IMDb-BEWERTUNG
5,0/10
1430
IHRE BEWERTUNG
Die Geschichte von Georgia Perry, der ersten Frau, die allein um die Welt segelte.Die Geschichte von Georgia Perry, der ersten Frau, die allein um die Welt segelte.Die Geschichte von Georgia Perry, der ersten Frau, die allein um die Welt segelte.
- Auszeichnungen
- 5 Nominierungen insgesamt
Dominic Purcell
- Luke
- (as Domenic Purcell)
Christopher Kirby
- Rob
- (as Chris Kirby)
Bridgette Burton
- Julie
- (as Brigette Burton)
Donni Frizzell
- Stowaway
- (as Donni Frizzel)
Empfohlene Bewertungen
Georgia Perry is an ambitious and independent minded Australian woman determined to sail solo around the world. The first several weeks go off without a hitch but as the weeks of loneliness take their toll so do the strangeness. All matters of weird goings on occur such as having conversation s with her cat and dead relatives. But is this just a case of cabin fever or is their something else at play here, maybe something otherworldly?
I'll give the authors credit for coming up with an original SciFi / Drama / Thriller hybrid that works on several levels. The direction and photography is pretty dynamic considering that 90% of the running time takes place on a sailboat. On a film like this the lead actor is a core part of the film since they will be the one holding the ship together and Radha Mitchell fits the bill perfectly. She takes us through all the emotions, from familial tragedy to terror; she does a bang up job. Surprisingly there are even some good tension and a boo or two.
"Visitors" is an excellent mostly-drama that stays interesting and engaging due to a good script and an excellent lead performance.
I'll give the authors credit for coming up with an original SciFi / Drama / Thriller hybrid that works on several levels. The direction and photography is pretty dynamic considering that 90% of the running time takes place on a sailboat. On a film like this the lead actor is a core part of the film since they will be the one holding the ship together and Radha Mitchell fits the bill perfectly. She takes us through all the emotions, from familial tragedy to terror; she does a bang up job. Surprisingly there are even some good tension and a boo or two.
"Visitors" is an excellent mostly-drama that stays interesting and engaging due to a good script and an excellent lead performance.
A fine cast, a cute cat, and a swell premise are given the further benefit of the involvement of director Richard Franklin and writer Everett De Roche, both of whom have proven themselves before. There are problems that start to rear their head kind of quickly, though, and what they all rather boil down to is that the pacing feels overly swift in every regard, and the movie at large is brusque and forced. These issues apply to Franklin's direction here above all but extend just as much to the writing (dialogue, characters, scene writing, narrative, use of flashbacks, and plot development), acting, editing, and cinematography. This would be troublesome no matter what genre space the title played in, but becomes more so considering that there's a significant psychological element to the proceedings - a thrust that necessarily requires a thoughtful, delicate touch, which 'Visitors' plainly lacks.
The film is still enjoyable as we see it, certainly. There are terrific ideas here, as small as a single scene or line of dialogue that could have been latched onto, and all the fundamentals are in place for a spooky good time. The trouble is that every last piece of it is presented so bluntly, curtly, and loudly that it is stripped of a substantial portion of its power: every nightmare, dream, or vision, further illustration of Georgia losing touch with reality, and otherwise incident; so much of the camerawork, cuts, and sequencing; and even too much of Radha Mitchell's acting, under these conditions. I don't wholly dislike this, but it's no more than half the picture it could have been if a more nuanced, tactful, understated approach had been taken toward every component part. As it stands any possible thrills and chills are diminished, and even basic viewer engagement. Entertainment remains, but how much?
I appreciate the production design and art direction, stunts and effects (even the digital ones, if and when used sparingly), and costume design, hair, and makeup. Franklin illustrates a keen eye at times for shot composition. Though the same isn't necessarily true of how it is employed here, I like Nerida Tyson-Chew's music in and of itself. But why is it that the detached voice of Steven Grives is the one facet of the movie to consistently demonstrate a measure of subtlety? Why is it only well within the last act that it feels like the feature at large is firing on all cylinders? Why does the ending, specifically, represent a complete tonal shift? There was potential here, and there were also too many choices made that shoved that potential into a neat, small, useless box. For everything that 'Visitors' could have been, it ends up being no more than middling, and becomes an exercise in discovering all the ways that the title could have been improved upon. Here is another instance where I'm glad for those who get more out the flick than I do, but I'm just rather disappointed. Check it out if you want, and it's surely best suggested for those who are major fans of someone involved, but there are too many better ways to spend your time to bother much with this.
The film is still enjoyable as we see it, certainly. There are terrific ideas here, as small as a single scene or line of dialogue that could have been latched onto, and all the fundamentals are in place for a spooky good time. The trouble is that every last piece of it is presented so bluntly, curtly, and loudly that it is stripped of a substantial portion of its power: every nightmare, dream, or vision, further illustration of Georgia losing touch with reality, and otherwise incident; so much of the camerawork, cuts, and sequencing; and even too much of Radha Mitchell's acting, under these conditions. I don't wholly dislike this, but it's no more than half the picture it could have been if a more nuanced, tactful, understated approach had been taken toward every component part. As it stands any possible thrills and chills are diminished, and even basic viewer engagement. Entertainment remains, but how much?
I appreciate the production design and art direction, stunts and effects (even the digital ones, if and when used sparingly), and costume design, hair, and makeup. Franklin illustrates a keen eye at times for shot composition. Though the same isn't necessarily true of how it is employed here, I like Nerida Tyson-Chew's music in and of itself. But why is it that the detached voice of Steven Grives is the one facet of the movie to consistently demonstrate a measure of subtlety? Why is it only well within the last act that it feels like the feature at large is firing on all cylinders? Why does the ending, specifically, represent a complete tonal shift? There was potential here, and there were also too many choices made that shoved that potential into a neat, small, useless box. For everything that 'Visitors' could have been, it ends up being no more than middling, and becomes an exercise in discovering all the ways that the title could have been improved upon. Here is another instance where I'm glad for those who get more out the flick than I do, but I'm just rather disappointed. Check it out if you want, and it's surely best suggested for those who are major fans of someone involved, but there are too many better ways to spend your time to bother much with this.
This Australian horror caught me by surprise, what I mean by that is I'd never heard of it so my expectations were low and doubly the type of horror movie it is rarely manages to entertain.
It tells the story of Georgia Perry a 25yr old Australian girl intent on sailing around the world solo. It stars Radha Mitchell and Dominic Purcell and is actually really quite good.
Mitchell carries the movie well considering she makes up the bulk of the film. It is well structured, genuinely tense and though not scary it certainly makes up for it in other areas.
It looks great, the cast do a solid job and despite the ropey ending I walked away suitably impressed.
The Good:
Highly original
Well written
Great setting
The Bad:
Questionable ending
Not for everyone
Things I Learnt From This Movie:
Dominic Purcell looks weird with hair
A proper horror film with the same setting could be terrifying
It tells the story of Georgia Perry a 25yr old Australian girl intent on sailing around the world solo. It stars Radha Mitchell and Dominic Purcell and is actually really quite good.
Mitchell carries the movie well considering she makes up the bulk of the film. It is well structured, genuinely tense and though not scary it certainly makes up for it in other areas.
It looks great, the cast do a solid job and despite the ropey ending I walked away suitably impressed.
The Good:
Highly original
Well written
Great setting
The Bad:
Questionable ending
Not for everyone
Things I Learnt From This Movie:
Dominic Purcell looks weird with hair
A proper horror film with the same setting could be terrifying
(2003) Visitors
PSYCHOLOGICAL THRILLER/ SUPERNATURAL
Co-produced and directed by Richard Franklin that has Australian, Georgia Perry (Radha Mitchell) along with her cat named Taco, attempting to be the first girl to sail around the world using her 38 yacht Leander. And while sailing she begins to come across unexplainable events which may or may not be real! Nothing wrong with Radha Mitchell's performance except the film has some bad dialogue and directions that does not do anything to keep viewers invested. The portion of this idea for this picture might've came from another boat picture released in 1989 called "Dead Calm".
Co-produced and directed by Richard Franklin that has Australian, Georgia Perry (Radha Mitchell) along with her cat named Taco, attempting to be the first girl to sail around the world using her 38 yacht Leander. And while sailing she begins to come across unexplainable events which may or may not be real! Nothing wrong with Radha Mitchell's performance except the film has some bad dialogue and directions that does not do anything to keep viewers invested. The portion of this idea for this picture might've came from another boat picture released in 1989 called "Dead Calm".
While facing the challenge of sailing alone around the world in one hundred and forty days, the Australian Georgia Perry (Radha Mitchell) fights against the "ghosts" of her life in her loneliness, including an unresolved relationship with her mother and the engagement with her unfaithful fiancé.
"Visitors" was a great deception for me. Since "Pitch Black", I have been a fan of the actress Radha Mitchell and I have watched many of her movies. Therefore, I expected that "Visitors" would be a great film. Unfortunately, the confused screenplay, using flashbacks to explain the innermost contradictions and conflicts of the character Georgia Perry, begins with a great atmosphere and very intriguing, but does not work well and in the end makes the movie sometimes boring and messy. The idea is good, but the screenplay is horrible. My vote is five.
Title (Brazil): "Visitors"
"Visitors" was a great deception for me. Since "Pitch Black", I have been a fan of the actress Radha Mitchell and I have watched many of her movies. Therefore, I expected that "Visitors" would be a great film. Unfortunately, the confused screenplay, using flashbacks to explain the innermost contradictions and conflicts of the character Georgia Perry, begins with a great atmosphere and very intriguing, but does not work well and in the end makes the movie sometimes boring and messy. The idea is good, but the screenplay is horrible. My vote is five.
Title (Brazil): "Visitors"
Wusstest du schon
- WissenswertesFinal film of director Richard Franklin.
- VerbindungenReferenced in Road Games: Not Quite Hollywood Interviews (2008)
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- Laufzeit1 Stunde 40 Minuten
- Farbe
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- Seitenverhältnis
- 2.35 : 1
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