Der menschliche Makel

I wished for more from Nicole Kidman after her good performance in Moulin Rouge, but she is stuck in a rut. It is incomprehensible that she won an Oscar for her performance in The Hours, as all she did was smoke cigarettes and brood while wearing a false nose. In The Human Stain, she again smokes cigarettes and broods, this time with dirty fingernails.

Anthony Hopkins did a good job of playing a man riddled by angst, but his misery seemed to stem from his being in the movie, rather than from being in character. Gary Senise, an enjoyable actor, was stiff and terrified-looking. Ed Harris was typically brilliant.

The interesting part of the movie is the story of a young black man growing up in the 1940's and "passing" for white. The actors playing his family were wonderful, and the insights offered were moving and human. It is a shame that part of the story was not lifted out and made into a movie of its own. It would have been better for us all.

The Human Stain is a film about an elderly retired middle-class university professor called Coleman (played by Anthony Hopkins) who begins a relationship with a troubled woman (played by Nicole Kidman) who leads a white-trash existence, and the effects it has on both of them. It also has the side plots (but very much intertwined) of the elderly man's friendship with a young writer (character name Zuckerman)and the young woman's ongoing troubles with her ex-husband.

I thought this was a lovely film - Anthony Hopkins is excellent and extremely convincing in this role, as were the characters of Farley (the ex-husband) & Zuckerman. The friendship particularly between Zuckerman and Coleman was extremely warm and charming. However, whilst Nicole Kidman's acting was very good, I remained unconvinced by the character that she played. Aside from this, I found the film extremely engaging and believable.

I almost did not see this because of the poor reviews (only 38% on Rotten Tomatoes) but I'm glad I ignored the reviews and saw it any way. While far from perfect, it is still one of the better films of the year.

This is a film that aims high, which makes it's imperfections stand out all that much more. While the critics have documented all that is wrong with this film, it is still a powerful story with great acting and cinematography. For me, more cinematic style would have been what this film needed to take it from being a good film to being a great film.

A strong 8/10 rating.

I honestly can not think of a single thing wrong with this movie. The actors are top rate actors that consistently turn in exceptional performances. This movie is no exception.

The plot is intriguing. The pasts of the main protagonists unfold, making their characters exceptionally deep. We get to see these characters evolve in interesting and compelling ways. There are shades-of-grey in these characters. We don't have the perfect hero. We have gentle people with kind hearts who make mistakes.

The direction is perfectly understated. There is a lot of nuance in the way the scenes are filmed and the way in which the actors are framed. Instead of the love scenes being the all-to-familiar humping and groaning, these scenes are filmed without graphic nudity. Note the way in which Anthony Hopkins places his hands on Nicole Kidman's back. It is so loving and tender and intimate.

Even the editing is right on. The length of the film, at 106 minutes, is the perfect length. There are no wasted scenes.

Some of the material is hard to watch. Note the posture and the facial expression on Anthony Hopkins in the kitchen scene in which Nicole Kidman is giving him a hard time. It is subtle and painful to watch.

If you are into light-hearted escapist film, this isn't for you. The subject matter is deep and difficult. I like these kinds of movies and this one is one of the best in class.

Kudos to all involved with this film.

I'm terrifically surprised at all the middling reviewing of this film, to the point where I feel I have to echo the last few reviews that stand in opposition.

This is a film that just does it right. Unlike so many other dramas with heavyweight casts, this really feels like it's about the story, not the work. Kidman, aside from slipping into her native accent on a handful of words, is fantastic -- perhaps her very best. Harris, like Streep and maybe two or three other actors, brings a real humanity to a role that any other actor would just fill out.

But most of all, everything is in the background and hence subservient to the story. The gorgeous lighting, scenery, dialog -- the whole craft of the film is done the way it's supposed to be done, in the damn background. That all said, I think the real reason this film is slighted is because it's a little too good for the average viewer. It doesn't live up to their idea of what a lit-cum-drama is supposed to feel like. I just have a feeling that in several years this will be revisited and appreciated much more. Now, I'm going to go watch it again!