Diese zweite Wiederbelebung von Unglaubliche Geschichten (1959) präsentiert Geschichten über Spannung, Fantasie, Science Fiction und Horror.Diese zweite Wiederbelebung von Unglaubliche Geschichten (1959) präsentiert Geschichten über Spannung, Fantasie, Science Fiction und Horror.Diese zweite Wiederbelebung von Unglaubliche Geschichten (1959) präsentiert Geschichten über Spannung, Fantasie, Science Fiction und Horror.
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Network: UPN; Genre: Science Fiction; Content Rating: TV-PG (for sci-fi violence and mild sexuality); Available: on DVD; Classification: Contemporary (Star range: 1 - 4);
Season Reviewed: Complete Series (1 season)
It's no stretch of the imagination to say that Rod Serling's 1959 sci-fi drama 'The Twilight Zone' is a classic series that ranks up there with the best shows of all time. In fact, it's so obvious, it's almost a statement of fact cowardly disguised as an opinion. It's like people who say they are against war or don't like death. Really? Wow, that's bold.
So, Serling's creation is a classic. I can sit and bask in all its black-and-white glory, low budget effects and post-nuclear to-the-camera moralizing during New Year's Day marathons on the Sci-Fi Channel for hours on end. This is not 'the real' Twilight Zone' but UPN's debunked experiment to remake the series and update it for a new generation (hosted by a wildly miscast Forest Whitaker). However, I approach this show not as a cockeyed purist or one of the many pseudo-intellectuals who insists that entertainment was better back in the day. 'The Twilight Zone', and it's unforgettable formula, is exactly the type of series that can be resurrected and re-invented for future generations in response to the needs and fears of the current political and social climate of that generation. As it has already been tried once before in 1985 with lukewarm results.
This show doesn't even come close to rising to the challenge or exploring the entirely free universe that the premise provides its writers. This is a sell-out, bargain basement 'Twilight Zone'-lite. Aside from great writing, creepy premises and patented ending twists, the biggest asset Serling brought to 'Twilight' was incalculable passion. It was his baby. All of which this show lacks in spades. It's unclear if the writers are lazily coasting on the show's namesake or working under Serling's shadow constantly in fear of doing anything bold and screwing up. The ironic thing is that, like the original, this remake could have probably gotten by with phony special effects and campy acting if it had something to say. But the stories are tedious. Pure sci-fi movie-of-the-week trash. When they couldn't make original episodes work, they resorted to guest stars and glamorous babes to titillate the audience with cheap soft-core stories (such as fictitious sex-pot women created via writing or holograms who soon start acting human) . When that didn't work, the show resorted to simply re-creating classic 'Zone' episodes.
Something this series does have to it's name is an eye-catching roster of talented guest stars. See Amber Tamblyn before her breakout series and Dylan Walsh before hi. See veteran actors like Jason Alexander, Lou Diamond Phillips, Christopher McDonald, Cloris Leachman. More appealing is the chance to see character actors that have caught my eye over the years and I so can't get enough of I'd even watch this show to see what they can bring to it. That list includes such criminally ignored versatility as Linda Cardellini ('Freaks and Geeks'), Christopher Titus ('Titus'), Jeremy Piven ('Cupid'), Jason Bateman & Portia De Rossi (pre-'Arrested Development'), Vivica A. Fox ('Getting Personal'), Patrick Warburton & Wayne Night ('Seinfeld'), Xander Berkley ('24'), Robin Tunney, Alicia Witt ('Cybill'), Paul Rodriguez and even Jessica Simpson. But in the end, the guest star on the title draws us in like a fly to the bug zapper. That's what makes this all the tougher to watch. To see these people working with material so far below their means is almost sad.
'The Twilight Zone' could have been so much more then just letting us see what 'The Monsters Are Due On Maple Street' would look like with a new cast and the social climate it was pertinent in now 40 years in the past. I'm harsh on this show because I do not believe that there are no new ideas or that this hackery is a fraction of what the creative minds of this generation can come up with. You're better off with the 'Futurama' homage 'The Scary Door' over this.
*
Season Reviewed: Complete Series (1 season)
It's no stretch of the imagination to say that Rod Serling's 1959 sci-fi drama 'The Twilight Zone' is a classic series that ranks up there with the best shows of all time. In fact, it's so obvious, it's almost a statement of fact cowardly disguised as an opinion. It's like people who say they are against war or don't like death. Really? Wow, that's bold.
So, Serling's creation is a classic. I can sit and bask in all its black-and-white glory, low budget effects and post-nuclear to-the-camera moralizing during New Year's Day marathons on the Sci-Fi Channel for hours on end. This is not 'the real' Twilight Zone' but UPN's debunked experiment to remake the series and update it for a new generation (hosted by a wildly miscast Forest Whitaker). However, I approach this show not as a cockeyed purist or one of the many pseudo-intellectuals who insists that entertainment was better back in the day. 'The Twilight Zone', and it's unforgettable formula, is exactly the type of series that can be resurrected and re-invented for future generations in response to the needs and fears of the current political and social climate of that generation. As it has already been tried once before in 1985 with lukewarm results.
This show doesn't even come close to rising to the challenge or exploring the entirely free universe that the premise provides its writers. This is a sell-out, bargain basement 'Twilight Zone'-lite. Aside from great writing, creepy premises and patented ending twists, the biggest asset Serling brought to 'Twilight' was incalculable passion. It was his baby. All of which this show lacks in spades. It's unclear if the writers are lazily coasting on the show's namesake or working under Serling's shadow constantly in fear of doing anything bold and screwing up. The ironic thing is that, like the original, this remake could have probably gotten by with phony special effects and campy acting if it had something to say. But the stories are tedious. Pure sci-fi movie-of-the-week trash. When they couldn't make original episodes work, they resorted to guest stars and glamorous babes to titillate the audience with cheap soft-core stories (such as fictitious sex-pot women created via writing or holograms who soon start acting human) . When that didn't work, the show resorted to simply re-creating classic 'Zone' episodes.
Something this series does have to it's name is an eye-catching roster of talented guest stars. See Amber Tamblyn before her breakout series and Dylan Walsh before hi. See veteran actors like Jason Alexander, Lou Diamond Phillips, Christopher McDonald, Cloris Leachman. More appealing is the chance to see character actors that have caught my eye over the years and I so can't get enough of I'd even watch this show to see what they can bring to it. That list includes such criminally ignored versatility as Linda Cardellini ('Freaks and Geeks'), Christopher Titus ('Titus'), Jeremy Piven ('Cupid'), Jason Bateman & Portia De Rossi (pre-'Arrested Development'), Vivica A. Fox ('Getting Personal'), Patrick Warburton & Wayne Night ('Seinfeld'), Xander Berkley ('24'), Robin Tunney, Alicia Witt ('Cybill'), Paul Rodriguez and even Jessica Simpson. But in the end, the guest star on the title draws us in like a fly to the bug zapper. That's what makes this all the tougher to watch. To see these people working with material so far below their means is almost sad.
'The Twilight Zone' could have been so much more then just letting us see what 'The Monsters Are Due On Maple Street' would look like with a new cast and the social climate it was pertinent in now 40 years in the past. I'm harsh on this show because I do not believe that there are no new ideas or that this hackery is a fraction of what the creative minds of this generation can come up with. You're better off with the 'Futurama' homage 'The Scary Door' over this.
*
I thoroughly enjoyed this revival of Serling's classic. In fact, there were a couple of episodes that were re-makes of original shows, and one was a sequel to an episode done back on the original series.
Beyond those, there were plenty of stories that were original and well done themselves. This show was certainly superior to the one done back in the mid-'80s. They really seemed to do Mr. Serling proud. It's unfortunate that UPN canceled this after one season. I enjoyed all of it.
I really liked Forrest Whitaker as the host of this new "Zone". He did a wonderful job here. Do I sound like I recommend this show? YES!
Beyond those, there were plenty of stories that were original and well done themselves. This show was certainly superior to the one done back in the mid-'80s. They really seemed to do Mr. Serling proud. It's unfortunate that UPN canceled this after one season. I enjoyed all of it.
I really liked Forrest Whitaker as the host of this new "Zone". He did a wonderful job here. Do I sound like I recommend this show? YES!
I wasn't born yet when the original and the first revival were made (I'm 24), however I was a big Twilight Zone fan while in high school. So the year was 2003 and the second revival was being aired on Fox... I was a freshman in college and had enough time to watch it.
While the dialogues, places and the overall atmosphere looks more familiar to me on this new Twilight Zone, most of the screenplays lack the feeling from the old classic series. They don't have that characteristic superb twist and the end anymore and some of them are really predictable. The episodes from the classic series where awesome and I think they scared a bunch of people back then, but this revival has failed on that matter. But anyway, to be honest I don't blame new Twilight Zone's writers for this since some of the feeling that made this show so great was lost during the 80's revival.
This is overall a good show if you don't have anything else to do, otherwise stick to the classics.
While the dialogues, places and the overall atmosphere looks more familiar to me on this new Twilight Zone, most of the screenplays lack the feeling from the old classic series. They don't have that characteristic superb twist and the end anymore and some of them are really predictable. The episodes from the classic series where awesome and I think they scared a bunch of people back then, but this revival has failed on that matter. But anyway, to be honest I don't blame new Twilight Zone's writers for this since some of the feeling that made this show so great was lost during the 80's revival.
This is overall a good show if you don't have anything else to do, otherwise stick to the classics.
the original twilight zone is one of the greatest shows ever aired. this new version is crap by comparison. i read the synopsis of the episode on one night, and it sounded like one of my favorites from the original series. i watched it and soon realized that it was a shoddy remake. it was predictable, trite, and boring. one of the things i love about the original is that you have to watch it from the begining because the show is so involved. if you miss even the first minute, you get lost, i missed the first 5 minutes of this, and i still knew what was going to happen within the next 5. the original is creative and suspensful, and fun to watch. often it doesn't even show a whole story, but just a glimpse at some outrageous situation. this show tries to show a message and tie the story up in a nice little bow. it's not the worst thing i've ever seen, but it pales in comparison to the original.
I get that the Twilight Zone series as a concept is very reactionary; taking the concerns of the shows time periods and presenting them in alternate forms, but the original run, along with the 80-90's version seemed to have a much more deft hand in writing. to compare: look at the original version of "The Monsters are due on Maple Street" when compared to the 2002 remake. they're both running along similar lines, but the remake is much less subtle, and much deeper rooted in reactionary paranoia.
it's interesting to see the twilight zone updated for the times, but the writing needs to be savvier, and take more care to lay out it's story's morals. I do hope they do another run of the series in the next ten years or so. Over all 7/10, needed work to give it longevity, but does well capturing that sense of the world at the start of the millennium.
it's interesting to see the twilight zone updated for the times, but the writing needs to be savvier, and take more care to lay out it's story's morals. I do hope they do another run of the series in the next ten years or so. Over all 7/10, needed work to give it longevity, but does well capturing that sense of the world at the start of the millennium.
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- WissenswertesAn image of Rod Serling can be seen during the opening title sequence in the TV version only. Serling's image was replaced with a spiral vortex on the DVD release.
- Alternative VersionenThe DVD release of the complete series (or "Season 1" as the packaging calls it) features a few changes to the opening title sequence. (1) The image of Rod Serling on the gallery wall was replaced with a spiral vortex. (2) The theme song has been changed from a piece that barely sounds like the original 1959 series theme to a piece that sounds exactly like the original theme. Consequently, the credit "Twilight Zone Theme Music Adapted by Don Harper" in the end credits has been removed on the DVD.
- VerbindungenFeatured in WatchMojo: Top 10 Worst TV Reboots of ALL TIME (2017)
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