Ella steht unter dem Bann, ständig gehorsam zu sein, eine Tatsache, die sie vor ihrer neuen Stieffamilie verbergen muss, um den Prinzen des Landes, ihren Freund, in den sie sich verliebt, zu... Alles lesenElla steht unter dem Bann, ständig gehorsam zu sein, eine Tatsache, die sie vor ihrer neuen Stieffamilie verbergen muss, um den Prinzen des Landes, ihren Freund, in den sie sich verliebt, zu schützen.Ella steht unter dem Bann, ständig gehorsam zu sein, eine Tatsache, die sie vor ihrer neuen Stieffamilie verbergen muss, um den Prinzen des Landes, ihren Freund, in den sie sich verliebt, zu schützen.
- Auszeichnungen
- 1 Nominierung insgesamt
Aidan McArdle
- Slannen
- (as Aidan Mcardle)
Steve Coogan
- Heston
- (Synchronisation)
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All though this was a movie that was fairly predictable, there was enough changes to the same ole same ole to make it enjoyable. It reminded me a lot of "Ever After" with Drew Barrymore, at least it seemed like a similar plot line. Then again, why wouldn't it, it's based on the Cinderella story. I find myself humming the familiar classic tunes from the movie.
Joanna Lumley was her usual wonderful in the film, her part was a bit small for such an important character. I guess if she had more of a role in it, she would have stolen it! I really liked how the daughter (Judy Punch?) imitated Joanna Lumley's character. For a second or two I thought they might be real life mother and daughter.
The real highlight for me was Anne Hathaway's singing. She's got some real vocal talent IMO!! We bought the soundtrack from the movie, it's really good but I like the movie versions of the songs a little bit more. Nothing like having giants for back up singers, eh??
Joanna Lumley was her usual wonderful in the film, her part was a bit small for such an important character. I guess if she had more of a role in it, she would have stolen it! I really liked how the daughter (Judy Punch?) imitated Joanna Lumley's character. For a second or two I thought they might be real life mother and daughter.
The real highlight for me was Anne Hathaway's singing. She's got some real vocal talent IMO!! We bought the soundtrack from the movie, it's really good but I like the movie versions of the songs a little bit more. Nothing like having giants for back up singers, eh??
I love this movie. Lots of people don't. I was annoyed that it was not like the book, but it is still a great movie. It is super fun to watch and you will probably enjoy the movie.
Given the recent success of fantasy movies, it was probably inevitable that "Ella Enchanted" would get its turn on the silver screen. Like "Harry Potter," Gail Carson Levine's delightful re-imagining of Cinderella has been popular with both readers and critics, and contains plenty of imagination and engaging characters. One only wishes it had translated to screen better.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
Levine comes up with a clever explanation for the reason why Ella (played in the film by Anne Hathaway) must slave for her horrid step-family: at her cradle, a well-meaning but rather dim fairy godmother (Vivica A. Fox) granted her the "gift" of obedience, forcing the poor girl to comply with any direct order regardless of how ridiculous or dangerous. Refusing to be resigned to her lot, Ella sets out to return the unwanted gift--and en route, find romance with Prince Charmont ("Char" for short, played by Hugh Dancy).
Unfortunately, it is here that the similarities to the source material end. In the film, Ella comes off as far less resourceful and clever as she does in the book, and mostly seems to wind up getting into embarrassing or awkward situations through her enforced compliance. Which is a shame, because Hathaway is a vibrant and talented actress who could have easily imbued the character with more spunk had she been called on to do so. It doesn't help that the screenwriters have seen fit to muddy Ella's quest with a standard-issue villain in the form of Char's Claudius-esquire uncle (Cary Elwes, channeling the spirit of Prince Humperdink and accompanied by a very unconvincing CGI snake), and some business about the oppression of the kingdom's non-humans.
Like "Shrek," "Ella Enchanted" takes the fractured fairy-tale route, throwing in sly references and anachronisms at every opportunity. Some of these work (I liked the man-powered escalator in the medieval mall), but more than a few fall flat (mostly Char's squealing fan club, who are perhaps too accurate in their annoying behavior). Hathaway and Dancy play it more or less straight, but everyone else camps it up grandly, especially Elwes. Unfortunately, both Fox and Minnie Driver as Ella's more sensible godmother feel miscast, and Parminder Nagra (the talented star of "Bend it Like Beckham") is virtually wasted as Ella's foreign-born friend.
"Ella Enchanted" is nice enough to sit through--Hathaway's presence keeps things going, and there are enough nice visuals. But in a genre that in the past few years has seen "Harry Potter," "Lord of the Rings," and "Shrek"--with "A Series of Unfortunate Events" and "Charlie and the Chocolate Factory" among the films on the horizon--it takes more than nice to distinguish oneself in the field.
This movie was gifted with a spell of fairy tale which was likable. From the beginning Ella Enchanted was good and all thanks to the beautiful Anne Hathaway who seemingly sparkled. Great work of escapism, such that though it's stupidity can be considered, it is shadowed by its modernism and it's attempt to drive the audience into attention by it's sarcastic humor present at certain desirable instances. Anne Hathaway stole the show there seemed to possess an invisible halo on her making her the most preferable Ella. However I did ruminate over the fact that is that all Anne Hathaway can play- this character had almost cloning gestures as her character of Mia in The Princess Diaires so is that how much her talent can expand? Well as for the other cast member - There was a casting perfection as taking into consideration Cary Elwes, Minnie Driver and Vivica Fox, all were matched perfectly to their designated roles. In conclusion I would not suggest this movie to grown ups- as they would certainly NOT enjoy this step out of reality however this would be a great movie for kids and may be pre teenagers and if you are an Anne Hathaway fan like me well than don't miss this.
I had so much fun watching this movie, a piece of light hearted fun that everyone can enjoy. *If* they remember the opening lines of the movie; this is a fairytale. And is therefore not to be taken seriously, it should be watched for the pure enjoyment of getting away from the daily humdrum.
I have seen this movie twice and both times the audience was literally buoyed by the fun of the movie, though I must say the best parts and lines come from Uncle Edgar(a deliciously evil Cary Elwes) and Heston the snake(the slimy voice of Steve Coogan is wonderful). That is not to say that the two leads(Anne Hathaway and Hugh Dancy) are not bright and funny in their parts, they are. Only that the wonderful and memorable lines come mainly from the more evil characters.
Joanna Lumley (as the evil Dame Olga) and Minnie Driver(one of her best yet, possibly only beaten by her surprisingly good turn in "Phantom of the Opera") are also great in their minor roles, providing colorful characters and not just filling in screen time. Aidan McArdle(Slannen the Elf) is wonderful comic relief each and every time he appears, as is Lucy Punch as the horrid Step-Sister and chief fan-girl(shudder). Eric Idle, Jeniffer Higham, Jimi Mistry and Parminder Nagra are also memorable, particularly Jimi as Benny, Eric as the Narrator and Parminder as Ella's best friend, though I think Parminder's talents are woefully under recognized in this film and I would love to see her in more main roles like in "Bend it like Beckham".
But I digress.
Hopefully those watching this movie will remember the fun it is supposed to be and not fall into the trap of over analyzing this piece of light-hearted happiness.
I have seen this movie twice and both times the audience was literally buoyed by the fun of the movie, though I must say the best parts and lines come from Uncle Edgar(a deliciously evil Cary Elwes) and Heston the snake(the slimy voice of Steve Coogan is wonderful). That is not to say that the two leads(Anne Hathaway and Hugh Dancy) are not bright and funny in their parts, they are. Only that the wonderful and memorable lines come mainly from the more evil characters.
Joanna Lumley (as the evil Dame Olga) and Minnie Driver(one of her best yet, possibly only beaten by her surprisingly good turn in "Phantom of the Opera") are also great in their minor roles, providing colorful characters and not just filling in screen time. Aidan McArdle(Slannen the Elf) is wonderful comic relief each and every time he appears, as is Lucy Punch as the horrid Step-Sister and chief fan-girl(shudder). Eric Idle, Jeniffer Higham, Jimi Mistry and Parminder Nagra are also memorable, particularly Jimi as Benny, Eric as the Narrator and Parminder as Ella's best friend, though I think Parminder's talents are woefully under recognized in this film and I would love to see her in more main roles like in "Bend it like Beckham".
But I digress.
Hopefully those watching this movie will remember the fun it is supposed to be and not fall into the trap of over analyzing this piece of light-hearted happiness.
Wusstest du schon
- WissenswertesThe first song Ella sings, "Somebody to Love" was not the original song choice. Tommy O'Haver had discovered that Anne Hathaway didn't have very good chemistry with their first choice, a more classical "fairy-tale" song. O'Haver and Hathaway were relaxing when she starting singing along and dancing to the song that was currently playing: Queen's "Somebody to Love". They both decided that "this was it".
- PatzerElla's enchantment fails on at least two occasions: when Prince Charmont says "Allow me" and she continues to refuse his help, and when Slannen says "Forget it" and she continues to discuss his legal aspirations. The earlier "bite me" scene established that Ella's enchantment takes colloquial "commands" literally, thus she should have allowed Char to help her, and literally forgotten about Slannen's peeves.
- Crazy CreditsThe cityscape of the Miramax logo dissolves into the cityscape of the medieval city in the movie.
- Alternative VersionenAn extended version of this film is only available on Sky Cinema. Some of the changes include: Char and Uncle Edgar's extended talk in the carriage. Sloan talking to Ella about the Brother Grimns after the elves were arrested instead of during the day. The fight scene with Char and the Ogres is extended. The song If You Believe which was co written by Brian Adams, is cut and replaced with a different song during the ending credits. The song When You Believe doesn't play in the film when Hattie is talking about Char. Theatrical 91 minutes Extended 96 minutes.
- VerbindungenEdited into Ella Enchanted: Deleted and Extended Scenes (2004)
- SoundtracksStrange Magic
Written by Jeff Lynne
Performed by Darren Hayes
Arranged and Orchestrated by James Seymour Brett (as James Brett)
Produced by James Seymour Brett (as James Brett)
Darren Hayes appears courtesy of JWM Pty Ltd and Columbia Records
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- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Ella está encantada
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 31.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 22.918.387 $
- Eröffnungswochenende in den USA und in Kanada
- 6.100.000 $
- 11. Apr. 2004
- Weltweiter Bruttoertrag
- 27.388.767 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the Japanese language plot outline for Ella - Verflixt & zauberhaft (2004)?
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