Tricks

Ridley Scott and Nicolas Cage deliver some of their best and most intelligent work in a few years, even if Matchstick Men is not quite either's great contribution for this year in film. What they have done, from Eric Garcia's novel (adapted by The Griffins), come off rather entertaining, if anything else, and boasts much more thought than would usually be attributed to such a Hollywood film. Nicolas Cage, who plays Roy, part anxious/obsessive compulsive, part sly con man, and part father to a daughter he never knew he had, is a main reason to see this movie. His performance is on par with someone like Jack Nicholson in As Good As It Gets for watch-ability of a truly sad lifestyle, and while Nicholson's performance was and still is funnier and more charming, Cage gets so into his character, the little mannerisms that pop up more often than expected, that we feel for the guy even as his eyes get twitchy and goes over certain spots in his house like a detective. He may be the most believable obsessive compulsive/con man you'll see in a long while. Add then an outgoing, occasionally sneaky daughter (Alison Lohman in a performance that skillfully balances sweetness and irritability, sorrow and playfulness in a teenage girl) to the mix, along with a protégé-cum-partner (a cool Sam Rockwell) who has a love/loathe relationship Roy, and there's the map work for an interesting, if here and there predictable, drama/comedy/crime film.

Along with the performances, which are all above average (Cage could be deserved of an Oscar nomination come February, and Lohman could deserve the win possibly), is the visual framework that Scott pushes in each scene. By getting certain camera tricks, and fantastic editing by Dody Dorn (of 'Memento' fame), the viewer can really get into Roy's head even in the smaller scenes, the ones that have little to do with the plot and only to do with the neuroses of Roy (there is even a little touch that I loved when Roy is waiting online early in the film at the supermarket, and the music in the background is an excerpt of the mental hospital music from 'Cuckoo's Nest'). This echoes the style that Scorsese used in Bringing out the Dead, also with Cage, in moving the film to get so into the mood that the story, no matter how intriguing and important, becomes secondary.

Which brings me to my own personal beef with the movie, and that is the last fifteen minutes or so. It was clever, up to a point, but as it unfolded, no matter how much I was still emotionally involved with these people, I felt that the twists (I won't reveal them here) undermined a lot of the rest of the film. It will be based on viewer to viewer, but I just thought that it did a little too much to jab at Roy's lifestyle. And yet, when I walked out of the theater, though I wasn't sure I had seen anything spectacular, I didn't feel like I had wasted time and money either. Matchstick Men is witty, sometimes wonderful moviemaking.

The little problem that 'Matchstick Men' has is that there is not a real highpoint in the movie if the ending wasn't there. I think the movie starts as a very good movie. Roy Waller (Nicolas Cage) and Frank Mercer (Sam Rockwell) are con artists and the movie opens with showing how they collect some money. It is not as great as how George Clooney does it in 'Out of Sight' but it's a lot of fun. After this the movie shows who Roy is, a guy with all kind of weird things. Spasms, panic attacks, compulsive behavior. He wants things clean, he wants things a certain way, or he becomes a little crazy. He has pills for these things but he loses them and this is how he meets Dr. Klein (Bruce Altman), a psychiatrist.

Because of him Roy learns he has a 14-year old daughter Angela (Alison Lohman, who was actually 24). He wants to care for her, spend time with her, and even reveals what he really is. In a great scene she shows her father and us how she would be if she had the same job as Roy. Roy and Frank have a big job planned where they would collect 80,000 dollars from a guy named Frechette (Bruce McGill). In a way they are taking money but Roy looks at it differently. He thinks, and he is actually right, that they just give it to him. Because it is all illegal they can't complain after they are cheated.

Hoe these three big stories fit in one you have to see for yourself. The middle part is a little slow, but the ending makes up for that. All characters are played very well and Nicolas Cage is great. Ridley Scott has made another fine movie.

I just happened to come across this movie while it was showing on TV, and I decided to actually sit down and watch it, even though it is a Nicolas Cage movie. And having seen it now, I must admit that I was more than pleasantly surprised with it.

This was, hand on Heart, actually the best of all Nicolas Cage movies that I have seen so far. Why? Well, because of the movie's riveting storyline, but more importantly because Nicolas Cage delivered the best performance of his entire career in "Matchstick Men".

The storyline in "Matchstick Men" is gripping, interesting and fast paced. More importantly, though, there are some nice change of events and plot twists along the way. I didn't see those surprise twists coming before they were actually revealed on the screen, and that kind of non-predictability is good.

The acting in the movie was really good and helped further the movie quite nicely. Especially Nicolas Cage was in his ace corner here with this particular oddball character. But also Ram Rockwell and Alison Lohman were delivering good performances.

"Matchstick Men" is a very interesting movie that is quite good and should be seen, even if you, like me, are not particularly much of a Nicolas Cage fan.

Matchstick Men tells the story of con artist Roy Waller (Nicolas Cage) and his protégé Frank Mercer (Sam Rockwell). The status quo of their work is disrupted when Angela (Alison Lohman), the daughter that Roy never knew he had, bumps into his life.

Cage's performance as Roy is definitely the reason why you would want to watch this movie. He got very into character, a con artist with unique psychological traits where agoraphobia and OCD do not cover it all. Throughout the movie it's impossible not to feel for Roy when his eye twitches or whenever he has a nervous breakdown. This is most likely going to be the best obsessive-compulsive character performance you'll see in a while. Roy's organized and simple life is disrupted when a smart and outgoing daughter shows up, somewhat out of nowhere. Lohman's performance as Angela could be described as a unique balance between "lovable young lady with parent issues" and "sneaky little brat that wants things her way", resulting in a very solid performance (note that she was 24 at the time, 10 years older than her character). Frank, Rockwell's character, is an eager protégé trying to convince Roy into going for big hit, instead of the usual "simple is safe". Frank's passive-aggressive patience to deal with Roy's shenanigans adds a hint of comedy to the movie.

The relationship between Roy and Angela actually remembers Leon, the Professional (1994) at some point. It's always refreshing to see small homages to certain movies – and this one by Scott and Cage is a refreshing, 9 year gap fill. Also, two other things should be mentioned. First, the small but decisive aspect that Roy always uses matchsticks to light his cigarettes, overlapping a character performance with the title. Second, it's based on a novel by Eric Garcia, with the same title as the movie.

An overall brilliant performance from these three characters and starting plot would be more than enough for anyone to watch this piece. However, the plot twist at the end, even though it's not that predictable, could be disliked by many (me included). Still, it's a movie worth watching, and one that I would recommend given Cage's performance and character.

Nicolas Cage plays Roy, a con artist, who has numerous psychological issues. He is an obsessive-compulsive con artist, with an insane need for neatness. Roy also suffers from agoraphobia, yet despite these problems, is an efficient con man. Much like in Luc Besson's Leon (1994), Matchstick Men adopts the same theme of a criminal figure taking in a young female apprentice. Although after the exciting exposition the film has a rather drab middle, the conclusion is stunning. This film is one of Nicolas Cage's finest, whom I have long questioned as to ability in acting. Alison Lohman does a fine job as Angela. Due to the spectacular finish, I am going to give this film ***1/2 / **** or 8/10.