Es war k'einmal im Märchenland

Avoid this film until you've read all of the negative reviews on it first. That way, you are less likely to be as disappointed in it as I was. The previews suckered me into seeing it. Do not make this mistake!

Though a cute idea, it ended up as only that ... a cute idea. Fortunately, the acting was well suited to this shallow attempt to entertain. Comparing it to Shrek and Hoodwinked is rather unfair, since this movie is no where near their league.

If you have absolutely nothing to do on a cold and rainy day, and you get hold of a free ticket, pick up a newspaper on your way to the theater and read what the critics have said about it. If you decide to see it, on those terms, you have at least been warned.

I looked forward to this movie, having been pleasantly surprised by other fractured fairy tales such as "Shrek" and even "Hoodwinked", and I really wanted to like this one a lot, but as it was, I only like it a little.

Here's the lowdown: Cinderella, or Ella, as friends call her (Sarah Michelle Gellar) is taken with the charming but clueless Prince Humperdink (Patrick Warburton), but in the classic fashion of the fairy tale we all know, stepmother Frieda (Sigourney Weaver) has other ideas--when she stumbles upon the lab of a powerful wizard (George Carlin) and runs afoul of his hapless assistants, Mambo and Munk (Andy Dick and Wallace Shawn, respectively) she learns that everyone's fate in Fairy Tale Land is pre-written, can be manipulated, and proceeds to do so. She garners the support of just about every fairy tale villain in a regular coup, Forcing Ella, Mambo, Munk, and cynical palace dishwasher Rick (Freddie Prinze Jr.) to search for the Prince, or some way out of the mess.

This film looks terrific--the visuals of Fairy Tale land are quite stunning, and the character design, along with capable voicing, makes the characters memorable. Even the idea is juicy, and leads to other interesting notions, such as the view of Rumplestiltskin (Michael McShane channeling Gilbert Gottfried) as a concerned guardian. The problem--and it's a big one--is that they all deserve a better executed, better timed story. The plot, while intriguing in concept, drags in too many places, and there just feels like a few too many holes are left here and there. The disjointed use of the talent is somewhat evident as well; I'm somewhat used to guys like Warburton, Shawn, and Andy Dick getting the great lines, and Dick does get some good ones, but most of the good lines are divided between Prinze and Weaver. Oh, they handle them effectively enough, but the uneven feel loses punch for the whole production. So technically, it's excellent, but overall, it's mediocre. You should really wait for DVD on this one...

I really don't understand all of the venom and vitriol directed at this cute little film. Is it a cinematic masterpiece? No, but it's hardly the worst children's animated film you'll ever see. (I leave that honor to the horror that is DOOGLE.) The ill-fated romance between Rick and Ella seems genuine enough -- it makes you take a second look at the classic fairy tale and ask the question, "what is so all-fired wonderful about Price Charming, anyway?" The casting was appropriate -- anything featuring the underused Wallace Shawn can't be all bad -- and the acting was fine, if not Oscar-worthy.

Again, is this film on the level of SHREK or ICE AGE, or anything by Pixar? Of course not. But is it better than a lot of the animated children's films that have come out lately? Absolutely.

Happily N'ever After is a play on the usual and expected ending of all fairy tales, where the guy will get the girl, defeat the evil queen/king, and ride off into the sunset. What happens after that, frankly, nobody cares, as it's as perfect an ending as it can possibly be.

The storyline here takes a peek into what can actually go wrong, if "happily ever after" gets traded for "happily never after". Fate as it seems, in Fairy Tale Land, is managed in a castle top by a caretaker wizard (George Carlin) and his two bumbling helpers Mambo (Andy Dick) and Monk (Wallace Shawn). In their lair, there's the book of fairy tales which dictates the lives of everyone in the land, a remote controlled looking glass for that big-brother peep into their lives, and a set of scales, which can be tipped into Good or Bad directions to influence the proceedings of the fairytale.

Central to the plot, despite a host of other familiar and identifiable tales like Sleeping Beauty and Little Red Riding Hood, is that of Cinderella's. Ella (as she is known here, voiced by Sarah Michelle Gellar) as usual is being bullied by her wicked stepmother (aren't they always), voiced by Sigourney Weaver, and ugly stepsisters (Kath Soucie and Jill Talley), and we encounter the same scenario about going to the Prince's (Patrick Warburton) ball, fairy godmother, pumpkin coach, glass slippers and all. Only that this time, the spotlight is put on the Prince's kitchen helper Rick (Freddie Prinze Jr), the chief protagonist and narrator of the story.

Rick secretly loves Ella, and cannot fathom why the entire kingdom is smitten with the buffoon of a prince charming - Prince Humperdink. It seems to copy the formula set out by Shrek, that if you have a prince, making him a less than perfect specimen character-wise, to draw out the laughs. In the presence of his incompetence, Rick and Ella gotta combine forces to save their land and restore order when Ella's stepmother gains control over the wizard's staff and lair. That about sums up the plot.

Delivery wise, the animation looked rather uninspiring. 3D animated movies have reached a certain threshold, and no longer commands the wows. It's not that it isn't gorgeous, just not fantastically so. The voice talents are relatively unknowns, except for the leads, and seemed to have gone the opposite direction to the mantra of filling the movie with as many recognizable stars as possible, in order to put attention to the story and dialogue. Sadly, the story's rather plain, with an expected ending, and the dialogue, lacking in wit and spunk. There are scenes which try to be funny, but just fall flat.

In an animated movie where fairy tale characters run amok, the movie coasts along without much madness infused. But definitely easy enough for its intended target audience - the children - to understand and enjoy.

Once upon a time, twelve years ago to be exact, a Canadian film studio by the name of Lionsgate was created. At the start their films went pretty much unnoticed. Starting in 2000 a wave of change came about. First was 'American Psycho', then 'Monster's Ball' in 2001, followed by 'Saw', 'Fahrenheit 9/11', 'The Devil's Rejects', & 'Crash' in the years after. All those films became notable favorites of many. The year is now 2007, and Lionsgate has assembled a rather interesting collection of people to take part in their latest release. Animation designer of 1997's 'Pippi Longstocking', Paul Boger is directing. 'The Return of Jafar's story creator Doug Langdale and 'Ground Control's writer Rob Moreland have been chosen to write. To bring the characters created to life, on board is 'The Grudge's Sarah Michelle Gellar, 'Scooby-Doo's Freddy Prinze Jr., & once alien obliterating, Sigourney Weaver. Together with numerous others, they have created the atrocity of a film with the truthful title 'Happily N'Ever'.

The Wizard of Fairy Tale Land, played by George Carlin, is going on vacation. That leaves his assistants Mambo and Munk, played by Andy Dick and Wallace Shawn in charge. It's now their duty to keep the balance of good and evil. This means making sure all stories go according to planned; each getting their happy ending. Everything is okay until Sigourney Weaver's character, Frieda, Cinderella's evil step-mother, finds out about the Wizard's absence and easily takes over. The kingdom is now in shambles with evil now holding power. Cinderella, played by Sarah Michelle sets out with Mambo and Monk in search of Prince Charming hoping that he'll be able to save the day. Rick, the dishwasher of the Prince, feels this is a waste of time. His plan is for him, Cinderella, Mambo, & Monk to take out Frieda themselves, which the others disagree with. Either way, the fact remains that she must be stopped, and soon.

If this had been released in 2001, the idea of it might be more appealing. Unfortunately, since it didn't, it's almost impossible not to compare with 'Shrek'. Once again fairy tale icons have been synced together for a CGI film. Only this time, they're aren't as much fun to watch. I'll confess, the introduction fooled me. It made me think that it would end up being okay. Thirty-one minutes in, I was completely frustrated. I wanted it to end right then and there. This is actually fitting though considering a line Will gives at the end of the intro. He states, "I'm sorry to tell you, but it only gets worse from here." How sad it is that I didn't pay any attention to his warning.

The kinks in the characters really make the difference here. Cinderella isn't able to stray from believing the Prince is her one true love. She doesn't end up opening her eyes to what is right in front of her until the very end. This ends up making her seem dimwitted, and as a result, makes us never really care about her. Then Rumpelstiltskin, played by Michael McShane, ends up slowly turning good once evil is in favor and lets him to get the baby he sought after. This change ends up affecting his fairy tale. Instead of being dragged into the earth by rage, he ends up staying and helps care for the child. This was only done for the film because he becomes somewhat likable. So of course in the end, they can't simply dispose of him like in the actual story. I guess anyone can now re-write one of the Brother's Grimm's classic tales.

Above all other imperfections displayed, repetitiveness is honestly the worst of them all. Over and over and over and over and over mostly from Frieda, is the idea that nothing is going to end happy said. Sometimes it's re-worded, sometimes it's not. I would think that title of the film gave that away. Even having Frieda shout it once would be okay, but no. They had to have her say it until it almost loses its meaning. It does succeed in making you want the happy ending to happen even more though. If that's even important at all at that point… It does try, I'll give it that, but it's nowhere near as clever as 'Shrek'. I must say though, I did like the seven dwarfs. The twist on them is nice. With that I must also say, they single-handedly can't save 'Happily N'Ever After'. I urge you, avoid seeing it. Don't even rent it when it becomes available on DVD. Just walk away and never turn back.