IMDb-BEWERTUNG
6,1/10
1130
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuNick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is ... Alles lesenNick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is illegal in New York.Nick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is illegal in New York.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 9 Gewinne & 4 Nominierungen insgesamt
Joanna Adler
- Gaby Shapiro-Schnell
- (as Joanna P. Adler)
Rejean Cournoyer
- Rory Metzler
- (as Réjean Joseph Cournoyer)
Empfohlene Bewertungen
i heard of the movie by chance and caught it while it played (it was only here for a week). i had to go by myself because no one else would go with me. but i did, and i'm glad i did. what an amazing movie. it moved me in ways i never believed possible. i went because of don. i knew little of the plot. an old couple left mid-way through the movie. why? it was hard to watch. it was a hard concept to swallow. i cared about the characters from the start. when the sister reacted to her brother's news of his infection it hit me harder than a bus could have. that's the reaction i would have had.
it was a hard topic to deal with, but it was done so properly and it ws very beautiful. the acting, the filming, the writing, it drew emotion out of people.
it really is a must see. i can't wait for it to be released for home-viewing. bravo
it was a hard topic to deal with, but it was done so properly and it ws very beautiful. the acting, the filming, the writing, it drew emotion out of people.
it really is a must see. i can't wait for it to be released for home-viewing. bravo
A excellent film. The Event put a human face on what for many is only a social tragedy and statistics they encounter through the media. The director, Thom Fitzgerald, is due substantial credit for, while not opting for dramatic gimmicks and attempting to create a believable story, putting something togehter that neither collapsed into portraiture nor drolled on into docudrama. The cast performed well also in these regards with a luminous Olympia Dukakis bringing the import of the story front and center. A deeply touching film. Secondarily this film serves as a grave warning in particular to 17-24 year old men, a segment where the HIV infection rate has climbed dramatically during the past couple of years. Many such young men consider AIDS to be a managable disease and not a death sentence and forget that the side effects of many cocktails can all too easily include severe headaches, memory loss and dementia leaving infected individuals with a quality of life that is, in director Fitzgerald's words (who spoke after the film showing at the Quad Cinema in the West Village after the early evening showing on Oct 3) `just not there.' So, find out where this film is being played and go see it!
This is not the kind of thing that attracts me: simple drama. Straight ahead, grinding humanity.
Why would people invest in watching something like this? For engagement, I suppose.
There's engagement in the story, for sure, if you need it. But there is a higher level of engagement in knowing that these players are pouring out their hearts for us.
Sarah Polley is extraordinary, just extraordinary. Olympia has a grace that matters. Parker is less open than usual until the end.
Coming to the event, the man's sister and mother talk about Shirley McLain's performance in "Tears of Endearment." The whole movie revolves around that line, that notion.
The thing is constructed so that there is a movie within the movie a movie of the event. Something clever.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
Why would people invest in watching something like this? For engagement, I suppose.
There's engagement in the story, for sure, if you need it. But there is a higher level of engagement in knowing that these players are pouring out their hearts for us.
Sarah Polley is extraordinary, just extraordinary. Olympia has a grace that matters. Parker is less open than usual until the end.
Coming to the event, the man's sister and mother talk about Shirley McLain's performance in "Tears of Endearment." The whole movie revolves around that line, that notion.
The thing is constructed so that there is a movie within the movie a movie of the event. Something clever.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
6=G=
Gay guy Matt has died from AIDS and Asst. D.A. Posey suspects something other than natural causes. In spite of these mysterious overtones, "The Event" spends most of it's time being a gay guy dying flick which deals with coming out to mom, visiting doc's, hanging with gay friends, talking about options, taking drug "cocktails", creeping symptoms, emotional contortions, philosophizing about life/death, etc. in a kind of muddled Mulligan stew of gay/straight family/friend relationship stuff via flashback. The ill focused story manages to pull itself together in the end and gives everyone in the audience (who is left) ample time to relish in the hopeful woe of the moment...and then ends all over again. Kinda sappy, full of stereotypes, quite disjointed, and poorly scripted, "The Event" has it's moments though they apparently went unnoticed by GLAAD. The bare bones DVD I watched also had no CC or subtitles or special features. Recommended for gays and anyone who have the stomach for another AIDS flick. (B-)
Oh wow. The normal words used to describe movies just don't apply here. In most regards, this defies all conventional logic used in the movies and is by no means, a typical movie. I caught this one at its premier at the Sundance Film Festival and was not very well prepared for what I was about to see.
The Event refers to the assisted suicide of a young man Matt (Don McKellar). Matt has AIDS and has just about run the course of conventional treatments. There are about to be no cocktails left and nothing to look forward to but a long and painful death. Matt has been living with AIDS for seven years now and doesn't want to go out that way. If he's got to go out, he's going out on his own terms: his way and at his time. So he enlists the help of several friends, rounding up as many potent prescription drugs as they can get their hands on. Then a party is thrown to celebrate his departure from earth, and to have one last fling before dying. And then it's time to get it over with and Matt is assisted with his suicide.
Now all of that is all that Nick (Parker Posey) has to work with. She works as a lawyer for the state of New York and has received notice that Matt did not die of natural causes. It's up to her to find out who helped Matt kill himself, and the more she learns about the event, the more it impacts her (as well as the viewer).
And what we are left with is a movie with a cause. This is all about the AIDS epidemic and how it affects everyone, one person at a time. Now I personally haven't known anyone with AIDS, or anyone who was helped in committing suicide, but I found myself emotionally worn out when the credits started rolling. I however, was the exception to the rule, and continually heard one sniffling sound after another (from the rest of the audience) and knew that this was a movie with some emotional kick to it. This is not a feel good movie; this is not a comedy that you can simply walk away from. This one is going to linger in the back (and probably even the front) of your mind for quite some time. It has some exceptionally powerful themes and images, and is a credit to the art of movie directing. Thom Fitzgerald is one of the undiscovered directors of his day, and he proves that you don't need unlimited budget or special effects to make a really powerful movie. He simply shows us life in all its painful glory and doesn't try to sugar coat it for anybody. He takes a growing social problem and makes sure we don't forget just how much it is affecting the world, and he makes it look easy.
Part of the reason he was so successful was because of the talented acting core he had to work with. Don McKellar doesn't usually come to mind when you think of outstanding actors, but he sure delivered a fine performance here. Olympia Dukakis plays Lila, Matt's mother, and if she isn't wonderful to watch, then nobody ever has been. She plays the mother that isn't concerned about the negative aspects of her son or his life, she just loves her kid. She shows the true beauty of motherhood and unconditional love in a way that few women have ever done on film. And finally there is the lovely and erotic Sarah Polley. I don't care what she's in, I just have a hard time taking my eyes off her. She seems to command my attention wherever she is on screen, and she always rewards the attention when it is given.
I had a chance to speak with her after the show was over, and I was really impressed with her. She doesn't seem to be stuck on herself and is a rather humble little thing. As good as she can be, she could have already made a household name for herself, and she hasn't let that get in her way. She sticks to the independent movies because she can make the movies with a purpose. She can do what she enjoys and feel good about it at the end of the day, because she's not in it solely for the money. As an actress, she has the ability to impact the lives of millions and she seems to take that responsibility seriously. She doesn't do the fluff that makes you rich, she only does what she believes in. And speaking of which, just about everyone involved in the movie said the only reason they took it was because they had someone close to them go through the same thing. Olympia Dukakis said that she had been to two such events and was forever changed by them. And that my friends, is the power of independent movies. They aren't made for the money, but to share the ideas contained in them. And this one has some pretty potent ideas. The other thing that really impressed me was how the director handled the situation with 9/11. The movie was filmed shortly thereafter and he included a nice little scene showing how it affected the characters in the movie. It was just a quick little scene, but I was surprised at how much it meant to me and how much I was thinking about it after the movie had already ended.
The Event refers to the assisted suicide of a young man Matt (Don McKellar). Matt has AIDS and has just about run the course of conventional treatments. There are about to be no cocktails left and nothing to look forward to but a long and painful death. Matt has been living with AIDS for seven years now and doesn't want to go out that way. If he's got to go out, he's going out on his own terms: his way and at his time. So he enlists the help of several friends, rounding up as many potent prescription drugs as they can get their hands on. Then a party is thrown to celebrate his departure from earth, and to have one last fling before dying. And then it's time to get it over with and Matt is assisted with his suicide.
Now all of that is all that Nick (Parker Posey) has to work with. She works as a lawyer for the state of New York and has received notice that Matt did not die of natural causes. It's up to her to find out who helped Matt kill himself, and the more she learns about the event, the more it impacts her (as well as the viewer).
And what we are left with is a movie with a cause. This is all about the AIDS epidemic and how it affects everyone, one person at a time. Now I personally haven't known anyone with AIDS, or anyone who was helped in committing suicide, but I found myself emotionally worn out when the credits started rolling. I however, was the exception to the rule, and continually heard one sniffling sound after another (from the rest of the audience) and knew that this was a movie with some emotional kick to it. This is not a feel good movie; this is not a comedy that you can simply walk away from. This one is going to linger in the back (and probably even the front) of your mind for quite some time. It has some exceptionally powerful themes and images, and is a credit to the art of movie directing. Thom Fitzgerald is one of the undiscovered directors of his day, and he proves that you don't need unlimited budget or special effects to make a really powerful movie. He simply shows us life in all its painful glory and doesn't try to sugar coat it for anybody. He takes a growing social problem and makes sure we don't forget just how much it is affecting the world, and he makes it look easy.
Part of the reason he was so successful was because of the talented acting core he had to work with. Don McKellar doesn't usually come to mind when you think of outstanding actors, but he sure delivered a fine performance here. Olympia Dukakis plays Lila, Matt's mother, and if she isn't wonderful to watch, then nobody ever has been. She plays the mother that isn't concerned about the negative aspects of her son or his life, she just loves her kid. She shows the true beauty of motherhood and unconditional love in a way that few women have ever done on film. And finally there is the lovely and erotic Sarah Polley. I don't care what she's in, I just have a hard time taking my eyes off her. She seems to command my attention wherever she is on screen, and she always rewards the attention when it is given.
I had a chance to speak with her after the show was over, and I was really impressed with her. She doesn't seem to be stuck on herself and is a rather humble little thing. As good as she can be, she could have already made a household name for herself, and she hasn't let that get in her way. She sticks to the independent movies because she can make the movies with a purpose. She can do what she enjoys and feel good about it at the end of the day, because she's not in it solely for the money. As an actress, she has the ability to impact the lives of millions and she seems to take that responsibility seriously. She doesn't do the fluff that makes you rich, she only does what she believes in. And speaking of which, just about everyone involved in the movie said the only reason they took it was because they had someone close to them go through the same thing. Olympia Dukakis said that she had been to two such events and was forever changed by them. And that my friends, is the power of independent movies. They aren't made for the money, but to share the ideas contained in them. And this one has some pretty potent ideas. The other thing that really impressed me was how the director handled the situation with 9/11. The movie was filmed shortly thereafter and he included a nice little scene showing how it affected the characters in the movie. It was just a quick little scene, but I was surprised at how much it meant to me and how much I was thinking about it after the movie had already ended.
Wusstest du schon
- Crazy CreditsAfter the credits the screen is dark for a few seconds, then there's another scene (that is completely silent).
- SoundtracksSpirit in the Sky
Written and Performed by Norman Greenbaum
Courtesy Great Honesty Music
Courtesy Varese Sarabande Records Inc.
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 35.554 $
- Eröffnungswochenende in den USA und in Kanada
- 19.206 $
- 5. Okt. 2003
- Weltweiter Bruttoertrag
- 35.554 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Sound-Mix
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