Judge John Deed

I did actually work in the judicial sector many moons ago in an administrative role and I saw the day to day workings of the British judicial system. Judge John Deed is an extremely realistic show.

Martin Shaw can play any part and is the perfect choice to play the conservative judge. Each show has focused on Deed's courtroom antics and his private life along with the politics that go hand in hand with the judicial system.

Having worked for the judicial sector, I can tell you that this show is realistic on so many fronts. One thing that Deed has to put up with in this show is bureaucracy and politics from the powers that be and I know that is how the judiciary works. Deed is his own man and interested only in seeing justice served. He isn't interested in politics and advancing his career and will not compromise his principles to get ahead. In each show, he usually has to contend with Sir Ian Rochester, a squirmy little bureaucrat from the Lord Chancellors Department.

The courtroom scenes are fantastic and Deed does everything he can to get to the truth. He does seem to take on the roles of the barristers from time to time but he believes in the truth only.

Deed is a very conservative judge whereas a lot of real life judges in the UK are more liberal than conservative. Deed has no hesitation in punishing those who are guilty but if there are extenuating circumstances, then he will consider the options. Deed realises that the law is not black and white and that there are very grey areas in between.

All in all, a realistic portrayal of life as a senior judge. Check it out.

Judge John Deed is a series about a High Court Judge, seen in both his private life (mostly: sleeping with the women he meets in court) and in his court life. The protagonist is nicely played by Martin Shaw, whose pronunciation of English is a wonder to behold, but most of the other characters are one-dimensional cardboard types.

Even more, a court presided by a judge where his ex-wife, his daughter and his mistress plead, accompanied by sinister government schemes in every episode is wholly unrealistic, alas. The earlier seasons where a bit better in this review, but season five and six are horrible. Perhaps the writers ran out of stories.

I have definite rules for all television series. Do they hold my attention? Are they well written? Are they well acted? In the case of this series, the answers are yes, yes and yes.

Starting with the writer, nobody seems to mention him. The stories are well crafted, the different strands of each episode are seamless. I assume that Newman either has some knowledge of the law or access to those that do as the words of John Deed make sense to the viewer.

The cast is attractive with a large number of regulars who have stuck with it for some years, always a good sign of their belief in the project. Martin Shaw is always good value for money. The beautiful Jenny Seagrove, (what did she see in Michael Winner), Sir Donald Sinden doing his Donald Sinden act, Christopher Cazenove et als, all turn in quality performances.

Some have seen fit to compare this unfavourably with Rumpole of the Bailey, I cannot see the comparison. This is not played for laughs though there is humour a-plenty. This does not have the "clever" endings. This is a good attempt to portray English justice. At 90 minutes an episode, true things have to be tidied a little. A sub-plot is added and we see the human side of the characters' private lives. Each episode I have watched has held my attention, wholly and completely, to the credit titles at the end.

A better comparison than Rumpole is probably the late, great John Thaw in Kavanagh QC. This, I know, was based on a real character, latterly elevated to the bench before his untimely death, the real Kavanagh was a friend of mine. I do not know if Deed is based on a real judge, or judges, but I would guess at "probably".

I have seen some of the episodes more than once and they do not suffer from repetition. Yes I am a fan, long may Judge John Deed sit on the bench. And at only a handful of episodes a year, this viewer always yearns for his return.

There have been two series so far of this programme. It seems deliberately to set out to contradict the impression of the British legal system portrayed by the excellent "Rumpole of the Bailey", of senile judges and smug arch-conservative barristers.

Here, the main character has radical leanings, a messy private life and a very active libido. Much of the sub-plot is involved with side-swipes at the (Labour) government of the day, although the implication is that power corrupts; the political complexion of the office holders doesn't affect their greed or ambition.

The one common factor with other screen portrayals of the British legal system is the very precise diction and grammar used by barristers and judges. The courtroom scenes are well worth watching.

Some elements of the plot rather strain belief, but the series is quite enjoyable.

Any programme starring Martin Shaw has to be worth looking at but this one ends up disappointing. In particular, the scripts become increasingly pro forma and stilted as the series proceed. By the final series, Deed's chat-up line, some variation on "I want to make love to you" goes beyond irritating. In fact, the whole gender dynamic is now on the troubling side. What probably seemed sexy and edgy when the series premiered now, in the 2020s sometimes looks more like harassment or stalking. The melodramatic relationship between Deed and Jo Mills reinforces this. With more nuance, it could have been great. As is, though, you just want them both to get over it all. Seagrove, who plays Mills, is given a one-dimensional script so doesn't really get to demonstrate much beyond "passionate character verging on unreason". The various government officials and lackeys who try to interfere with Deed's personal ideas of justice throughout also tend to be one-dimensional although some of them develop more complex characters as the series goes on.

Overall, this show was incredibly successful when it was made, but television has become much more sophisticated since then and Shaw has gone on to better things.