Füge eine Handlung in deiner Sprache hinzuWilliam Shakespeare's classic tale of love and mischief "A midsummer night's dream" is re-imagined with Club kids at a rave in a L.A. warehouse. Love potions and drug deals gone bad, it's a ... Alles lesenWilliam Shakespeare's classic tale of love and mischief "A midsummer night's dream" is re-imagined with Club kids at a rave in a L.A. warehouse. Love potions and drug deals gone bad, it's a high-energy, drug-fueled drama.William Shakespeare's classic tale of love and mischief "A midsummer night's dream" is re-imagined with Club kids at a rave in a L.A. warehouse. Love potions and drug deals gone bad, it's a high-energy, drug-fueled drama.
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I loved this movie because it takes the bare of the plot of the play and takes it to a new generation, plus I am a raver... so it combines two of my life's loves and mixes them.
This movie does not show the true nature of a rave in some ways because it does not show all the kandi kids. I wanted to see the kids that are all happy go lucky and want everyone to be the same way.
Granted as a film the movie has some lacking points acting being a major issue, but all in all this movie is a good watch.... Hope you enjoy.
I'm afraid to say I've never heard of Corey Pearson but I am seeking his films like a lunatic now. What a divine creature. Mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm.
I have now seen "Summer Catch" and "Going Greek" is on it's way. I think all the actors portrayed the euphoria of a rave quite well. But in a real rave you would see a lot more face-pulling and loss of inhibitions. The scene were Damon spots Elena after the drugs start to kick in is brilliant. I think that depicts the whole movie and the fact that a sweaty Corey Pearson is rather a delight to watch in this amorous state!!!!!! A solid effort for a Shakespearean Classic. I think he'd have been partying among the ravers at large had he been born a few centuries later!
There were three aspects of this that made it real, the dialog (at times during the rave), the music, and the lighting (alright, the camera work at times made it real too: the jump cuts of the guy looking for his jacket as he walked through the crowd, and the girl, Amanda, who came out of nowhere and started kissing Xander--their dialog was perfect: "what are you doing?" "what do you mean?", and their mannerisms as they went back and forth is something you will have seen or experienced if you've been to a few raves). The music was awesome, I spent hours looking for the soundtrack and still can't find it (I'm guessing there isn't one... I read an interview with one of the DJs in the movie (DJ Irene) who said the hardest part was straightening out licensing issues, so maybe that's related to there being no soundtrack available). I watched the credits and searched for the 50 or so songs that were listed, and haven't found much. What a bummer.
The lighting is also great, and really captures the mood. There are parts where everything has a blue, washed-out look, which is cool, but the music is barely audible, and that kind of prevents a viewer from being able to maintain the feel of the rave when the movie goes to the blue areas. However, the lighting looks good and when Xander finds Elena in the blue area, their conversation and acting is dead-on, right down to the "did I just say that?". The lighting when Damon is feeling it kicking-in and watching Elena is perfect. The glistening bodies bouncing up and down while the music jams is great, and the different colored lights falling across them, almost changing the way they look, will be like a flashback for those who've been there and done that. The only part that was better (in my opinion) was when Xander was feeling it while dancing with Elena. When he says, "I'm loving this" and it blends in with the music, it's absolutely perfect. The worst part was that it stopped. The music changed and suddenly I was wishing for two hours of a continuation of that scene.
Other highlights were the guy (Nick) who took too much, especially at the end where he asks the girl (Brit), "Are you real? Why, why, why would you be talking to an ass?" His mannerisms were truly authentic except that when she started talking about her next gig he seemed able to shake it off and become straight and coherent again. Not very realistic for someone who is still hallucinating and thinking he's a donkey. It was also interesting when Nick was walking through the crowds and started jumping to the music. Definitely something people who have been there will recognize: the inability to not be affected by the jams, even if you're just walking from point A to point Anywhere. Dialog could have all been more like Elena when she said she wanted to kiss Xander, she just kind of breathed the words out. That was convincing.
If you've been there and want to remember, this movie has bits and pieces that will bring it back. If you haven't been there, you may or may not enjoy it.
The problem with this movie was it needed to grow up, it needed to be more written around someones experience rather than experiences being shaped in to Shakespeare's play. Playing with the greats is not easy. Most if not all films based around Shakespeare have failed. If you take the idea and then use that to help you make a movie, using personal experience, maybe something like Point Break (which sort of takes off Romeo and Juliet) that is far more successful.
But then again what do I know I'm only the paying public!
Probably would have gone to the Cinema but tried to blag a student discount. Would not pay full price.
the story could have been better but hell, at least it was a creative premise.
Oberon was a freak and weirded me out
puck was adorable-who is he?
rent this on a weekend night you have to stay in, it sets a realistic mood.
WUSSTEST DU SCHON:
- WissenswertesFinal role for actress Charlie Spradling.
- Zitate
Nick: I mean, hear you are - a good looking cat! You can have any girl you want, man. I don't see what makes her so special.
Xander: Did you ever have the feeling that one person could be it, you know? You have a real chance but... You know, you can't do it. I mean the timing's never right. And then it's all over, you never have that chance again. And you're going to die alone and miserable. One of those anonymous lonely deaths where no one finds your body until six months after you die, because the landlord is sick of that funky smell, calls the cops, they kick open the door, there you are lying naked on the waterbed, clutching a bottle of lotion and the TV's on The Animal Planet and there's no one there to explain what was going on!
- VerbindungenVersion of A Midsummer Night's Dream (1909)
- SoundtracksCrew One
Performed by Elite Force
Written and Produced by Simon Shackleton
Appears courtesy of Moonshine Music
Published by Wardlaw Music
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Details
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1