Wilbur - Das Leben ist eins der schwersten

"Wilbur" is a pretty hard movie to describe. It has many redeeming qualities, but in the end, I just didn't like it and wished I hadn't seen it.

It's another quirky comedy/drama, and it fits well into that category. I thought the writing was very good, and the comedy made me laugh out loud several times. However, the movie tries to get you to connect with the characters, and for me, it was impossible to do that. Although they're all likable people, the only one who really got to me was Wilbur's brother. If you have seen or will see the film, I'm sure you'll know why.

I wanted to like this movie, and I still just couldn't. It's very funny at times, and sometimes touching, but I left the theater being more angry and repulsed than relieved and entertained.

It's close, but unfortunately, no cigar.

5/10

This is one helluv a title, isn't it? Why would anyone want to see a movie with a seemingly death-impending title? I remember hearing about WILBUR on cable IFC's (Independent Film Channel) "At the Angelika" film previews. It's a film in English by writer-director Lone Scherfig from Denmark. I rather enjoy her previous film "Italian for Beginners" (2000) in Danish, Italian and English. (Might want to check out her mini-bio on IMDb - quite interesting to learn about a filmmaker's background.)

"WILBUR wants to kill himself" is a small quiet film that actually has much human pathos. The three 'and a half' main leads: Harbour, the older brother who's closely protective of Wilbur, is sensitively played by Adrian Rawlins; Wilbur, the younger brother, is lively played (sounds like an oxymoron considering what the title suggests his role is) by Jamie Sives; Alice, the young woman who came into their lives, is subtly played by Shirley Henderson, and the critical 'half' being her little daughter Mary, aptly played by Lisa McKinlay - the portrayals and interplay were flawless. Didn't realize Rawlins is so talented - he was "Dr. Richardson" in Lars Von Trier's "Breaking the Waves" (1996) with the tour de force pair of Emily Watson and Stellan Skarsgard. (Noticed from the ending credit roll that Lars Von Trier was one of the two script consultants on this film.)

The music by Joachim Holbek complements the daringly subdued theme and tone of this unusually titled film. Well, let's not be hung up on the title. Kudos to Scherfig for being so venturesome with the story and her script. Isn't life just so - uncertain, risky, not as one might expect all the time? Cheers to the full cast and crew for their willing participation and creative energy on this filmic journey. The film's a tear-jerker - wouldn't you know it - with dashes of bemused humor (little details and vignettes like at the Chinese restaurant, at the hospital ward, or by the river, and of course, in the bookstore and in the bedroom) - it's basically about where one's heart is. The plot creeps up on you - gradually the viewer is drawn into this three and a half-some world we see on screen, caring for the characters, worrying with them, sighing with them, smiling with them, and pulling for the best possible outcomes. We want them to somehow succeed - succeed in what? Now isn't day to day living about coping with whatever comes and listening to one's heart? Grand and unattainable philosophy? Not at all. It's also being attentive to the dear persons around us, in our lives, and give a little - don't wait. Wilbur just might learn to let go of himself, think less of himself, and surrender to loving life. That just might be what the title implied, perhaps? It may not be for everyone - see for yourself. "WILBUR wants to kill himself" deservedly worth your while.

About the talented Shirley Henderson from Scotland: I've enjoyed her performance as Shirley, the wife & mother and love interest, opposite Robert Carlyle and Rhys Ifans in w-d Shane Meadows' "Once Upon a Time in the Midlands" (2002) - almost a similar menage a trois situation but less assertive than her role in "WILBUR." She's also in director John Crowley's "Intermission" (2003, script by Mark O'Rowe) - taken on, among the stellar cast, the rather offbeat yet still demure role of Sally (the script itself is plucky and unyielding alright - then again, it's probably quite 'normal' in the setting described) - another amusingly enjoyable film from Ireland if you're so gamed.

Synopsis:

Wilbur (Jamie Sives) wants to die, kind of. So every now and then he tries to commit suicide. You know: Pills, wrist slitting, hanging that sort of thing.

He has nothing that ties him to life, but a brother named Harbour.

The brother (Adrian Rawlins) owns a book store, which was left to him by his father. He's a friendly, charming and responsible man, who's flirting with one of two regular costumers, a girl name Alice.

Alice (Shirley Henderson) is a lonely woman, who works as cleaning personal in a hospital, in order to support her daughter Mary (Lisa McKinlay).

Well. Girl meets book store owner, and they fall in love or whatever. So they get married. Meanwhile Wilbur continues his obsession with trying to end himself. The thing about Wilbur is, that he has sex-appeal which is quite... well... appealing. And don't think that Alice hasn't noticed.

Which creates the dilemma, doesn't it? Do we want the older, responsible, nice, kind, calm brother, or his sexual beast of an opposite, Wilbur?

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My review

Set in beautiful, but depressing Scotland, Lone Scherfig (The director of Dogma 8: Italiensk for begyndere) has made a small film about love. The story itself is pretty average, but the way this film treats suicide, and the absurdity of wanting to finish life, makes it worth watching. The film is made with subtle humor, tenderness and love.

Well acted this one is. I liked the characters. It is well filmed, also. Almost every scene takes place in the bed, in the bathroom, in the book store, or the hospital. All places, that cry out desperate decadence. You can actually sence death in the scenery, which is no coincidence. A major theme of this film is death and - as a direct consequence - life.

What is not so good about this film is, that it is about virtually nothing. There is almost no development, and unlike films of who are kindred in pace (Virgin Suicides, The Ice Storm) the story is way too structured, and too narrow to just watch and experience. There is a point this film is trying to make, which is a shame. A bit less narrative could have done a film, which is about so little, very good.

Still it is a good film. Very good. I am beginning to use 5 as average. 10 as perfect and 1 as complete rubbish. And giving that, I will give "Wilbur wants to die/Wilbur begår selvmord" 8. A lot of thought and care has gone into this little film, and it does show. From good cinematografy and a good script, to a well polished, melancholic score, this film is worth viewing. It won't kill you, even if you will.

8 of 10.

Omigod. I haven't seen a film that moved me as much as this for a long time. It tells the tale of two 30-something brothers who own a dilapidated second-hand bookshop in Glasgow, and their search for different things.

The writing is effortless, but so natural and brilliant, the characters are beautifully crafted and it makes a refreshing change to see a film that is not about the location or the effects - but about the story and characters.

As for the acting - not a bad word can be said about any of the actors. The three principals (henderson, sives and rawlings) are so utterly convincing and there is so much chemistry between them all. They are backed up by two brilliant turns from Julia Davis as Moira and Mads Mikkelsen as Horst.

It may sound depressing from the title, and you may well shed a tear before the end of the movie, but I can guarantee that you will leave the cinema a wiser and more enriched person for having seen Wilbur...

I liked this film but I would've liked it much more if the dialog had been kicked up a few decibels and the musical score had been nearly killed off. I watched on DVD, so fortunately, I had the option of pressing hard on volume up during the dialog and pressing hard and fast on volume down and sometimes even mute during the music. Not that the score was distasteful at all, in fact, I thought it was good and very appropriate for the film. It was just that the volume itself was inappropriate. Perhaps the sound editor was afraid moviegoers would drift off asleep and s/he felt it dutiful to blast the sound out to ensure viewers wakeful alertness. At any rate, movie-good, sound editing-bad, very bad.