Bollywood Queen

No surprise that some nice white boy decided to cash-in on the bollywood phenom and what a trite mess he makes of it. Enough saccharine to make your teeth peel and enough sub-standard filmmaking to make you reach for your movie mantra and pray forgiveness for those who know not what they do. Pretty girl with nice song does not a movie make. Story? Let see... Boy meets girl. Girl from strict asian background. Boy not. It must be love. Everybody dance. Annoying & ludicrous twaddle.

The only solace is I didnt pay to watch this. I give my deepest sympathy to those who did and were conned by a fancy poster and promise of magic realism.

The British filmmaker blended Bollywood with the Western film world to make a sweet story of a nice Indian girl living in London. Her family, of course, wants her to marry a nice Indian boy and carry on the family traditions, but she meets and falls instantly in love with Jay, a nice boy that is definitely NOT Indian. The songs (of which there are many) are delivered in the Bollywood style of breaking into song at any moment (even more so than in American Musicals). All songs are in Hindi, even though the main character states in the film that she cannot speak Hindi. The music is so obviously fantasy in the movie that it seems okay, though. This was a lot of fun, and an enjoyable story.

Wow. This movie was HORRIBLE. There was a song after every 5 minutes. This movie unfortunately stereotypes way too much! Terrible plot and BORING. The lead actress is attractive, but needs to work on her acting. As an Indian, I am tired of us being portrayed as the bad characters in movies. Keeping our culture intact is very important to many and should not be portrayed as something bad. The heavy British accents are also hard to get used to. This movie had nothing positive to send to the viewer.

I rented this at the local Blockbuster and am glad that I did not see in it a theatre or I would have left early.

Bollywood Queen does a clever job of taking the genre of the typical mass-produced Indian film and weaving in a contemporary theme. The satire on the "Bollywood" movie is what makes this movie. If you haven't seen a Bollywood movie, expect to be a little baffled at the random song sequences and somewhat ludicrously simple themes (boy-meets-girl, forbidden love) . If you are familiar with Bollywood movies, you'll appreciate the caricatures that are played out.

The thing that makes this movie especially clever is that beyond the caricatures, there's humor and irony. For instance, the song sequences are obvious satires, but instead of the schlocky lyrics of a real Bollywood flicks, these satirical songs have hilarious lyrics.

Review: movie: Bollywood Queen

Date: 23 Oct 03

venue: Odeon, Kingston upon Thames, Surrey, England

===========================> Recently I saw the debut of Preeya Kalidas as leading lady in a general-release motion picture, and she carried her part off very well. This was not just a piece of fluff, but a theme that Preeya has worked on previously - East meets West in London, not with ease, but with a good ending. She is saying this to us, that we have to move into the modern world, all of us, white and asian. She is speaking articulately, and making the lesson easy to take, by sugar-coating the pill. And she is quite the sweetie herself - emoting and portraying, singing and dancing, and giving her characterisation a good range of expression.

The story was about Geena, an ethnic Indian young woman, who breaks away from her family and its expectations when she falls in love with a white boy called Jay. Not to mention that she's from East London and he's from the West Country, so there's every division and dichotomy in modern English life on display here.

But it's not a simple re-telling of Romeo and Juliette, this is an original story, written by the director/producer Jeremy Wooding and Neil Spencer, that gets to the modern situations and dynamics. But there is some interfamily conflict, as Jay's brother gets him involved in a night-time raid on Geena's family's clothing factory, and there is a knife fight in the dark between a brother of Geena's and Jay's brother.

This is also quite a Bollywood styled production, with key moments of the story punctuated by a song - often sung by Preeya - and a large-company Indian dance routine to go with it. These usually work very well, but there was a portion of one number that featured Geena, where for a long portion of the number she was given neither lines nor clear portrayal to put across, and the effect is awkward. Aside from that, Preeya keeps the action flowing very nicely, and keeps her character portrayal very full and multifaceted.

The filming was atmospheric and moody at times, showing us the heaviness of London's East End. There were also times of brightness and dazzle, and some cinematography that was startling and beautiful. Yet still, there was countryside shot in soft focus, and that made it contrast with the harsh, drab city all the more.

At the end of the movie, I walked out feeling satisfied that I had been shown an interesting story that was well written, shot interestingly, and acted very well.