Füge eine Handlung in deiner Sprache hinzuA young boy named Shuzo rushes to the defense of a stranger who is being attacked for her magic pendant, only to find himself transported into another world where water is a scarce commodity... Alles lesenA young boy named Shuzo rushes to the defense of a stranger who is being attacked for her magic pendant, only to find himself transported into another world where water is a scarce commodity and he is forced to join an army of children.A young boy named Shuzo rushes to the defense of a stranger who is being attacked for her magic pendant, only to find himself transported into another world where water is a scarce commodity and he is forced to join an army of children.
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While the characters and story are realatively humdrum, and the script is not so daring or eccentric, the serie still manages to leeve its mark. In addition, while many of the more risque scenes are tastefully omitted, the show still manages to drag out a visceral sense of hate, fear and hopelessness. The weak art constantly reminds the audience that none of this is real. And containing an awesome sweeping soundtrack that never fails to make the heart skip a beat.
Never does the series preach or trumpet the failures of the human race. In contrast, Now and Then, Here and There is more of a celebration of life. A representations of the human condition. This anime is a frighteningly believable microcosm of war, but it places greater emphasis on humanities resilience in the face of such adversities.
I enjoyed viewing this OAV: it has a solid movie-quality storyline that got me through all 3 DVDs in one shot.
It compares favorably to Jin-ro or Roujiin-z and would probably hit a 7/10 for an anime fan. It's not as good in my book as Grave of the fireflies, Wings of hoannemise or the hard to follow Akira classic, which I all rate 8~9/10.
The drawing is pretty standard Japanese animation style, of pretty good quality, though the DVD sleeve has nice but misleading stylized drawings with no relation to the actual anime.
Plot line:
Shu, a teen meets a strange girl, and get kidnapped into some parallel world or other planet...
Lalaru the girl is sought after because she has the power to control water in a world where water is rare, by a mad dictator who plans to rule the world with her help. He already has decimated most population not under his rule, most being peasants with little means of retaliation against his powerful army.
This story describes a pitiful humanity struggling in misery; people making deliberate choices that eventually can hurt others hoping for a better future for themselves. There's no good vs bad guy, and like good non-Hollywood movies, and still... it gets from bad to worse while Shu the hero stays hopelessly positive the future will be better.
The only downside is the dictator is hard to believe (character too monodimentional), and reasons for the soldier's motivations for obeying are a little weak. Also the going back-and forth between universes is not explained, and for example why not steal water on earth? That part is just an excuse to get clueless characters in that world.
Basic Plot line: Shu (as he is referred to throughout the movie), a (more then likely early aged)teen resident of Japan, briefly meets a young girl named LaLa-Ru. Before solid information about her can be received, the sky opens up, and a machine captures both of them, taking them into the future. Shu, not even knowing where they have been taken, attempts to rescue LaLa-Ru from their captives. His nobility is short lived as they become separated and ultimately captured. Through a series of events, Shu learns that he and LaLa-Ru are being held captive in Helywood; a place where children are enslaved and enlisted as army recruits under the border-line (if not surpassingly)insane King Hamdo. In addition to this fact, he also learns that King Hamdo plans on using LaLa-Ru to fulfill his plan of domination. Shu has not dismissed his determination to rescue LaLa-Ru, but his current incarceration provides an obvious hurdle that does not appear to be easily traversed.
" Now and Then, Here and There" relies heavily on war themes, although the central focus appears to be more on the psyche of the individual players and the entangled bystanders. This is truly exposed through the Protagonist, Shu. He acts with his heart, and is optimistic in the worst of situations, and feels it only natural for others to do the same, although he will find out things aren't always that cut and dry.
This movie is recommended age 16+, due to some gritty scenes/themes involving child enslavement, child sexuality/rape ( although not literally depicted, there are a few scenes where acts are foreshadowed but tastefully cut to a different scene before anything is shown), violent acts performed by/towards children, and general bloodshed. There is very minimal, yet, existing profanity use. There are occasions where partial nudity is displayed.
Visually, this movie is in the traditional Anime style, but maintains a seriousness throughout, departing from other light-hearted tales by keeping a dark war-time overtone. Realism is stressed in all aspects, example; no one can come back to life, fight situations are human in that no one has inhuman capabilities, and character injuries heal (or don't heal) as any normal person's would.
MY FINAL STATEMENT/RANKING: As I said, this movie is thought provoking and insightful on several levels. It is not top-heavy in regards to one aspect, but smoothly rounds out all aspects of the plot from start to finish. I found time to fly by as I was completely captivated and drawn into every detail of "Now and Then, Here and There". I found myself empathizing with the characters very easily, even struggling to hold back tears at certain gut-wrenching scenes due to my level of connection with the characters portrayed. The musical arrangements echo and reinforce the mood of the movie's events. I found this piece of work to be intelligently made, and i enjoyed every minute of it. I give "Now and Then, Here and There" a 9 out of 10.
This opener, however, is just a brief taste of the life Shu will be leaving behind. Once he is transported to a disturbing other world (it is never explained how he gets there or where there actually is) the show takes on a completely different tone. It is, in fact, a horrific study of the consequences of war that contains murder, kidnapping, pedophiliac rape, child soldiers and mass murder.
The show has a very clear perspective: the people who wage war are evil, insane or dupes, and are sometimes all three. But while the series is incredibly grim, it does insist that a few good people can make a difference.
While the series has some typical anime elements, including weird technology, mystic powers and a heroic, headstrong boy, episodes are true to the human experience, with characters acting pretty much as one would expect. Fairly uncompromising, horrible things happen with great frequency, and for the most part, nothing can be done.
I think it would be pretty easy to find huge plot holes and inconsistencies. But the show doesn't really care about that, never even bothering to explain who or what Lala Rue is. All that matters is, war is very very bad, and peace cannot be won through war.
This series is why I love anime, Of all the anime series out there this and berserk are my favorite. initially I was struck by just how beautiful the whole thing looked and I like the idea that a kid can be a main character and not make the show seem fruity or childish like so many "made for America anime" some of that is o.k. but I really like more serious stuff:)
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- PatzerThe intercom controls on the Hellywood are used inconsistently.
- Zitate
Opening Subtitle: Because ten billion years' time is so fragile, so ephemeral... it arouses such a bittersweet, almost heartbreaking fondness.
- Crazy CreditsScenes of Syu's hometown are shown
- VerbindungenEdited into From Then to Now: Behind the Scenes (2003)
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Details
- Laufzeit25 Minuten
- Farbe
- Seitenverhältnis
- 1.33 : 1