IMDb-BEWERTUNG
6,1/10
1130
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuNick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is ... Alles lesenNick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is illegal in New York.Nick is a district attorney investigating several deaths of AIDS sufferers in the gay community of New York City's Chelsea District. Each case suggests the use of assisted suicide, which is illegal in New York.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 9 Gewinne & 4 Nominierungen insgesamt
Joanna Adler
- Gaby Shapiro-Schnell
- (as Joanna P. Adler)
Rejean Cournoyer
- Rory Metzler
- (as Réjean Joseph Cournoyer)
Empfohlene Bewertungen
10tammytt
The event was a strong powerful movie. The family was cast perfect. It felt like it could of been your neighbors. The movie made me cry and every person sitting next o me cried as well. Olympia should get an award for her acting. The little girls made me laugh. I needed to laugh between my tears. Good Job
I came to this film via Thom Fitzgerald's earlier work, the mostly comic pseudo-documentary "Beefcake," so I was unprepared for the many-layered drama of "The Event." There have been a lot of films about gay men with AIDS, most of which are earnest and predictable, but "The Event" is definitely surprising in its story. It is easy to identify with the various points of view in the film, and that raises the viewer's stakes considerably. And what an indie dream of a cast! I viewed this DVD via NETFLIX which inexplicably -- considering their trove of Grade Z films about gay people -- doesn't stock "Beefcake." Thom Fitzgerald doesn't do the same old same old -- for which, hats off and Thanks!
10KevNJeff
I was fortunate enough to see this film at the Sundance Film Festival, and while I was ostensibly in Park City for skiing, this film will stand out in my memory as the high point of the trip. Poignant, heartfelt, authentic, beautifully acted, outstanding direction, incredible script - I could go on...
When the director of the film came out to address the audience before the screening, he commented about all the love that went into this film. This "touchy-feely" stuff tends to make me a bit uneasy, but in fact, every frame of this picture showed that love.
This film is so utterly honest with it's subject - a gay man dying of AIDS, post 9/11 - that you wonder how a film like "Philadelphia" is still regarded in such high esteem. As a gay man, I felt "Philadelphia" was fraudulent - unreal - pure Hollywood sap. (I won't ever forget the scene when Hank's character, covered with KS lesions, is handed a newborn baby to cuddle. Yeah, that'd happen...)
If you want the real thing, check out this amazing, wonderful film - we now just have to pray this masterpiece finds a distributor.
The auditorium I saw this film in at Sundance probably held 1500 people. There wasn't a dry eye in the house.
When the director of the film came out to address the audience before the screening, he commented about all the love that went into this film. This "touchy-feely" stuff tends to make me a bit uneasy, but in fact, every frame of this picture showed that love.
This film is so utterly honest with it's subject - a gay man dying of AIDS, post 9/11 - that you wonder how a film like "Philadelphia" is still regarded in such high esteem. As a gay man, I felt "Philadelphia" was fraudulent - unreal - pure Hollywood sap. (I won't ever forget the scene when Hank's character, covered with KS lesions, is handed a newborn baby to cuddle. Yeah, that'd happen...)
If you want the real thing, check out this amazing, wonderful film - we now just have to pray this masterpiece finds a distributor.
The auditorium I saw this film in at Sundance probably held 1500 people. There wasn't a dry eye in the house.
A excellent film. The Event put a human face on what for many is only a social tragedy and statistics they encounter through the media. The director, Thom Fitzgerald, is due substantial credit for, while not opting for dramatic gimmicks and attempting to create a believable story, putting something togehter that neither collapsed into portraiture nor drolled on into docudrama. The cast performed well also in these regards with a luminous Olympia Dukakis bringing the import of the story front and center. A deeply touching film. Secondarily this film serves as a grave warning in particular to 17-24 year old men, a segment where the HIV infection rate has climbed dramatically during the past couple of years. Many such young men consider AIDS to be a managable disease and not a death sentence and forget that the side effects of many cocktails can all too easily include severe headaches, memory loss and dementia leaving infected individuals with a quality of life that is, in director Fitzgerald's words (who spoke after the film showing at the Quad Cinema in the West Village after the early evening showing on Oct 3) `just not there.' So, find out where this film is being played and go see it!
Only one thing saves The Event from being a total loss; Olympia Dukakis! When she is on screen, the warmth of her being and the grace of her acting temporarily convince you that this is a good movie. She plays a pivotal character and she packs an arsenal of subtle and powerful emotion!
Unfortunately, there are many, many minutes of film dealing with the other characters, most of whom have a faceless, gray presence that gets annoyingly boring. They are not helped by an episodic, way too long screenplay and episodic and short-on-creativity directing. The climax of the film is genuinely moving (thanks mostly to Dukakis), but it takes so long to get there that you feel cheated that you didn't care more for these characters during the balance of the film. The little coda after the climax is unconvincing and unsatisfying.
Lots of unnecessary pop songs intrude along the way. Parker Posey is the only other actress to induce any sparks. If you can wade through the slow spots, its worth seeing for Dukakis; but barely.
Unfortunately, there are many, many minutes of film dealing with the other characters, most of whom have a faceless, gray presence that gets annoyingly boring. They are not helped by an episodic, way too long screenplay and episodic and short-on-creativity directing. The climax of the film is genuinely moving (thanks mostly to Dukakis), but it takes so long to get there that you feel cheated that you didn't care more for these characters during the balance of the film. The little coda after the climax is unconvincing and unsatisfying.
Lots of unnecessary pop songs intrude along the way. Parker Posey is the only other actress to induce any sparks. If you can wade through the slow spots, its worth seeing for Dukakis; but barely.
Wusstest du schon
- Crazy CreditsAfter the credits the screen is dark for a few seconds, then there's another scene (that is completely silent).
- SoundtracksSpirit in the Sky
Written and Performed by Norman Greenbaum
Courtesy Great Honesty Music
Courtesy Varese Sarabande Records Inc.
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 35.554 $
- Eröffnungswochenende in den USA und in Kanada
- 19.206 $
- 5. Okt. 2003
- Weltweiter Bruttoertrag
- 35.554 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Sound-Mix
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