A Is for Acid

I have just seen a repeat of this TV film and was very impressed. I had the opportunity of doing some gardening work for the Sgt Inspector Heslin (Ret'd) before he died, when he lived in Torbay. As one of the detectives who interviews Haigh and discovered his gun, he showed me photographs which very much resembled the film set of Haigh's workhouse.

I also specialized someone in the RAF when, as a medic, I saw just what Sulphuric acid can do. Now I am a prolific author and wish I had taken more notes about this case. Heslin and I enjoyed good conversation and he was very proud to have been one of the main detectives to interview Haigh.

Peter Carroll

This is a TV dramatization of the life of Acid Bath Murderer, John George Haigh. Starring Martin Clunes and Keeley Hawkes in headline roles. I came across the film on terrestrial free-view and really enjoyed it. Far from his "Men Behaving Badly" days Martin Clunes plays a role with vast emotional ranges in a beautifully recreated 1940's. Occasionally out right charming he is able to turn on a creepy and sadistic persona with ease. I don't normal like his acting but he seemed ideal for this role. Despite the films grizzly content matter it comes of as beautifully created piece of work, authentic to it's era with attention to detail. There is a maybe a heavier touch of violence compared to other TV dramatizations, but that goes with the territory when you base a film on one of the UK's biggest serial killers. Definitely worth a watch.

An affable psychopath in post-war Britain suckers in his down-at-heel acquaintances to liquidate them in acid and release ready funds. Will he be caught?

Lovely Poirot-style production, with oodles of acting quality. No great psychological insight, but at least the moral brigade is kept at bay and the natural horror seeps through the period atmosphere.

It refuses to creepify in the acid bath scenes - the last victim might have breathed in then gurgled out a great bubble of blood, but no - so a gentle horror, which was fine by me. I still took pleasure in the pace and performances, the setting and sound.

Overall, nicely judged and a good surprise.

The film traces the life and deeds of a true life serial killer, John George Haig AKA the Acid Bath Murderer. Whilst in jail for fraud in the thirties he accidentally discovers the effect that acid has on animal bodies. He subsequently "offs" a series of people including a couple a family and three strangers by inviting them to his "workshop". He dissolves the bodies in oil drums full of acid. The film cuts to flashbacks of his upbringing by zealously religious parents, but steers clear of obviously blaming the parents for the son's murderous behaviour.

The film has a similar attention to detail as "10 Rillington Place" and Martin Clunes is excellently creepy as the charming Mr Haig. The contrast is small between Haig's day-to-day behaviour and the actual murders and disposals of the body but fascinating, leading to comparisons with Richard Attenborough's portrayal of Christie in 10 Rillington Place, but this film is more darkly humorous.

The film is written by Taggart creator Glenn Chandler and directed by Harry Bradbeer who directed most of the excellent BBC series "The Cops".

Martin Clunes has an amazing range as an actor; he has attempted everything from Mr Chipps in "Goodbye Mr Chipps" to Garry the Slob in "Men Behaving Badly". In this TV film scripted by Glenn Chandler, creator of "Taggart", he impersonates a dapper, cheerful, sport car driving type who is also an accomplished pianist called John Haigh who turns out to be a diabolical serial killer who disposes of his victims in acid baths.

. It is a nice performance and the production values are splendid – seldom has England in the 1940s been better evoked, but there is something missing. What happened is clearly conveyed. How it was done is depicted as graphically as most audiences could reasonably take. But, the question of "why" is left hanging, as it were. Was it for the money? Did Haigh, like Dr Shipman, just get a kick out of killing? Or, despite the opinion of the dozen or so experts the prosecutors and the Home Office consulted, was Haigh crazy? At the trial, not shown in this film, Haigh, represented by top-flight counsel paid for by "The News of the World", pleaded insanity. Only one psychiatrist gave evidence for the defence, to such little effect that the prosecutor didn't bother to cross-examine him.

Well, it's not the film-makers' fault that Haigh was one of those bland serial killers who defy understanding. In line with his own account, Haigh's Yorkshire Plymouth Brethren parents are depicted as strict and narrow, but not as unloving. He turned to crime at an early age and had quite a record of petty dishonesty offences. For him, prison was Crime University and he hatched the idea for his body disposal method, the acid bath, while inside. He was capable of conducting an emotional relationship with the youthful "Gillian" (Keely Hawes) while luring his victims to their deaths.

For what it's worth I think Haigh's train of thought went something like this: "I am an outsider, society does not value my true worth, I will be good to people who do really appreciate me (like my parents and Gillian), and the rest are fair game." At least it makes more sense than the vampire theory. Haigh is also one of those criminals who were bound to be caught sooner or later (his arrest was not a miracle of detection), which makes one ask: did he think he was invincible or did he really want to be caught? The film doesn't help us with this, but it's a good reconstruction and a fine piece of acting by Martin Clunes.