Visitors

While facing the challenge of sailing alone around the world in one hundred and forty days, the Australian Georgia Perry (Radha Mitchell) fights against the "ghosts" of her life in her loneliness, including an unresolved relationship with her mother and the engagement with her unfaithful fiancé.

"Visitors" was a great deception for me. Since "Pitch Black", I have been a fan of the actress Radha Mitchell and I have watched many of her movies. Therefore, I expected that "Visitors" would be a great film. Unfortunately, the confused screenplay, using flashbacks to explain the innermost contradictions and conflicts of the character Georgia Perry, begins with a great atmosphere and very intriguing, but does not work well and in the end makes the movie sometimes boring and messy. The idea is good, but the screenplay is horrible. My vote is five.

Title (Brazil): "Visitors"

This Australian horror caught me by surprise, what I mean by that is I'd never heard of it so my expectations were low and doubly the type of horror movie it is rarely manages to entertain.

It tells the story of Georgia Perry a 25yr old Australian girl intent on sailing around the world solo. It stars Radha Mitchell and Dominic Purcell and is actually really quite good.

Mitchell carries the movie well considering she makes up the bulk of the film. It is well structured, genuinely tense and though not scary it certainly makes up for it in other areas.

It looks great, the cast do a solid job and despite the ropey ending I walked away suitably impressed.

The Good:

Highly original

Well written

Great setting

The Bad:

Questionable ending

Not for everyone

Things I Learnt From This Movie:

Dominic Purcell looks weird with hair

A proper horror film with the same setting could be terrifying

The general premise of this film is a time-worn reliable gimmick: the lone woman in jeopardy. In this case, an interesting slow-build up to the main plot device keeps audiences engrossed: a 25 year old adventuress embarks upon a solo sailboat journey around the globe. While suffering through an extended period of being becalmed in tropical waters, she begins to believe she is being visited by ghostly apparitions who intend to kill her. Initially, the plot is intriguing as we wonder whether these nocturnal fears are real or imagined. However, as the film progresses, it deviates from being a straight forward thriller and introduces a lot of awkward goobledy-gook in which our heroine is visited by ghosts of her departed parents, menacing pirates, long dead relatives, and ultimately some over-sized spiders! Before long, the tiny vessel is as crowded as the S.S. Poseidon. The acting is very credible and the photography is also admirable, but director Richard Franklin makes the cardinal sin of showing us far too much of the mysterious visitors and their omnipresent status eventually makes them no more menacing than party guests who refuse to leave even though it's the wee small hours of the morning. The cumbersome screenplay degenerates into a confusing mess, and a completely unsatisfying climax that betrays our expectations that there will be a "sting in the tail" ending that explains most of what has preceded it. In all, a noble effort, but a failed one.

Georgia Perry (Radha Mitchell) is a determined woman who sets out to sail solo around the world. Along the way she's plagued by what could either be hallucinations or ghostly visitations. Georgia finds herself up against pirates, hordes of enormous spiders, and the specter of her insane mother (Susannah York).

All this, while Georgia carries on a two-way conversation with her cat.

This is one bizarre movie. Ms. Mitchell carries it all herself, and does an admirable job. Her character must face not only various phantoms, but also personal demons and debilitating guilt.

While the ending is rather hokey, it's an exhilarating ride getting there...

A confident young Australian lady Georgia Perry is attempting to sail around the world solo (although her cat Taco is there for the ride too) on her 38-foot-yacht Leander. But the wind has fallen and now she's stuck adrift in a foggy stretch of the Indian Ocean. It's against the spirit (and rules) to use the engines. So she keeps herself occupied by using her two-way radio. However several days have past and her situation is the same, but Georgia's deprived mind is starting to play tricks on her. Where dreams turn into delusions and emotional scars of the past seem to plague her aboard the ship. From talking to her cat to encountering pirates. Now she's trying her best to depict what's a real threat and what's not.

Richard Franklin's "Visitors" is a broodingly ambitious exercise, but because of a terribly flawed Everett Deroche's screenplay (which mixes a variety film's premise together), it becomes one hell of a bumpy sea ride on calm waters. The film plays out like a psychological mood trip, where the alienation of the lone protagonist is beautifully illustrated and manipulated by Franklin that it brings us into her universe (or mind-set). In doing so it makes the ever-increasing delusions and stark reality hard to distinguish. Now who's real? Was it in her head? Or was she payed a visit by spirits? This ambiguity is never quite cleared up. Franklin being a true fan of Hitchcock manages transport that factor to the screen with slick finesse and good timing by stacking one sudden, but effectively subtle jump after another that heavily relies on the anxious intensity and implied sounds. However at times the unnaturally forced script (mostly the family / love life drama side of the story) is hard to digest and can take away from the ominous build up with poor inclusions that only muddle or hinder the atmosphere and narrative. The fear and feelings that are cooked up in the jerky material can be an up and down experience. It just lacks some bite and becomes incredibly too light within its cleansing context that its leads to a blandly unfulfilling payoff.

It's tautly penned out and unpredictably captivating in spots, but it's the arresting visions, Nerida Tsyon-Chew's hauntingly melancholy music score and a suitably acute lead performance by Radha Mitchell that does the job. Mitchell manages to capture all the emotions and portray them in a well-balanced and visually genuine performance that creates empathy. Susannah York who plays Georgia's mother has some striking scenes and manages to give a thoughtfully well layered, but quite chilling performance. Ray Barrett brings a lot hear to the role of Georgia's father Bill. Another well-done element was Ellery Ryan's effortlessly novel cinematography that set up the atmosphere and disorienting air exceptionally well. Even the screeching sound effects and shadowy dark lighting adequately comes together in certain jittery set pieces.

Simply an okay feature highlighted by some impressive aspects and its eerie tone, but with a stronger screenplay it could've been a promising foray rather than a scratchy one.