
    Danielle Sapia
    • Girl at Joshua Tree Inn
    Gabriel Macht
    Gabriel Macht
    • Gram Parsons
    Robert Alan Beuth
    Robert Alan Beuth
    • Reporter
    Sara Arrington
    Sara Arrington
    • Crying Girl
    Scott Adsit
    Scott Adsit
    • Music Expert
    Mary Pat Gleason
    Mary Pat Gleason
    • Nurse
    David Caffrey
    David Caffrey
    • TV Interviewer
    Alexa Sheehan
    Alexa Sheehan
    • Nurse 2
    • (as Alexa Motley)
    Wesley Mann
    Wesley Mann
    • Doctor
    Jim Cody Williams
    Jim Cody Williams
    • Truck Driver
    Kay E. Kuter
    Kay E. Kuter
    • Undertaker
    Brian Nahas
    Brian Nahas
    • Bank Manager
    Shawna Casey
    • Bank Customer
    Michael Shannon
    Michael Shannon
    • Larry Oster-Berg
    • Regie
      • David Caffrey
    • Drehbuch
      • Jeremy Drysdale
      • David Caffrey
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen40

    6,03.8K
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    Empfohlene Bewertungen

    6groening-2

    Sweet, but not as satisfying as it might have been

    Movie trivia fanatics will remember the play Dustin Hoffman's character wanted to stage in "Tootsie." Written by his roommate (played by Bill Murray), it was called "Return to Love Canal," about the (apparently) true story of a couple who returned to live near the toxic waste site, knowing what was there. "It really happened," Hoffman's character says earnestly to anyone who will listen.

    "Grand Theft Parsons" is also based on a true story, one equally bizarre and yet compelling -- after country-rock pioneer Gram Parsons died in 1973, his road manager and buddy Phil Kaufman stole the corpse to cremate it in the desert, as part of a pact the two made in life. But just like "Return To Love Canal," "Grand Theft Parsons" does not have a leg up on being great drama simply because it is based in fact.

    The film works hard at building momentum and dramatic tension by bringing in former girlfriends, Parsons' father and the inevitable cop or two, but none of these elements really have much to do with the heart of the story. In the end, "Grand Theft Parsons" succeeds modestly in making us feel the emotions that accompany friendship between men who have been on a long, strange trip together. And actually, we get two versions of that kind of friendship: the bond between Parsons and Kaufman, and the Butch-and-Sundance partnership that emerges between Kaufman and the drug-addled hippie who supplies the hearse used in the body heist.

    There's a sweetness to "Grand Theft Parsons," but it's not as satisfying as it might have been if more of the back-story had been told.
    g-day

    Personally I liked it

    OK I'm not a Gram Parsons Fan, in fact until last night I had hardly heard of him but I did enjoy the film. I met the star of the film Phil Kaufman and he struck me as being true to his character as portrayed in the film, a good guy. This is not a film about Gram Parsons, his life or his music but it is a great story of a mates attempt to honour a promise and I enjoyed it. I suspect as a spin off it will also introduce a lot of new people to the music of Gram Parsons and by my account that is no bad thing. I'm off to buy an album.

    Ride free Scottie

    BTW Nice Harley Davidson Servi-car in the film too for those real Harley fans that actually know what a Servi-car is!
    7rooprect

    Hilarious but maybe not a film for Gram Parsons fans

    Let's get three common misconceptions out of the way...

    (1) This is NOT a Gram Parsons biopic.

    (2) This does NOT feature a lot of Gram Parsons music (only 2 songs, I think).

    (3) Quentin Tarantino had nothing to do with this movie, even though you may have gotten it in your "Touch of Tarantino" DVD box set.

    So, you ask, what the heck IS this movie? Answer: It's a black comedy about the 2 days following Gram's death, based on the recollections of Gram's road manager Phil Kaufman. In that respect, it stays very close to Mr. Kaufman's account (he gives an interview on the DVD where he tells the story, basically reiterating everything that happens in the movie verbatim). So if it deviates from the truth, don't blame the filmmakers. Blame Phil Kaufman for not telling it like it was.

    Really, though, the accuracy shouldn't make any difference. If we want facts, we'd be watching a documentary, not a movie. So in the same way AMADEUS took wild liberties with the truth and still made for great cinema, GRAND THEFT PARSONS should also be enjoyed purely for its entertainment value.

    I don't know the first thing about Gram Parsons, his music or the bizarre circumstances following his death. But I can tell you I loved this movie. It's basically about a bunch of people fighting over a corpse. But don't expect a madcap comedy like "Weekend at Bernies". This has a very subtle style of humour, more like the deadpan comedies "Midnight Run" or "Groundhog Day". It's also a bit of a road movie, carrying a vibe much like "Fear & Loathing in Las Vegas".

    Some of the gags had me laughing out loud. It wasn't so much what they said as how they said it. With great acting all around, not a moment went by that I wasn't enjoying the show.

    Gram Parsons fans, don't expect a movie about Gram. But at the same time, if I were a hardcore GP fan, I think I would get a real kick out of this movie, seeing that Gram raised hell not only in life, but even in death.
    limborepublic

    Nice, fun, cool - and obviously contentious!

    I loved this movie, and thought it was both very sweet and very funny, which is an unusual combination.

    I do want to point out that this is not a movie about Gram Parsons, which seems to have caused a little confusion with some reviewers here.

    The positive reviews are from people who like the film for what it is - a cool buddy road movie with a great soundtrack. The negative reviews are from people who complain about the film's makers changing some of the facts, or not telling enough of Gram Parsons' story, or not treating him with 'respect'.

    For the record, this is not about Gram Parsons, but Phil Kaufman. It's not a biopic, but a black comedy. And it's not reverential, but dark, cool, and just a little twisted.

    It is, however, great fun. And highly recommended...
    8badtothebono

    It is actually pretty good. Get over it.

    When so many big budget Hollywood shells get voted 8 or better here, I am amazed that so many can hate a film just because it doesn't take itself seriously, or according to one film-school dropout "failed to explore anything". And then what about the "fan of Gram Parsons for a long time" who complains that "when i found out they were making a film about him i was very exited ... was sickened by what i saw, This film wasn't about his life, it was about the aftermath of his death. I thought it would be a descent film about Grams Life and Music". So this one hates the film because he didn't bother to take the time to find out what it was about prior to watching it. Well duh! Do not be scared off by the low rating. The obvious reason all the Gram-fans have to vote it down is because as we all know "true fans" always take the object of their fandom seriously, and this film doesn't take itself seriously. It is very low-key, except Applegate, who as usual, is eye-candy. Speaking of Applegate, wasn't she in Anchorman? Now there was a film I saw only half of. Let me put it this way; if you loved Anchorman, you probably won't like this. If you're an uber-Gram-fan, you probably will hate this. If you just want a few chuckles, and are willing to laugh at stereotypes like a mellow, stoned hippie, a red-neck cop (though what a red-neck cop is doing in LA, I'm not sure), a little tugging at your inner yin-yang, then watch this. And no, absolutely contrary to the gram-fans, this isn't slapstick. It is actually the opposite. It is actually almost too mellow, and the best lines come out of nowhere.

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    Handlung

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    • Wissenswertes
      The trike that Johnny Knoxville uses in the film is the original bike that Phil Kaufman used in 1973.
    • Patzer
      The motorcycle cop's motorcycle is knocked over but, in subsequent shots, is standing up again.
    • Zitate

      Larry Oster-Berg: So what'cha doing here?

      Larry Oster-Berg: We're, uh, meeting someone off a flight.

      Uniform Cop: You're meeting someone off of a flight?

      Larry Oster-Berg: Yes.

      Uniform Cop: In a hearse?

      Larry Oster-Berg: Yes. It's a, surprise.

      Uniform Cop: Which part's the surprise, um, the fact that you're in a bright yellow hearse? The fact that you look like something out of a horror film? Or, the fact, that you're a half mile away from the terminal and they're gonna have to walk across two runways to reach you?

      Larry Oster-Berg: The first part.

    • Crazy Credits
      Cannes Promo Reel Screened on Apple iBooks
    • Verbindungen
      Referenced in OWV Updates: Multimedia Update (02/01/2016) (2016)
    • Soundtracks
      Thousand Dollar Wedding
      Words and Music by Gram Parsons

      Performed by Gram Parsons

      Courtesy of Warner Bros. Records Inc.

      By Arrangement with Warner Strategic Marketing

      Copyright © 1974 Songs of DreamWorks (BMI)/Sixteen Stars Music (BMI)

      Rights outside the US for Songs of DreamWorks

      Administered by Cherry River Music Co. (BMI)

      Published by Hot Burrito Music (BMI) and GPJ Music (BMI)

      Administered by Bug

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    FAQ16

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. März 2004 (Vereinigtes Königreich)
    • Herkunftsländer
      • Vereinigte Staaten
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • Ayúdame con el muerto
    • Drehorte
      • Pomona, Kalifornien, USA
    • Produktionsfirmen
      • Swipe Films
      • Morty-Stevie G Productions
      • Helkon SK
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Weltweiter Bruttoertrag
      • 6.876 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital EX

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