Um seine labile Mutter nach einem langen Koma vor einem verhängnisvollen Schock zu bewahren, muss ein junger Mann im Jahr 1990 vor ihr verbergen, dass ihre geliebte DDR-Nation, wie sie sie k... Alles lesenUm seine labile Mutter nach einem langen Koma vor einem verhängnisvollen Schock zu bewahren, muss ein junger Mann im Jahr 1990 vor ihr verbergen, dass ihre geliebte DDR-Nation, wie sie sie kannte, verschwunden ist.Um seine labile Mutter nach einem langen Koma vor einem verhängnisvollen Schock zu bewahren, muss ein junger Mann im Jahr 1990 vor ihr verbergen, dass ihre geliebte DDR-Nation, wie sie sie kannte, verschwunden ist.
- Nominiert für 1 BAFTA Award
- 36 Gewinne & 22 Nominierungen insgesamt
- Mutter Christiane Kerner
- (as Katrin Saß)
- Alex - 11 Jahre
- (as Nico Ledermüller)
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The story is of Alex, whose mother, a devoted member of the Communist Party, suffers a heart attack which sends her into a coma - through which she sleeps throughout the months of revolution and the fall of the communist regime. When she awakes, the doctors warn Alex not to cause his mother any anxiety or excitement; therefore, he goes to ludicrously immense lengths to keep her convinced that communism in East Berlin is still alive. Not much of it, once again, stands the test of reason, but it's incredibly witty and entertaining, and manages, throughout, to get across some powerful statements.
'Good Bye, Lenin!' is both fun and important, a film which I recommend to everyone. Don't be afraid of European cinema; even though the film might be difficult to come by, it's very rewarding and well worth your time.
Kathrin, a woman who has dedicated her life to the perpetuation of Communist Party ideology, suffers a major heart attack that plunges her into a comatose state a few months prior to the dissolution of the land she knows as East Germany. While she is 'asleep,' governments tumble, barriers crumble and a whole new tide of Western goods and values comes flooding eastwards to a ravenous, eagerly awaiting public. Then she wakes up. Fearing that the shock of finding such a radically changed world will lead to a second heart attack, her loving son, Alex, devises an elaborate scheme to shield her from the truth and to make her believe that the world she lives in now is the same world she knew eight months before (the basic premise is not that different from the one in 'Jacob the Liar').
'Good Bye Lenin!' is an amusing regional comedy that derives its laughs from two basic sources: the near-slapstick nature of the charade Alex is attempting to perpetrate, and the script's satirical view of a society rushing madly to embrace the joys of unbridled consumerism they have been so long denied. Given its gimmicky premise, 'Good Bye Lenin!' could have emerged as a one-joke comedy were it not for the fine sense of irony and absurdity that writer/director Wolfgang Becker (working with co-writer Bernd Lichtenberg) has brought to the project. In addition, young Daniel Bruhl as Alex and Katrin Sab as Kathrin deliver expert, moving performances that go to the very essence of the mother/child relationship.
I must confess that this film, despite its generally upbeat tone, brings with it a certain rueful sadness that the filmmakers may not exactly have intended. Could it really have been a mere fifteen years ago that the events depicted in this film actually happened - a mere fifteen years ago that the future of the human race seemed so full of joy, hope and promise? Now, in a post 9/11 world - where sectarian hatred and international terrorism rule the day - this image of people coming together to cast off the shackles of bondage and embrace freedom seems already like a quaint memory from the long distant past. In a strange way, the film has become something of a relic in its own time, outstripped by a world that has long since moved on to bigger and more dire concerns. 'Good Bye Lenin' reminds us of just how long ago and far away the Cold War really was.
Daniel Brühl, a young Spanish talent, takes the lead role as 'Alex', the young man at the centre of the tale. Through his subtle acting, Daniel is able to capture the determination and adoration that epitomise his character wonderfully. He is joined by the beautiful Chulpan Khamatova, Maria Simon and Alexander Beyer, who lend support to Brühl, as his girlfriend, sister and sister's boyfriend respectively, along with Kathrin Sass, who takes the central role of the mother recovering from a heart attack. I can't pick a single fault with any one of them. The setting of the fall of the Berlin Wall serves as a great place to set this story, as it allows the film to give a commentary on the changes of Germany's political landscape at the same time as allowing us to take in themes of family, love and the perception of truth that are abundantly clear. There aren't many bad things that I can say about it, and the only one really is that it can be a bit over sentimental at times. On the whole, however, Good Bye, Lenin! is an absolute treat and most certainly one of the better movies to have been released so far this decade.
Still a wonderful piece of filmmaking with great performances and some genuinely laugh out loud moments and goes well with The Lives of Others as a companion piece, although not too much to bring a smile to your face in that piece.
The basic premise of "Goodbye Lenin" is that the young man's mother is in a coma over the months when the Berlin Wall is coming down. She wakes up (oblivious) in united Germany, but as she is so fragile she cannot be allowed to know that everything she held dear has collapsed. What ensues is a comic and moving scenario - her son does his best to pretend that nothing has changed.
Yes, the movie is a little drawn-out. And most of the comedy is lost on non-Germans, or those unaware of the political climate in the region. However, there are clear universal issues to be considered; idealism, hope, family. There is one particular scene which I thought encompassed exactly how the main protagonist feels - he is at a bank trying to change his mother's old East German currency into Deutschmarks but the deadline has passed. He becomes aggravated by the sheep-like behaviour of his peers. After all, this is their culture being crushed by McCapitalism, but their individual vaunting ambition blinds them from doing something about it. Very refreshing to see this on the big screen.
All in all, "Goodbye Lenin" is a nicely-rounded statement of where the European film industry is heading, and it will appeal to most independent-minded people on both an artistic and political level. 8/10.
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- WissenswertesCGI was used extensively to "de-Westernize" Berlin. Even though it's mostly shot in the former East Berlin and much of the film takes place after the fall of the wall, it's been Westernized since at a furious rate. Many ads for Western products had to be removed, and many colors had to be lightened or grayed significantly.
- PatzerDenis wears a "digital rain"-style T-shirt in 1989 because he has developed the idea himself and has come up with an idea for a film exactly like Matrix (1999), which he describes in a deleted scene (the letters are not identical to the Matrix scheme.) The joke is that the idea originated in East Germany; compare the claim in one of Denis's fake news shows that the Coca-Cola formula was invented there. It also ties in to the film's main theme of keeping people in a simulated reality.
- Zitate
[last lines]
[spoiler]
Alexander Kerner: [voiceover] My mother outlived the GDR by three days. I believe it was a good thing she never learned the truth. She died happy. She wanted us to scatter her ashes to the winds. That's prohibited in Germany, both East and West. But we didn't care.
[launches rocket]
Alexander Kerner: She's up there somewhere now. Maybe looking down at us. Maybe she sees us as tiny specks on the Earth's surface, just like Sigmund Jähn did back then. The country my mother left behind was a country she believed in; a country we kept alive till her last breath; a country that never existed in that form; a country that, in my memory, I will always associate with my mother.
- Crazy CreditsRenowned German actor Jürgen Vogel plays the chicken in the supermarket and is credited as "Das Küken" ("young chicken").
- VerbindungenFeatured in The 61st Annual Golden Globe Awards (2004)
- SoundtracksMocca-Milch-Eisbar
Written by Thomas Natschinski and Hartmut König
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 79 qm DDR
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.800.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.064.200 $
- Eröffnungswochenende in den USA und in Kanada
- 57.968 $
- 29. Feb. 2004
- Weltweiter Bruttoertrag
- 79.316.957 $
- Laufzeit2 Stunden 1 Minute
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1