The Cooler - Alles auf Liebe

A "cooler" is a guy who stands next to you in a casino when you are having a winning streak that is suddenly interrupted. It is someone who has such a bad luck that people around him are influenced; he could be pretty important for casino bosses. The cooler here is Bernie and the face of William H. Macy is perfect for him. The casino boss is Shelly in a wonderful performance from Alec Baldwin. Soon Bernie will leave, but not before he has met and fallen in love with Natalie, played by Maria Bello (for me only known from 'Payback' and 'Coyote Ugly'), a third terrific performance. She seems to like him also and suddenly that means Bernie is lucky. This will give, unfortunately for Shelly and therefore himself as well, results on the casino floor. Things are getting complicated.

The story is pretty original and entertaining on itself. A sub-plot that deals with the idea of remodeling the casino into a more modern one, not if it is up to Shelly, gives him a reason to be annoyed and show his more cruel side. Baldwin is at best in these scenes. The performances take the film to the next level. Baldwin won an Oscar nomination and it is pretty clear why. You believe him the entire time, no matter what he does. From Macy we expect a good performance, he is one of the best character-actors out there. I was also pleasantly surprised with Bello, an Oscar nomination would not have been strange here; she is very good, even great in the scenes with Macy. In the end 'The Cooler' is a good film, becoming better through performances, entertaining all the way through.

Maria Bello is mesmerizing in this movie! After I watched this for the first time, I couldn't get her beauty and her character out of my head. She has caught my eye once before on the movie "Payback" with Mel Gibson, and then this movie and the other movies I have seen with her in were somewhat disappointing. Yet, in "The Cooler", she gives the kind of performance that should bust her career wide open, but I don't think it ever happened, which is very sad. Looking at many of the leading ladies in the current state of movies, and all I see is perfect stars that don't have any depth of character. Yes, I know many actress are doing good stuff, but Maria has something special, something thats hard to explain, but there is no doubt in my mind that she has a lot of it. In conclusion to my boast of Maria Bello...I truly believe that a woman with her talent and beauty should be the lead actor in movies! I think the era of Julia Roberts is over...all hail Maria Bello! ;)

William Macy's Bernie Loots is a full-time loser. His luck is so bad that it rubs off on anybody around him. Lootz is a cooler - a guy who circulates around in a casino run by Alec Baldwin, cooling off winning streaks. If this sounds improbable, you've rented the wrong DVD, because it only gets moreso. This film is a somewhat unique Vegas fantasy film where luck and love play the starring roles. It's a Las Vegas love story, but unlike the disturbing Leaving Las Vegas, it's not a story of hopelessness and redemption, but rather, an adult fairy tale.

Maria Bello turns in an excellent performance as Lootz' romantic interest - the woman who changes everything for him, turning his luck around and, therefore, threatening his livelihood. Alec Baldwin, an obsessed and beleaguered casino manager, will stop at nothing to keep Lootz around.

I'm not a big fan of Vegas, or Vegas-oriented films, but the cast and the unusual themes of The Cooler made it a must see for me. The script was good, and the cinematography was good, but nothing special. Baldwin is terrific and so is Maria Bello. Macy's performance was not quite up to his usual par, and the direction occasionally seemed a little directionless, but all in all, this is an interesting film and well worth seeing.

This film directed by Wayne Kramer has a more realistic approach to what goes on in casinos and other seedy gambling places, a far cry to the new Disneylike-Las Vegas of today.

Just to think that this poor loser Bernie can attract the gorgeous Natalie is enough for him to think: Gee, what's wrong with this picture?...Bernie hasn't scored with a babe in quite a while, so when he gets so lucky in bed, it's the moment to call it quits and take the next Greyhound out of town because things like that can only happen to schmucks, or in this case, to this 'cooler', as his boss calls him. One has to really have an open mind to even think this Natalie will fall in love with Bernie.

The idea of how people can be jinxed by these casino reptilians is a thing not to be believed. If it exists, I don't know, not being into gambling, but then, the world of gamblers are full of superstitions.

William H. Macy is an actor that is always interesting to watch. His Bernie is a flawed character, but inside he is a decent person who wants to get out of his present occupation. Maria Bello is excellent as the woman who will stand by her man.

The real surprise of the film is Alec Baldwin. This is, without a doubt, the best role in quite a while for him. His Shelly is a man without scruples who is ruthless with those that dare to cross him. He actually deserves better material where he can excel.

This film was a pleasant surprise because of the acting that Mr. Kramer has elicited from his cast.

William H. Macy, Alec Baldwin and Maria Bello give unforgettable performances in 'The Cooler,' a moody tale of high stakes gambling on the Vegas Strip. Baldwin plays Shelley Kaplow, a casino operator steeped in nostalgia who hates what has become of his beloved city and prefers to do business the old-fashioned way (i.e. breaking a leg or two or even rubbing a person out if the situation calls for it). Shelley is also so intensely superstitious that he's hired a 'cooler' to rein in any gambler who starts winning a bit too much against the house. Macy is the 'cooler,' a man named Bernie who's been a loser all his life. It is Shelley's contention that all Bernie has to do is stand next to a gambler on a hot streak and that player's luck will immediately turn cold. And it works. Bernie is like a dark cloud roaming the floor of the casino, bringing despair and depression wherever he goes. The problem for Bernie is that, although he makes a living doing this, he has virtually no self-esteem left. He truly believes that he is a bad luck charm, an impression he carries over into his personal life as well. Enter Natalie Belisario, a sweet, beautiful cocktail waitress at the casino, who is assigned by Shelley to accompany Bernie on his treks around the room. What none of them expect – least of all Bernie and Natalie - is that the two of them will wind up falling in love with each other and that this happy turnabout in Bernie's personal life will extend to the professional arena as well. Bernie's new role at work as a wandering leprechaun, dispensing good luck and fortune in his wake, is not, of course, a positive thing for business. Thus, Shelley feels compelled to step in and wrest control of the situation, any way he can.

The screenplay uses the gambling scene in Vegas as a metaphor for life. The film, written by Frank Hannah and Wayne Kramer and directed by Kramer, shows that achieving happiness is really all about taking chances, laying down our bets and going for the big score even when all the odds are against us. And nothing in the film underscores that theme more than the relationship between Bernie and Natalie. In fact, Bernie's final act is really one giant spin of the wheel that manages to pay off. After he's taken his chance and beaten the house (and not just at the craps table), he is Bad Luck incarnate no more. Yet, in many ways, the script is so heavily symbolic - so rife with contrived allegory and neatly lined-up parallelism – that it almost ends up derailing the film in the second half. On the positive side, Bernie and Natalie make a compelling romantic couple, as she attempts to build up his confidence and make him see his own self-worth. Macy and Bello do a beautiful job capturing the essence of these two lost souls who find strength in each other's weaknesses. In addition, Baldwin paints a chilling portrait of a man who is smooth and suave on the surface, yet so ruthless underneath that he will literally stop at nothing to get what he wants. The dialogue is sharp, abrasive and insightful and the insider view of casino operations is, as always, fascinating to watch. The film also captures the evolutionary struggle Vegas itself has been undergoing over the years. Shelley is like an animal facing imminent extinction, as the Vegas he yearns for – the one run by syndicate money for hardcore gamblers, truly the last outpost in a fading frontier where a fistfight or a gun battle could settle any argument – makes way for the new Vegas of glitzy mega-casinos and family-oriented Disney-esque attractions.

What undercuts the film in the second half is its falling for its own fantastical premise. The idea that one person can spread good or bad luck depending on his mood is fine for a ruse, but when the screenplay itself begins to endorse that view, the film loses both grit and credibility. The final sequences, in particular, have a feeling of desperation to them, as if the filmmakers couldn't come up with a viable ending, so they turned, quite literally, to Lady Luck to get them out of their predicament. The problem, essentially, is that 'The Cooler' starts off as a realistic drama, then wanders off into rueful fantasy. It makes the film more 'clever' in the long run, I suppose - though I, for one, would have preferred a more consistently life-like approach and a more believable resolution.

This is not to in any way denigrate the brilliant performances of the three leads or to minimize the many elements of quality that make up the film. Despite its flaws, 'The Cooler' is a compelling human drama that, if nothing else, will make you think twice before you grab all those winnings off the crap table.